Pre-Raphaelites Re-viewed

Pre-Raphaelites Re-viewed

Author: Marcia R. Pointon

Publisher: Manchester University Press

Published: 1989

Total Pages: 184

ISBN-13: 9780719028205

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The Pre-Raphaelite Brotherhood, formed in 1848 by the young Millais, Holman Hunt and Rossetti, has long been recognised as a high point in Victorian artistic production. But whilst we know much of the private lives of Pre-Raphaelite artists and writers and their best-known paintings are very familiar, their work (and particularly their visual imagery) has attracted limited attention from art historians and critical theorists. This collection redresses the situation with a series of detailed critical and historical studies of individual issues and productions, artistic and literary, relative to Pre-Raphaelitism. Using rigorous new critical analysis, the book throws new light on the ways in which the Pre-Raphaelites addressed philosophical, religious, political and social questions. It will be essential reading for all students of Victorian art, literature and ideas.--Back cover.


The Art of the Pre-Raphaelites

The Art of the Pre-Raphaelites

Author: Elizabeth Prettejohn

Publisher: Princeton Univ Department of Art &

Published: 2000

Total Pages: 304

ISBN-13: 9780691070575

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In a richly illustrated re-examination of a seminal period in art history, the author of Rossetti and His Circle asks important questions about the pre-Raphaelite artists, their work, their artistic themes, and their influence on the history of art.


The Pre-Raphaelites

The Pre-Raphaelites

Author: Inga Bryden

Publisher: Taylor & Francis

Published: 1998

Total Pages: 424

ISBN-13: 9780415187947

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This unique collection demonstrates the profoundly interdisciplinary nature of Pre-Raphaelitism, and contains contains whole texts and key extracts from key Pre-Raphaelite figures such as William Morris, and from less well-known figures.


The Pre-Raphaelites

The Pre-Raphaelites

Author: Aurélie Petiot

Publisher: National Geographic Books

Published: 2019-10-08

Total Pages: 0

ISBN-13: 0789213427

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A magnificent new book on the Pre-Raphaelites—oversized, gorgeously illustrated, and packed with insight Dante Gabriel Rossetti, John Everett Millais, and William Holman Hunt. These were among the young British artists who, in the revolutionary year of 1848, set out to return a lost vibrancy to European art. Calling themselves the Pre-Raphaelite Brotherhood, they and their later followers—including Edward Burne-Jones and William Morris—mounted an artistic front against what they saw as the confining standards of the Victorian art world, and the dehumanizing aspects of the industrial age. Their works drew on Shakespeare, Keats, Tennyson, and medieval lore. They also treated religious and contemporary themes with striking realism, bringing viewers into intimate contact with the subject and causing scandal in their time. In this authoritative yet highly readable volume, art historian Aurélie Petiot traces Pre-Raphaelitism from its beginnings as a secret brotherhood to its dissemination in multiple strands of British art and beyond. Petiot offers keen analyses of Pre-Raphaelite painting, drawing, and decorative art alike. She gives particular attention to the role of women in the movement, not only as models and muses, but as pioneering artists in their own right, whose work has only begun to receive its proper recognition. Uniquely, the last chapters of the book are devoted to the enduring (yet often underestimated) Pre-Raphaelite influence on the later course of modern art and on our contemporary culture. More than 300 full-color illustrations reproduce all the great Pre-Raphaelite masterpieces, as well as many fascinating lesser-known works, with all the luminous brilliance and detail for which the Pre-Raphaelites are renowned. This splendid volume is a must-have for any art history lover.


The Pre-Raphaelite Lens

The Pre-Raphaelite Lens

Author: Diane Waggoner

Publisher: Lund Humphries Publishers

Published: 2010

Total Pages: 230

ISBN-13: 9781848220676

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The rich dialogue between photography and Pre-Raphaelite art explored within this fascinating catalogue is organised around the themes of landscape, portraiture, literary and historical narratives and modern-life subjects. Fully illustrated with over 200 images, this volume combines groundbreaking scholarship with stunning imagery.


The Pre-Raphaelite Art of the Victorian Novel

The Pre-Raphaelite Art of the Victorian Novel

Author: Sophia Andres

Publisher: Ohio State University Press

Published: 2005

Total Pages: 236

ISBN-13: 0814209742

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A provocative interdisciplinary study of the Victorian novel and Pre-Raphaelite art, this book offers a new understanding of Victorian novels through Pre-Raphaelite paintings. Concentrating on Elizabeth Gaskell, Wilkie Collins, George Eliot, and Thomas Hardy and aligning each novelist with specific painters, this work interprets narrative redrawings of Pre-Raphaelite paintings within a range of cultural contexts as well as alongside recent theoretical work on gender. Letters, reviews, and journals convincingly reinforce the contentions about the novels and their connection with paintings. Featuring color reproductions of Pre-Raphaelite paintings, this book reveals the great achievement of Pre-Raphaelite art and its impact on the Victorian novel. Arguing for the direct relationship between Pre-Raphaelite painting and the Victorian novel, this book fills a gap in the currently available literature devoted to the Victorian novel, the Pre-Raphaelites, and the connection of Pre-Raphaelite art to Victorian poetry. Visual readings of the Victorian novel channel the twenty-first-century readers' desire for the visual into the exploration of Pre-Raphaelite art in the Victorian novel, in the process offering fresh insights into the representation of gender in Victorian culture. Through a textual and a visual journey, this work reveals a new approach to the Victorian novel and Pre-Raphaelite art with profound implications for the study of both.


Pre-Raphaelites Re-viewed

Pre-Raphaelites Re-viewed

Author: Marcia R. Pointon

Publisher: Manchester University Press

Published: 1989

Total Pages: 184

ISBN-13: 9780719028205

DOWNLOAD EBOOK

The Pre-Raphaelite Brotherhood, formed in 1848 by the young Millais, Holman Hunt and Rossetti, has long been recognised as a high point in Victorian artistic production. But whilst we know much of the private lives of Pre-Raphaelite artists and writers and their best-known paintings are very familiar, their work (and particularly their visual imagery) has attracted limited attention from art historians and critical theorists. This collection redresses the situation with a series of detailed critical and historical studies of individual issues and productions, artistic and literary, relative to Pre-Raphaelitism. Using rigorous new critical analysis, the book throws new light on the ways in which the Pre-Raphaelites addressed philosophical, religious, political and social questions. It will be essential reading for all students of Victorian art, literature and ideas.--Back cover.


The Pre-Raphaelite Body

The Pre-Raphaelite Body

Author: J. B. Bullen

Publisher: Oxford University Press

Published: 1998

Total Pages: 266

ISBN-13: 9780198182573

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Pre-Raphaelitism was the first avant-garde movement in Britain. It shocked its first audience, and as it modulated into Aestheticism it continued to disturb the British public. This interdisciplinary study traces the sources of this critical reaction to the representation of the body in painting and poetry from the work of Millais and Morris to that of Rossetti and Burne-Jones. The book also explores how reactions were conditioned by such late nineteenth-century anxieties as fear of cholera and hatred of Catholicism, fascination with the fallen woman, horror at the `shrieking sisterhood' of emancipated women, and even the terror of psycho-sexual diseases.


Reading the Pre-Raphaelites

Reading the Pre-Raphaelites

Author: Tim Barringer

Publisher: Yale University Press

Published: 1999-01-01

Total Pages: 182

ISBN-13: 9780300077872

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This illustrated book focuses on the Pre-Raphaelite artists and their radical departure from artistic conventions. Barringer explores the meanings encoded in Pre-Raphaelite paintings and analyses key pictures and their significance within the complex social and cultural matrix of 19th century Britain.