Fanning the Sacred Flame

Fanning the Sacred Flame

Author: Brian D. Dillon

Publisher: University Press of Colorado

Published: 2012-03-15

Total Pages: 617

ISBN-13: 145711173X

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Fanning the Sacred Flame: Mesoamerican Studies in Honor of H. B. Nicholson contains twenty-two original papers in tribute to H. B. "Nick" Nicholson, a pioneer of Mesoamerican research. His intellectual legacy is recognized by Mesoamerican archaeologists, art historians, ethnohistorians, and ethnographers--students, colleagues, and friends who derived inspiration and encouragement from him throughout their own careers. Each chapter, which presents original research inspired by Nicholson, pays tribute to the teacher, writer, lecturer, friend, and mentor who became a legend within his own lifetime. Covering all of Mesoamerica across all time periods, contributors include Patricia R. Anawalt, Alfredo López Austin, Anthony Aveni, Robert M. Carmack, David C. Grove, Richard D. Hansen, Leonardo López Luján, Kevin Terraciano, and more. Eloise Quiñones Keber provides a thorough biographical sketch, detailing Nicholson's academic and professional journey.


The Face of Ancient America

The Face of Ancient America

Author: Lee Allen Parsons

Publisher: Indiana University Press

Published: 1988

Total Pages: 252

ISBN-13: 9780936260242

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"For archaeologists, artists, art historians, and all lovers of art, expecially pre-Columbian art." -- Choice "... one of the better general pre-Columbian catalogues to appear in a long time." -- African Arts More than 150 examples of Olmec and Maya art are described in detail, discussed, and reproduced in magnificent full-color photographs. The collection is grouped into cultural and geographical sections to give a complete picture of the most significant civilizations of ancient Latin America.


Thinking with Things

Thinking with Things

Author: Esther Pasztory

Publisher: University of Texas Press

Published: 2005-08-01

Total Pages: 268

ISBN-13: 9780292706910

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"At its heart, Pasztory's thesis is simple and yet profound. She asserts that humans create things (some of which modern Western society chooses to call "art") in order to work out our ideas - that is, we literally think with things. Pasztory draws on examples from many societies to argue that the art-making impulse is primarily cognitive and only secondarily aesthetic. She demonstrates that "art" always reflects the specific social context in which it is created, and that as societies become more complex, their art becomes more rarefied."--Jacket.