"Her heart breaking, Bria Rafferty is about to hand-deliver divorce papers to her husband when he's knocked unconscious. Now he remembers nothing of the past six months. Not Bria's unhappiness. Not the harrowing event that made her walk out the door. Sam thinks they still live together at the Sugar Creek Ranch. That his money is all she needs. That everything is just fine. To help him heal, Bria moves back home. But once there, she can't resist a stolen embrace--a stolen night. Can she bear leaving him a second time? Or will she find the courage to stay?"--P. [4] of cover.
Something to Hide? Seven years ago, wealthy sheriff Nathan Battle proposed to his pregnant girlfriend. But Amanda Altman ripped out his heart, left town—and suffered a miscarriage. Now she's back and Nathan has to get over her once and for all. But his plan to seduce her, say goodbye forever and focus on his job isn't working too well. Upon returning to gossipy Royal, Texas, Amanda's determined not to show Nathan how much she still loves him. Yet resisting the gorgeous lawman is impossible. Especially when she discovers she's pregnant with his child…again.
This fascinating book is the first volume in a projected cultural history of the United States, from the earliest English settlements to our own time. It is a history of American folkways as they have changed through time, and it argues a thesis about the importance for the United States of having been British in its cultural origins. While most people in the United States today have no British ancestors, they have assimilated regional cultures which were created by British colonists, even while preserving ethnic identities at the same time. In this sense, nearly all Americans are "Albion's Seed," no matter what their ethnicity may be. The concluding section of this remarkable book explores the ways that regional cultures have continued to dominate national politics from 1789 to 1988, and still help to shape attitudes toward education, government, gender, and violence, on which differences between American regions are greater than between European nations.
Good Strategy/Bad Strategy clarifies the muddled thinking underlying too many strategies and provides a clear way to create and implement a powerful action-oriented strategy for the real world. Developing and implementing a strategy is the central task of a leader. A good strategy is a specific and coherent response to—and approach for—overcoming the obstacles to progress. A good strategy works by harnessing and applying power where it will have the greatest effect. Yet, Rumelt shows that there has been a growing and unfortunate tendency to equate Mom-and-apple-pie values, fluffy packages of buzzwords, motivational slogans, and financial goals with “strategy.” In Good Strategy/Bad Strategy, he debunks these elements of “bad strategy” and awakens an understanding of the power of a “good strategy.” He introduces nine sources of power—ranging from using leverage to effectively focusing on growth—that are eye-opening yet pragmatic tools that can easily be put to work on Monday morning, and uses fascinating examples from business, nonprofit, and military affairs to bring its original and pragmatic ideas to life. The detailed examples range from Apple to General Motors, from the two Iraq wars to Afghanistan, from a small local market to Wal-Mart, from Nvidia to Silicon Graphics, from the Getty Trust to the Los Angeles Unified School District, from Cisco Systems to Paccar, and from Global Crossing to the 2007–08 financial crisis. Reflecting an astonishing grasp and integration of economics, finance, technology, history, and the brilliance and foibles of the human character, Good Strategy/Bad Strategy stems from Rumelt’s decades of digging beyond the superficial to address hard questions with honesty and integrity.
SIMPLY THE BEST The prodigal daughter? All her life Rio had been considered wild, from the wrong kind of family. Only one man had shown any faith in her Kane Langtry's father. But it wasn't a case of like father, like son. Kane respected his father's wishes when he left Rio half the family ranch but he didn't respect Rio. Living with her was driving Kane crazy . Except he was starting to realize that he didn't hate her he wanted her! They had so much in common. Both wary of love, but both passionate and wild at heart. Kane wasn't sure he could tame Rio, but suddenly he desperately wanted to try! SIMPLY THE BEST. Authors you'll treasure, books you'll want to keep!
"Lurie takes particular interest in the influence of cinema on Faulkner's fiction and the visual strategies he both deployed and critiqued. These include the suggestion of cinematic viewing on the part of readers and of characters in each of the novels; the collective and individual acts of voyeurism in Sanctuary and Light in August; the exposing in Absalom! Absalom! and Light in August of stereotypical and cinematic patterns of thought about history and race; and the evocation of popular forms like melodrama and the movie screen in If I forget thee, Jerusalem. Offering innovative readings of these canonical works, this study sheds new light on Faulkner's uniquely American modernism."--BOOK JACKET.
