Precolonial African Material Culture

Precolonial African Material Culture

Author: V. Tarikhu Farrar

Publisher: Rowman & Littlefield

Published: 2020-01-20

Total Pages: 319

ISBN-13: 1793606439

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The idea of an inherent backwardness of technology and material culture in early sub-Saharan Africa is a persistent and tenacious myth in the scholarly and popular imagination. Due to the emergence of the field of African studies and the upsurge in historical and archaeological research, in recent decades the stridency of this myth has weakened, and the overtly racist content of arguments mustered in its defense have tended to disappear. But more important are transformations in social, political, and cultural consciousness, which have worked to reshape conceptualizations of African peoples, their histories, and their cultures. Precolonial African Material Culture offers a thorough challenge to the myth of technological backwardness. V. Tarikhu Farrar revisits the early technology of sub-Saharan Africa as revealed by recent research and reconsiders long-possessed primary historical sources. He then explores the ways that indigenous African technologies have influenced the world beyond the African continent.


A Material Culture

A Material Culture

Author: Stephanie Wynne-Jones

Publisher: Oxford University Press

Published: 2016-05-12

Total Pages: 286

ISBN-13: 0191077178

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A Material Culture focuses on objects in Swahili society through the elaboration of an approach that sees people and things as caught up in webs of mutual interaction. It therefore provides both a new theoretical intervention in some of the key themes in material culture studies, including the agency of objects and the ways they were linked to social identities, through the development of the notion of a biography of practice. These theoretical discussions are explored through the archaeology of the Swahili, on the Indian Ocean coast of eastern Africa. This coast was home to a series of settlements from the seventh century onwards; some grew to become coral-built 'stonetowns'. These precolonial towns, such as Kilwa Kisiwani, Mombasa, and Gede, represent a unique urban tradition. They were deeply involved in maritime trade, carried out by a diverse Islamic population. This book suggests that the Swahili are a highly-significant case study for exploration of the relationship between objects and people in the past, as the society was constituted and defined through a particular material setting. Further, it is suggested that this relationship was subtly different than in other areas, and particularly from western models that dominate prevailing analysis. The case is made for an alternative form of materiality, perhaps common to the wider Indian Ocean world, with an emphasis on redistribution and circulation rather than on the accumulation of wealth. The reader will therefore gain familiarity with a little-known and fascinating culture, as well as appreciating the ways that non-western examples can add to our theoretical models.


African Material Culture

African Material Culture

Author: Mary Jo Arnoldi

Publisher: Indiana University Press

Published: 1996-04-22

Total Pages: 384

ISBN-13: 0253116635

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"This volume has much to recommend it -- providing fascinating and stimulating insights into many arenas of material culture, many of which still remain only superficially explored in the archaeological literature." -- Archaeological Review "... a vivid introduction to the topic.... A glimpse into the unique and changing identities in an ever-changing world." -- Come-All-Ye Fourteen interdisciplinary essays open new perspectives for understanding African societies and cultures through the contextualized study of objects, treating everything from the production of material objects to the meaning of sticks, masquerades, household tools, clothing, and the television set in the contemporary repertoire of African material culture.


Precolonial Black Africa

Precolonial Black Africa

Author: Cheikh Anta Diop

Publisher: Chicago Review Press

Published: 2012-09-01

Total Pages: 259

ISBN-13: 1613747454

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This comparison of the political and social systems of Europe and black Africa from antiquity to the formation of modern states demonstrates the black contribution to the development of Western civilization.


Undercurrents of Power

Undercurrents of Power

Author: Kevin Dawson

Publisher: University of Pennsylvania Press

Published: 2021-05-07

Total Pages: 360

ISBN-13: 0812224930

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Kevin Dawson considers how enslaved Africans carried aquatic skills—swimming, diving, boat making, even surfing—to the Americas. Undercurrents of Power not only chronicles the experiences of enslaved maritime workers, but also traverses the waters of the Atlantic repeatedly to trace and untangle cultural and social traditions.


Ethnic Ambiguity and the African Past

Ethnic Ambiguity and the African Past

Author: Francois G Richard

Publisher: Routledge

Published: 2016-07

Total Pages: 297

ISBN-13: 1315429004

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Authors engage with contemporary anthropological, historical and archaeological perspectives to examine how ideas of self-understanding, belonging, and difference in ancient Africa were made and unmade in their intersection with other salient domains of social experience: states, landscapes, discourses, memory, technology, politics, and power.


Red Gold of Africa

Red Gold of Africa

Author: Eugenia W. Herbert

Publisher: Univ of Wisconsin Press

Published: 1984

Total Pages: 448

ISBN-13: 9780299096045

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The classic history of copper working and use throughout Africa. Researched with a depth of scholarship that will leave future historians green with envy.


African Art and the Colonial Encounter

African Art and the Colonial Encounter

Author: Sidney Littlefield Kasfir

Publisher: Indiana University Press

Published: 2007-10-24

Total Pages: 417

ISBN-13: 0253022657

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Focusing on the theme of warriorhood, Sidney Littlefield Kasfir weaves a complex history of how colonial influence forever changed artistic practice, objects, and their meaning. Looking at two widely diverse cultures, the Idoma in Nigeria and the Samburu in Kenya, Kasfir makes a bold statement about the links between colonialism, the Europeans' image of Africans, Africans' changing self representation, and the impact of global trade on cultural artifacts and the making of art. This intriguing history of the interaction between peoples, aesthetics, morals, artistic objects and practices, and the global trade in African art challenges current ideas about artistic production and representation.