These selected writings of Gottfried Benn or primal visions of the 1920s anticipated in certain ways the positions of such writers today as Beckett and Genet, the French antinovelists and the American Beats.
A single mother of two, she writes for her children, as well as for others. Annie Bostic-Hollis volunteers with public access television and the Citizen's Review Panel for Juvenile Foster Care of DeKalb county, Georgia. Presently, she is producing a poetry show for public access television and is writing a second book of poetry and a screenplay.
Since its founding by Jacques Waardenburg in 1971, Religion and Reason has been a leading forum for contributions on theories, theoretical issues and agendas related to the phenomenon and the study of religion. Topics include (among others) category formation, comparison, ethnophilosophy, hermeneutics, methodology, myth, phenomenology, philosophy of science, scientific atheism, structuralism, and theories of religion. From time to time the series publishes volumes that map the state of the art and the history of the discipline.
An extraordinary, path-breaking, and penetrating book on the life and work and creative inspirations of the great children's book genius Maurice Sendak, who since his death in 2012 has only grown in his stature and recognition as a major American artist, period. Polymath and master interviewer Jonathan Cott first interviewed Maurice Sendak in 1976 for Rolling Stone, just at the time when Outside Over There, the concluding and by far the strangest volume of a trilogy that began with Where The Wild Things Are and In the Night Kitchen, was gestating. Over the course of their wide-ranging and revelatory conversation about his life, work, and the fantasies and obsessions that drove his creative process, they focused on many of the themes and images that would appear in the new book five years later. Drawing on that interview,There's a Mystery There is a profound examination of the inner workings of a complicated genius's torments and inspirations that ranges over the entirety of his work and his formative life experiences, and uses Outside Over There, brilliantly and originally, as the key to understanding just what made this extravagantly talented man tick. To gain multiple perspectives on that intricate and multifaceted book, Cott also turns to four "companion guides": a Freudian analyst, a Jungian analyst, an art historian, and Sendak's great friend and admirer, the playwright Tony Kushner. The book is richly illustrated with examples from Sendak's work and other related images.
Written by a widely-travelled bishop, theologian and poet, these 16 evangelical, catholic and ecumenical articles, published over 34 years, provide illumination with imagination, interweaving art, poetry and archives with theology, history and spirituality.
Visions of War provides a historical survey, an anatomy, an interpretation, and a polemic about the ways human beings have created pictures of battle and conflict from the Stone Age to the Gulf War. From the dawn of time to the present, from the days of mammoth hunting to the era of Scud-busting, pictures of war constitute the most persistent genre of images human beings have created. In fact, human beings are the only creatures who engage in these two activities--organized violence and the making of pictorial images--and the author shows how both art and war emerge from the same source: the hunter's eye. David D. Perlmutter's Visions of War explores and analyzes the thirteen thousand-year legacy of pictures of war from various cultures over the centuries, from the Stone Age cave paintings and monumental sculpture of the ancient Near East to the art of the classical period and the Middle Ages, from pre-contact Mesoamerican imagery to Napoleonic propaganda and totalitarian art and on to the instantaneous images of the Gulf War.
Over the past two centuries the Christian faith has spread to all continents. Although more global than ever, Christians are religious minorities in most societies. Religious freedom is hardly universal. In the past fifty years, millions of people have been uprooted from their traditional homelands in Asia, Africa, and Latin America. Some have emigrated to Western Europe and North America. The West has become the scene of cultural, linguistic, and religious variety on a scale unimagined in 1900. Today, the full range of faiths and religious practices from all continents are present in Europe and North America. Christians are challenged to come to terms with this changed situation. These developments have intensified religious plurality. Christians all over the world are being urged to understand and engage with this new situation. This volume highlights this new reality and specifies some sources for engagement, not least among them the Judeo-Christian scriptures--fundamental to all "Christianities"--that emerged out of religious plural contexts. On the basis of their faith in the Triune God disclosed in this text, all followers of Jesus Christ must interact with these opportunities in today's radically context-sensitive world.
This fascinating book brings together philosophical and historical essays on the European experience of empire. Its main thesis is that at the heart of political experience stands a metaphysical one, with a rich trail of evidence in the historical record. The book sets out to explore this in the case of a succession of European empires between the fifteenth and twentieth centuries. Power changed everything. It took away the old conceptions of morality and exposed the nature of the world in a way that forced these empires to make a choice on who they were and what they wanted. The study of this choice, translated into a million other choices and acts, forms the core of the text. It proceeds in two steps. The first examines the philosophical concepts of power; the second investigates the real experience of these concepts in the turbulent history of Europe from the Reformation to the Second World War and its aftermath. The result is a passionate and elegant work that offers a groundbreaking look into the psychology and psychosis of imperial power and achieves the rarest of feats: a philosophical work on politics that actually matters.
What is post-colonial theology? How does it relate to theology that emerged in historically colonial situations? These are two questions that get to the heart of Robert S. Heaney's work as he considers the extent to which theologians predating the emergence of post-colonial theology might be considered as precursors to this theological movement. Heaney argues that the work of innovative theologians John S. Mbiti and Jesse N.K. Mugambi, important in their own right, must now also be considered in relation to the continued emergence of post-colonial theology. When this is done, fresh perspectives on both the nature of post-colonial theology and contextual theology emerge. Through a sympathetic and critical reading of Mbiti and Mugambi, Heaney offers a series of constructive moves that counter the ongoing temptation toward acontextualism that continues to haunt theology both in the North and in the South.