Princely Splendor

Princely Splendor

Author: Dirk Syndram

Publisher: Mondadori Electa

Published: 2004

Total Pages: 324

ISBN-13:

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Il volume è il catalogo della mostra itinerante di Amburgo, (Museum für Kunst und Gewerbe, 10 giugno - 26 settembre 2004), New York (The Metropolitan Museum of Art, 26 ottobre 2004 - 30 gennaio 2005), Roma (Palazzo Ruspoli, 2 marzo 25 aprile 2005), dedicata agli splendidi oggetti provenienti dalla Corte di Dresda, esposti per la prima volta dopo il restauro. Gli oggetti in mostra, databili tra il tardo Rinascimento e il primo Barocco, vanno dalle armi alle armature, alle sculture, ai preziosi scrigni in oro e avorio, agli abiti e ai ritratti. Il catalogo fornisce una documentazione completa di una delle più ricche collezioni di arte principesca.


Liechtenstein, the Princely Collections

Liechtenstein, the Princely Collections

Author: Metropolitan Museum of Art (New York, N.Y.)

Publisher: Metropolitan Museum of Art

Published: 1985

Total Pages: 402

ISBN-13: 0870993852

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Liechtenstein is one of the smallest European states, a principality situated between Austria and Switzerland in the Upper Rhine Valley. The nation is less than three hundred years old, but the ruling family, whose name it bears, traces its lineage back to the twelfth century. For successive generations, members of the Princely House of Liechtenstein have been devoted art collectors. With a high degree of appreciation of artistic achievement, they have pursued a centuries-long family tradition of acquiring not only great paintings and sculpture but also rare firearms, fine porcelain, and other works of art. The result of this tradition is a collection of masterpieces that in its depth and breadth reflects more than four hundred years of European history and ranks among the world's greatest private collections. This publication accompanies an exhibition at The Metropolitan Museum of Art that marked the first time the masterpieces from this private collection were put on public display. The rich and varied array of paintings, sculpture, and other works included in this exhibition not only represents the paradigm of a great European princely collection, but also has the added distinction of being the collection of the only surviving monarchy of the Holy Roman Empire. -- Metropolitan Museum of Art website.


Memory before Modernity

Memory before Modernity

Author: Erika Kuijpers

Publisher: BRILL

Published: 2013-12-05

Total Pages: 360

ISBN-13: 9004261257

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This volume examines the practice of memory in early modern Europe, showing that this was already a multimedia affair with many political uses, and affecting people at all levels of society; many pre-modern memory practices persist until today.


Rarities of These Lands

Rarities of These Lands

Author: Claudia Swan

Publisher: Princeton University Press

Published: 2021-03-09

Total Pages: 336

ISBN-13: 0691207968

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"The early years of the seventeenth century saw a great flourishing of Dutch culture. In the arts, this was the era of Vermeer and Rembrandt, as well as the development of a local art market. Commerce extended around the world, with state-sponsored trading companies importing foreign goods. Politically, the Netherlands became the first nation-state in Europe, in 1648. In this book, Claudia Swan considers all these aspects together, examining the material culture of the period-the designed, manufactured, and hand-crafted materials and wares-to show how the Dutch encounter with so-called "exotic" goods played a fundamental role in the country's political formation"--


Kings and Connoisseurs

Kings and Connoisseurs

Author: Jonathan Brown

Publisher: Princeton University Press

Published: 2023-10-17

Total Pages: 264

ISBN-13: 0691252866

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A vivid and exciting account of royal collectors, art dealers, connoisseurs, and the rise of old master paintings Old master paintings are among the most valuable and prestigious of the visual arts, and the best examples command the highest prices of any luxury commodity. In Kings and Connoisseurs, Jonathan Brown tells the story of how painting rose to this exalted status. The transformation of painting from an inexpensive to a costly art form reached a crucial stage in the royal courts of Europe in the seventeenth century, where rulers and aristocrats assembled huge collections, often in short periods of time. By comparing collecting and collectors at these courts, Brown explains the formation of new attitudes toward pictures, as well as the mechanisms that supported the enterprise of collecting, including the emergence of the art dealer, the development of connoisseurship, and the publication of sumptuous picture books of various collections. The result is an exciting narrative of greed and passion, played out against a background of international politics and intrigue.