Aiki, the unbalancing element of the martial arts of Aikido and Aikijujutsu, is the least understood aspect of these arts. Generally, descriptions of Aiki vary from the mystical to vague concepts like blending with the attacker's energy. This book gives a meaningful and practical bio-mechanical definition of Aiki. This description of Aiki clearly differentiates it from the unbalancing methods used in the associated martial arts of Judo, Jujutsu and Wrestling. Using this definition, Aiki can be applied in three fundamental forms. For each form, a detailed description of how Aiki is applied is given and is supplemented with demonstrations, so that the reader can experience the unbalancing effect of Aiki. Examples are described in detail, showing how each form of Aiki is applied in the techniques of Aikido and Aikijujutsu. The explanation of Aiki given here unifies the arts of Aikido and Aikijujutsu. Throughout the book, the ideas discussed are supported with illustrated diagrams. The Principle of Aiki described in this book has been used to analyse the unbalancing element of Aikido and Aikijujutsu techniques recorded on Youtube by well known Aikido and Aikijujutsu Sensei. This supporting material is available on the author's website aiki.simdif.com.
Aiki-jujutsu is a traditional Japanese combative discipline that has the potential to vitally transform the lives of its participants. Due to the unique nature of aiki-jujutsu, it is possible to experience deeper levels of relaxation, calmness, concentration, willpower, and physical fitness in daily living. This book presents a detailed investigation into the mysteries of this time-honored martial art.
Aiki-Jujutsu: Mixed Martial Art of the Samurai is essential reading for practitioners and instructors of mixed martial arts, the traditional Asian martial arts and those who seek to learn more about the techniques, philosophy and history of the fighting arts of the Samurai. Using easy to follow, step-by-step photography and text, 10th Dan Cary Nemeroff demonstrates how to perform the throws, hand strikes, grappling/groundwork manoeuvres, blocks, break-falls, kicks and sword-disarming techniques of the complete Aiki-Jujutsu system, including Kempo-Jutsu, Aiki-Jutsu and Ju-Jutsu. It also provides a concise history of the concepts and systems surrounding Aiki-Jujutsu's development, such as Budo and Bujutsu, enabling the practitioner to gain a more comprehensive understanding of the art. Essential reading for all practitioners and instructors of mixed martial arts. Covers the hand strikes, throws, kicks and sword-disarming techniques of the complete Aiki-Jujutsu system and provides a concise history of the concepts surrounding Aiki-Jujutsu's development, such as Budo and Bujutsu. Superbly illustrated with around 830 step-by-step photographs. Cary Nemeroff is a 10th Dan in Aiki-Jujutsu (Jujutsu) with thirty-five years of training to his credit.
This work introduces the techniques of a little-known ancient art. Like otherartial arts, Aiki Jujutsu Daitoryu relies not on a practitioner's physicalize or strength, but on turning the force used by an opponent against him.iki Jujitsu Daitoryu originated in the 12th century.
This book is a collection of the life's work and essential teachings of Jigoro Kano, who founded Kodokan Judo in Tokyo in 1882. Kodokan Judo was for Kano the culmination of a lifelong devotion to the jujutsu of the past, which he reorganized along educational lines while taking great care to retain its classical traditions. In doing so, he opened the path from jutsu (skill) to do (way), and broadened the horizons of knowledge until he reached the point at which he began to advocate seiryoku zenyo (maximum efficiency) and jita kyoei (mutual prosperity), which represent the universality and ideal of human existence, and are the core values of judo.
The book discovers secrets of Daito-ryu Aikijujutsu technique – a style that is an origin of Aikido – a famous and popular type of martial arts for the first time. The work describes in detail the main technique of the school, presents information about the history, philosophy and psychophysical aspects of Daito-ryu. The book contains the large number of illustrations with detail presentation of peculiarities of the style technique and will be useful for all, who studies martial arts. Contents: Introduction: Generation and formation of Daito-ryu Aikijujutsu Chapter 1. Base technique Chapter 2. Daito-ryu Aikijujutsu main technique Ikkajo Ikkajo Tachiai Ikkajo Idori Ikkajo Hanza-Handachi Ikkajo Ushiro-Dori Chapter 3. Selected Techniques Hiden Mokuroku Nikajo - Gokajo Nikajo (Review of selected techniques) Sankajo (Review of selected techniques) Yonkajo (Review of selected techniques) Gokajo (Review of selected techniques) Chapter 4. Aiki no Jutsu (Review of selected techniques) Conclusion
TRANSLATOR' S INTRODUCTION We would like to begin by thanking Doshu Ueshiba Kisshomaru and the Aikikai Foundation for making this family treasure available for publication. We also wish to express our appreciation to those teachers who gave their invaluable help in explaining difficult passages. Due to the historical nature of this work certain difficulties arose, especially in deciding to what degree we should try to produce clear and precise English. Any precise translation could easily become a personal translation, limiting the contents and range of the translator's individual understanding at this particular point in his or her training. Therefore, after consulting some of the highest Sensei in Aikido and other arts it was decided to strive for a translation that would both preserve the simplicity of the original expression and at the same time leave open to the reader at least the possibility of coming up with the broad set of ideas and associations indicated in the Japanese. This book appeared in 1933 and is the first published account of O-Sensei's art. Although not actually written down by him, it is a transcription of lectures and explanations which was later reviewed by the founder and approved as a teacher's manual. The political and historical context of the times should be kept in mind. No attempt has been made to edit the text. The original copy has O-Sensei's title which was simply "Budo Renshu", i.e. "Budo Training". Later the second Doshu annotated this with the word "Aikido". The Dojo decided on using the original name here despite the fact that most Japanese copies are entitled Aikijujutsu Ogi", or "The Secrets of Aikijujutsu". The latter is actually an interpretive heading used by the copyists. The original was hand-written and illustrated. Later this was copied out several times, using tracing paper to reproduce the illustrations. During this process errors easily crept in. By comparing various copies, most of the poems could be deciphered despite their flowerly writing style. However only a few of the tracing mistakes have been corrected here. In other cases the terms 'left' and 'right' had been reversed. This seems to be the result of confusing Nage's point of view Uke's. In this edition these obvious errors have been corrected to match the illustrations. The poems presented the biggest problems. Much effort was spent to offer the reader a translation which presents as closely as possible the same degree of lee- ay for interpretation, insight and error, as appears in the original. Two versions are offered. One reflects the 5-7-5-7-7 syllabic structure of five line, Japanese Waka poetry. Each line in English contains the same groups of words found in the corresponding line of Japanese. The second attempt is to put the poem into a somewhat clearer English syntax. Another interesting point about the poems is that not all of them are original compositions of O-Sensei. At least a few can be traced to other martial traditions. Please note that the parentheses indicate the insertion, for your reference, of a Japanese word used in the text for the preceding English word (except for a few cases in the technique section where O-Sensei used parentheses in the original). Square brackets are the translator's insertions for the sake of the English. By simply deleting the sections enclosed by them, they allow readers to refer to O-Sensei's exact words, if they choose to do so. Although not for the beginner, it is hoped that access to this historically important text will be useful in understanding Aikido and its origins for those who have taken Budo as their 'Way'. Larry E. Bieri Seiko Mabuchi
The complete catalogue of required techniques up to Yondan (4th Degree Black Belt) in Combat Aiki-jujutsu, including the rules, regulations and guidelines of the International Combat Aiki-jujutsu Federation.
