Primitivism, Cubism, Abstraction
Author: Charles Harrison
Publisher: Yale University Press
Published: 1993-01-01
Total Pages: 280
ISBN-13: 9780300055160
DOWNLOAD EBOOKOn art in the early 20th century
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Inventing Abstraction, 1910-1925
Author: Leah Dickerman
Publisher: The Museum of Modern Art
Published: 2012
Total Pages: 378
ISBN-13: 0870708287
DOWNLOAD EBOOKThis book explores the development of abstraction from the moment of its declaration around 1912 to its establishment as the foundation of avant-garde practice in the mid-1920s. The book brings together many of the most influential works in abstractions early history to draw a cross-media portrait of this watershed moment in which traditional art was reinvented in a wholesale way. Works are presented in groups that serve as case studies, each engaging a key topic in abstractions first years: an artist, a movement, an exhibition or thematic concern. Key focal points include Vasily Kandinskys ambitious Compositions V, VI and VII; a selection of Piet Mondrians work that offers a distilled narrative of his trajectory to Neo-plasticism; and all the extant Suprematist pictures that Kazimir Malevich showed in the landmark 0.10 exhibition in 1915.0Exhibition: MoMA, New York, USA (23.12.2012-15.4.2013).
Modern Art And Modernism
Author: Francis Frascina
Publisher: Routledge
Published: 2018-05-04
Total Pages: 549
ISBN-13: 0429978537
DOWNLOAD EBOOKModern Art and Modernism offers firsthand material for the study of issues central to the development of modern art, its theory, and criticism. The history of modern art is not simply a history of works of art, it is also a history of ideas interpretations. The works of critics and theorists have not merely been influential in deciding how modern art is to be seen and understood, they have also influenced the course it has taken. The nature of modern art cannot be understood without some analysis of the concept of Modernism itself.Modern Art and Modernism presents a selection of texts by the major contributors to debate on this subject, from Baudelaire and Zola in the nineteenth century to Greenberg and T. J. Clark in our own times. It offers a balanced section of essays by contributors to the mainstream of Modernist criticism, representative examples of writing on the themes of abstraction and expression in modern art, and a number of important contributions to the discussion of aesthetics and the social role of the artist. Several of these are made available in English translation for the first time, and others are brought together from a wide range of periodicals and specialized collections.This book will provide an invaluable resource for teachers and students of modern art, art history, and aesthetics, as well as for general readers interested in the place of modern art in culture and history.
Interpreting Visual Culture
Author: Ian Heywood
Publisher: Psychology Press
Published: 1999
Total Pages: 282
ISBN-13: 9780415157094
DOWNLOAD EBOOKRanging from an analysis of the role of vision in current critical discourse to discussion of examples taken from the visual arts, ethics and sociology, this collection presents material on the interpretation of the visual in modern culture
The Cambridge History of Modernism
Author: Vincent Sherry
Publisher: Cambridge University Press
Published: 2017-01-11
Total Pages: 1579
ISBN-13: 1316720535
DOWNLOAD EBOOKThis Cambridge History of Modernism is the first comprehensive history of modernism in the distinguished Cambridge Histories series. It identifies a distinctive temperament of 'modernism' within the 'modern' period, establishing the circumstances of modernized life as the ground and warrant for an art that becomes 'modernist' by virtue of its demonstrably self-conscious involvement in this modern condition. Following this sensibility from the end of the nineteenth century to the middle of the twentieth, tracking its manifestations across pan-European and transatlantic locations, the forty-three chapters offer a remarkable combination of breadth and focus. Prominent scholars of modernism provide analytical narratives of its literature, music, visual arts, architecture, philosophy, and science, offering circumstantial accounts of its diverse personnel in their many settings. These historically informed readings offer definitive accounts of the major work of twentieth-century cultural history and provide a new cornerstone for the study of modernism in the current century.
