“Prairie Lands, Private Landscapes: Reframing a Mennonite Childhood" is a stunning and heartfelt tribute to the power of memory and the importance of cultural heritage. In this poignant and evocative book, the author takes us on a journey through his own personal history, sharing with us his struggles and triumphs and his quest for self-discovery and meaning.
Norman L. Lofland and Betty J. Lofland share the lessons they learned traveling, teaching, and living abroad in their memoir, How Not to Travel. The couple started their teaching careers at Bethel College, a Mennonite liberal arts college in North Newton, Kansas. In 1963, interesting adventures developed after a travel agent friend inspired them to apply for jobs in Beirut, Lebanon. The Loflands never imagined that they would end up teaching four decades abroad. Their adventures included meeting the Shah of Iran; having an audience with Colonel Muamar Khaddafi; interacting with Yasser Arafat before the Israelis bombed the Palestinian headquarters; driving a Karmann Ghia from Beirut to London and back, as well as from Beirut to Tehran and back; designing a theatre in Tehran with Frank Lloyd Wright’s Taliesin West architects; and perhaps most important, exchanging ideas with students in Lebanon, Iran, Tunisia, China, Macau, and North Cyprus. Join the Loflands as they recall the highs, the lows, and the life lessons they learned amid the reality of war, revolution, and exotic living.
Lauren Friesen, Ph.D., was born near Henderson, Nebraska where he resided until matriculating at Bethel College (Kansas). He received his Ph.D. with honors from Graduate Theological Union and the Department of Dramatic Art at the University of California-Berkeley. From 2000 to 2013 Friesen served as Chair of the Department of Theatre and Dance at the University of Michigan-Flint. Currently he is the David M. French Distinguished Professor of Theatre Emeritus at the University of Michigan. He was the founding director of the Master of Arts in Arts Administration program for the Rackham Graduate School at the University of Michigan. He also served as Professor of Drama and Director of the John S. Umble Center at Goshen College. The Kennedy Center awarded Friesen with the Gold Medallion for Excellence in Theatre Education and the Indiana Theatre Association presented him with the Outstanding Contribution to University Theatre plaque. In 2013 Pacific School of Religion presented Friesen with the Distinguished Alumni award.Lauren and his wife, Janet Burkholder, have been married forty-six years and are the proud parents of Erica who was married to Blair Franklin and Eliot who is married to Carrie Meyers. Erica and Blair have two sons, August Emerson and Maximus Grey. Eliot and Carrie have two daughters, Greta Catherine and Alexandra Claire.
“I promise: you will be transported,” says Bill Moyers of this memoir. Part Mennonite in a Little Black Dress, part Growing Up Amish, and part Little House on the Prairie, this book evokes a lost time, in Lancaster County, Pennsylvania, when a sheltered little girl named after Shirley Temple entered a family and church caught up in the midst of the cultural changes of the 1950”s and ‘60’s. With gentle humor and clear-eyed affection the author, who grew up to become a college president, tells the story of her first encounters with the “glittering world” and her desire for “fancy” forbidden things she could see but not touch. The reader enters a plain Mennonite Church building, walks through the meadow, makes sweet and sour feasts in the kitchen and watches the little girl grow up. Along the way, five other children enter the family, one baby sister dies, the family moves to the “home place.” The major decisions, whether to join the church, and whether to leave home and become the first person in her family to attend college, will have the reader rooting for the girl to break a new path. In the tradition of Jill Ker Conway’s The Road to Coorain, this book details the formation of a future leader who does not yet know she’s being prepared to stand up to power and to find her own voice. The book contains many illustrations and resources, including recipes, a map, and an epilogue about why the author is still Mennonite. Topics covered include the death of a child, Pennsylvania Dutch cooking, the role of bishops in the Mennonite church, the paradoxes of plain life (including fancy cars and the practice of growing tobacco). The drama of passing on the family farm and Mennonite romance and courtship, as the author prepares to leave home for college, create the final challenges of the book.
