Principles of Adaptation for Film and Television

Principles of Adaptation for Film and Television

Author: Ben Brady

Publisher: University of Texas Press

Published: 1994

Total Pages: 239

ISBN-13: 0292708076

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From All Quiet on the Western Front, the Academy Award-winning "Best Picture" of 1929-1930, to Dances with Wolves, the 1991 winner, many of Hollywood's most popular and enduring movies have been screen adaptations of written work, including novels, stories, and plays. In this practical, hands-on guide, veteran TV and screenwriter Ben Brady unlocks the secrets of the adaptation process, showing aspiring writers and writing teachers how to turn any kind of narrative material into workable, salable screenplays for film and television. Step by step, Brady guides novice screenwriters to the completion of a professional screenplay. He begins with an incisive discussion of how to evaluate a written work's potential as a screenplay. Then he discusses each step of the writing process, showing how to identify the plot and premise of the play, develop character, treatment, and dialogue, and handle camera language and format. Brady illustrates each of these points by developing and writing a complete screenplay of the novel Claire Serrat within the text. With these tools, beginning screenwriters can draw on the rich resources of words in print to create exciting screenplays for film and television. Written in vivid, entertaining prose, the book will be equally useful in the classroom or at the kitchen table, wherever enterprising writers ply their craft.


A Theory of Adaptation

A Theory of Adaptation

Author: Linda Hutcheon

Publisher: Routledge

Published: 2012-08-21

Total Pages: 296

ISBN-13: 113621092X

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A Theory of Adaptation explores the continuous development of creative adaptation, and argues that the practice of adapting is central to the story-telling imagination. Linda Hutcheon develops a theory of adaptation through a range of media, from film and opera, to video games, pop music and theme parks, analysing the breadth, scope and creative possibilities within each. This new edition is supplemented by a new preface from the author, discussing both new adaptive forms/platforms and recent critical developments in the study of adaptation. It also features an illuminating new epilogue from Siobhan O’Flynn, focusing on adaptation in the context of digital media. She considers the impact of transmedia practices and properties on the form and practice of adaptation, as well as studying the extension of game narrative across media platforms, fan-based adaptation (from Twitter and Facebook to home movies), and the adaptation of books to digital formats. A Theory of Adaptation is the ideal guide to this ever evolving field of study and is essential reading for anyone interested in adaptation in the context of literary and media studies.


The Complete Idiot's Guide to Screenwriting

The Complete Idiot's Guide to Screenwriting

Author: Skip Press

Publisher: Penguin

Published: 2000

Total Pages: 365

ISBN-13: 9780028639444

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Provides advice for aspiring screenwriters on how to write scripts for television and motion pictures, including what topics are popular, how to rework scenes, and how to sell screenplays in Hollywood.


How to Adapt Anything into a Screenplay

How to Adapt Anything into a Screenplay

Author: Richard Krevolin

Publisher: John Wiley & Sons

Published: 2003-03-13

Total Pages: 244

ISBN-13: 0471225452

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From concept to finished draft-a nuts-and-bolts approach to adaptations Aspiring and established screenwriters everywhere, take note! This down-to-earth guide is the first to clearly articulate the craft of adaptation. Drawing on his own experience and on fourteen years of teaching, screenwriter Richard Krevolin presents his proven five-step process for adapting anything-from novels and short stories to newspaper articles and poems-into a screenplay. Used by thousands of novelists, playwrights, poets, and journalists around the country, this can't-miss process features practical advice on how to break down a story into its essential components, as well as utilizes case studies of successful adaptations. Krevolin also provides an insider's view of working and surviving within the Hollywood system-covering the legal issues, interviewing studio insiders on what they are looking for, and offering tips from established screenwriters who specialize in adaptations. * Outlines a series of stages that help you structure your story to fit the needs of a 120-page screenplay * Explains how to adapt anything for Hollywood, from a single sentence story idea all the way to a thousand-page novel * Advises on the tricky subject of just how faithful your adaptation should be * Features helpful hints from Hollywood bigwigs-award-winning television writer Larry Brody; screenwriter and script reader Henry Jones; screenwriter and author Robin Russin; screenwriter and author Simon Rose; and more


Badge of Evil

Badge of Evil

Author: Whit Masterson

Publisher: Prologue Books

Published: 2013-01-18

Total Pages: 208

ISBN-13: 1440560919

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A revisit of the 1950s classic that inspired Orson Welles's film Touch of Evil Assistant District Attorney Mitch Holt suspects the wrong people have been arrested in the murder of Rudy Linneker. But if it wasn't Linneker's daughter and her fiance, who was it? And why do two of the city's most decorated and beloved cops look like they're not shooting straight? If they've planted evidence in this case, what else are they guilty of in the past?