Cubism and Culture
Author: Mark Antliff
Publisher: New York : Thames & Hudson
Published: 2001
Total Pages: 224
ISBN-13: 9780500203422
DOWNLOAD EBOOK"This is a book whose great achievement is to bring out the importance of the Cubists in a history far bigger than the history of art." Christopher Green, Courtauld Institute of Art"
Realism, Rationalism, Surrealism
Author: Fer
Publisher: Yale University Press
Published: 1993-01-01
Total Pages: 354
ISBN-13: 9780300055191
DOWNLOAD EBOOKThis book begins by considering responses by French artists to the First World War, showing how Purism, Dada, and early Surrealism are related to the ethos of post-war reconstruction. The authors then discuss the language of construction in places as dissimilar as France, Germany, and the Soviet Union; the contrasting demands of the utility and decoration of objects and paintings; and the relationship of surrealism to questions of sexuality and gender and to Freudian theory. The book concludes by addressing the widespread debate over realism in art: whether it represents an alternative to the elitism of the avant-garde or whether avant-garde art should play a role in the development of a modern realism.
Mapping Modernisms
Author: Elizabeth Harney
Publisher: Duke University Press
Published: 2018-11-01
Total Pages: 315
ISBN-13: 0822372614
DOWNLOAD EBOOKMapping Modernisms brings together scholars working around the world to address the modern arts produced by indigenous and colonized artists. Expanding the contours of modernity and its visual products, the contributors illustrate how these artists engaged with ideas of Primitivism through visual forms and philosophical ideas. Although often overlooked in the literature on global modernisms, artists, artworks, and art patrons moved within and across national and imperial borders, carrying, appropriating, or translating objects, images, and ideas. These itineraries made up the dense networks of modern life, contributing to the crafting of modern subjectivities and of local, transnationally inflected modernisms. Addressing the silence on indigeneity in established narratives of modernism, the contributors decenter art history's traditional Western orientation and prompt a re-evaluation of canonical understandings of twentieth-century art history. Mapping Modernisms is the first book in Modernist Exchanges, a multivolume project dedicated to rewriting the history of modernism and modernist art to include artists, theorists, art forms, and movements from around the world. Contributors. Bill Anthes, Peter Brunt, Karen Duffek, Erin Haney, Elizabeth Harney, Heather Igloliorte, Sandra Klopper, Ian McLean, Anitra Nettleton, Chika Okeke-Agulu, Ruth B. Phillips, W. Jackson Rushing III, Damian Skinner, Nicholas Thomas, Norman Vorano
In Good Hands
Author: Ellen Mary Easton McLeod
Publisher: McGill-Queen's Press - MQUP
Published: 1999
Total Pages: 388
ISBN-13: 9780886293567
DOWNLOAD EBOOKIn 1905 two Montreal women, Alice Peck and May Phillips, founded the Canadian Handicrafts Guild. Inspired by British and American women in the arts and crafts movement, and spurred by their thirty-year rivalry with Mary Dignam of the Toronto-based Women's Art Association of Canada, these two created an organization that revived popular interest in traditional handwork done by women, Canadiens, Indigenous people, and new Canadians.
New Perspectives on Br?cke Expressionism
Author: Christian Weikop
Publisher: Routledge
Published: 2017-07-05
Total Pages: 342
ISBN-13: 1351556452
DOWNLOAD EBOOKNew Perspectives on Br?cke Expressionism: Bridging History brings together highly-renowned international art historians in a scholarly work that offers the first full-length reassessment in English of the importance of the Br?cke group to German modernism specifically and to international modernism more generally. It challenges, interrogates and updates existing orthodoxies in the field of Br?cke studies by deploying new research combined with innovative interpretative approaches. This is an exciting volume of essays with an interlinking tripartite structure that charts the significance of this pioneering German avant-garde group in relation to various critical themes, namely, 'cultural and material identity', 'collectivity and selfhood', as well as 'defamation and rehabilitation'. The book is unique in the field in that it seeks to excavate specific historical research relating to the activities of the Br?cke as a bohemian yet nonetheless enterprising artists' community, and considers the contributions of the key members in relation to the dynamics of that group rather than simply on an individual basis. It thoroughly explores the historiography of the Br?cke artists' reception throughout the turbulent history of the twentieth century up until the present day.