Theorizing Adaptation

Theorizing Adaptation

Author: Kamilla Elliott

Publisher:

Published: 2020

Total Pages: 377

ISBN-13: 0197511171

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From film and television theory to intertextuality, poststructuralism to queer theory, postcolonialism to meme theory, a host of contemporary theories in the humanities have engaged with adaptation studies. Yet theorizing adaptation has been deemed problematic in the humanities' theoretical and disciplinary wars, been charged with political incorrectness by both conservative and radical scholars, and declared outdated and painfully behind the times compared to other disciplines. And even separate from these problems of theorization is adaptation's subject matter - with many film adaptations of literature widely and simply declared "bad." In this thorough and groundbreaking study, author Kamilla Elliott works to detail and redress the problem of theorizing adaptation. She offers the first cross-disciplinary history of theorizing adaptation in the humanities, extending back in time to the sixteenth century - revealing that before the late eighteenth century, adaptation was valued and even celebrated for its contributions to cultural progress before its eventual - and ongoing - marginalization. Elliott also presents a discussion of humanities theorization as a process, arguing the need to rethink how theorization functions within humanities disciplines and configure a new relationship between theorization and adaptation, and then examines how rhetoric may work to repair this difficult relationship. Ultimately, Theorizing Adaptation seeks to find shared ground upon which adaptation scholars can dialogue and debate productively across disciplinary, cultural, and theoretical borders, without requiring theoretical assent or uniformity.


From Book to Screen

From Book to Screen

Author: Keiko I. McDonald

Publisher: M.E. Sharpe

Published: 2000

Total Pages: 352

ISBN-13: 9780765603883

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This study explores the connections between Japan's modern literary tradition and its national cinema. The first part offers a historical and cultural overview of the working relationship that developed between pure literature and film. The second analyzes 12 literary works and their adaptions.


Make Your Story a Movie

Make Your Story a Movie

Author: John Robert Marlow

Publisher: Macmillan

Published: 2012-12-11

Total Pages: 322

ISBN-13: 1250001838

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$50 Billion of Advice in One Book* Have you ever wondered why some books and stories are adapted into movies, and others aren't? Or wished you could sit down and pick the brains of the people whose stories have been adapted--or the screenwriters, producers, and directors who adapted them? Author John Robert Marlow has done it for you. He spoke to book authors, playwrights, comic book creators and publishers, as well as Hollywood screenwriters, producers and directors responsible for adapting fictional and true stories into Emmy-winning TV shows, Oscar-winning films, billion-dollar megahits and smaller independents. Then he talked to the entertainment attorneys who made the deals. He came away with a unique understanding of adaptations--an understanding he shares in this book: which stories make good source material (and why); what Hollywood wants (and doesn't); what you can (and can't) get in a movie deal; how to write and pitch your story to maximize the chances of a Hollywood adaptation--and how much (and when) you can expect to be paid. *This book contains the distilled experience of creators, storytellers and others whose works have earned over $50 billion worldwide. Whether you're looking to sell film rights, adapt your own story (alone or with help), or option and adapt someone else's property--this book is for you.


Cinema as a Worldbuilding Machine in the Digital Era

Cinema as a Worldbuilding Machine in the Digital Era

Author: Alain Boillat

Publisher: Indiana University Press

Published: 2023-01-03

Total Pages: 345

ISBN-13: 0861969820

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This essay examines the primacy of worldbuilding in the age of CGI, transmedia practices and "high concept" fiction by studying the principles that govern the creation of a multiverse in a wide range of film and TV productions. Emphasis is placed on Hollywood sci-fi movies and their on-screen representation of imaginary machines that mirror the film medium, following in the tradition of Philip K. Dick's writings and the cyberpunk culture. A typology of worlds is established, as well as a number of analytical tools for assessing the impact of the coexistence of two or more worlds on the narrative structure, the style (uses of color, editing practices), the generic affiliation (or hybridity), the seriality and the discourse produced by a given film (particularly in fictions linked to post-9/11 fantasies). Among the various titles examined, the reader is offered a detailed analysis of the Resident Evil film series, Total Recall and its remake, Dark City, the Matrix trilogy, Avatar, Source Code and other time-loop films, TRON and its sequel, Christopher Nolan's Tenet, and several TV shows – most notably HBO's Westworld, but also Sliders, Lost, Fringe and Counterpart.


The Fionavar Tapestry Trilogy

The Fionavar Tapestry Trilogy

Author: Guy Gavriel Kay

Publisher: Harper Collins

Published: 2013-11-19

Total Pages: 1354

ISBN-13: 144341607X

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In the three novels that make up the Fionavar Tapestry trilogy collected in this omnibus edition (The Summer Tree, The Wandering Fire, and The Darkest Road), five University of Toronto students find themselves transported to a magical land to do battle with the forces of evil. At a Celtic conference, Kimberley, Kevin, Jennifer, Dave, and Paul meet wizard Loren Silvercloak. Returning with him to the magical kingdom of Fionavar to attend a festival, they soon discover that they are being drawn into the conflict between the dark and the light.... Praise for Guy Gavriel Kay "[Kay] stunningly weaves Arthurian legends into the fluid mix of Celtic, Nordic, and Teutonic, creating a grand fantasy that sweeps readers into a heroic struggle that the author makes all the more memorable because of the tributes he pays to past masters.... Kay is undoubtedly one of the Canadian masters of high fantasy." —Jeffrey Canton “Kay is a genius.” —Brandon Sanderson “As captivating as any classic of the fantasy field.” —Maclean’s “Can only be compared to Tolkien’s masterpiece. This is a series to cherish and reread.” —The Star-Phoenix “The essence of high fantasy.” —Locus