The Amish relationship to the environment is much more complicated than you might think. The pastoral image of Amish communities living simply and in touch with the land strikes a deep chord with many Americans. Environmentalists have lauded the Amish as iconic models for a way of life that is local, self-sufficient, and in harmony with nature. But the Amish themselves do not always embrace their ecological reputation, and critics have long questioned the portrayal of the Amish as models of environmental stewardship. In Nature and the Environment in Amish Life, David L. McConnell and Marilyn D. Loveless examine how this prevailing notion of the environmentally conscious Amish fits with the changing realities of their lives. Drawing on 150 interviews conducted over the course of 7 years, as well as a survey of household resource use among Amish and non-Amish people, they explore how the Amish understand nature in their daily lives and how their actions impact the natural world. Arguing that there is considerable diversity in Amish engagements with nature at home, at school, at work, and outdoors, McConnell and Loveless show how the Amish response to regional and global environmental issues, such as watershed pollution and climate change, reveals their deep skepticism of environmentalists. They also demonstrate that Amish households are not uniformly lower in resource use compared to their rural, non-Amish neighbors, though aspects of their home economy are relatively self-sufficient. The first comprehensive study of Amish understandings of the natural world, this compelling book complicates the image of the Amish and provides a more realistic understanding of the Amish relationship with the environment.
In a stunning and visceral debut, Noah Davis ushers in a new era of poems from the Alleghenyregion of Appalachia. In chronicling the river valley’s human and more-than-human worlds through acts of modern myth making, Davis expands the scope of contemporary American poetry. This soulful meditation on a neglected region of America reveals a legacy of lingering violence to land and animal alike. In striking stories and scenes, Davis portrays the spiritual cost of deep poverty, the necessity to ask for forgiveness, and the joy in praising the beauty still found in the steep hollows. These poems will cling to you like water on the soles of your boots.
With its fittingly dramatic design, Courbet and the Modern Landscape accompanies the first major museum exhibition specifically to address Gustave Courbet's extraordinary achievement in landscape painting. Many of these carefully selected works produced from 1855 to 1876--gathered from Asia, Europe, and North America--will be new to readers. The catalogue--which accompanies an exhibition at the Getty Museum to be held from February 21 to May 14, 2006--highlights the artist's expressive responses to the natural environment. Essays by the curators examine Courbet's distinctly modern practice of landscape painting. Mary Morton's essay situates his landscapes in relation to his work in other genres, his critical reputation, and his role in establishing a new pictorial language for landscape painting. Charlotte Eyerman's essay investigates how later generations of nineteenth- and twentieth-century artists responded to Courbet's example. The catalogue also includes an essay by Dominique de Font-Reaulx, curator of photographs at the Musee d'Orsay, on the relationship between Courbet's work and landscape photography of the 1850s and 1860s. With its fittingly dramatic design, Courbet and the Modern Landscape accompanies the first major museum exhibition specifically to address Gustave Courbet's extraordinary achievement in landscape painting. Many of these carefully selected works produced from 1855 to 1876--gathered from Asia, Europe, and North America--will be new to readers. The catalogue--which accompanies an exhibition at the Getty Museum to be held from February 21 to May 14, 2006--highlights the artist's expressive responses to the natural environment. Essays by the curators examine Courbet's distinctly modern practice of landscape painting. Mary Morton's essay situates his landscapes in relation to his work in other genres, his critical reputation, and his role in establishing a new pictorial language for landscape painting. Charlotte Eyerman's essay investigates how later generations of nineteenth- and twentieth-century artists responded to Courbet's example. The catalogue also includes an essay by Dominique de Font-Reaulx, curator of photographs at the Musee d'Orsay, on the relationship between Courbet's work and landscape photography of the 1850s and 1860s.
Winner of the Governor General’s Literary Award In this stunning coming-of-age novel, the award-winning author of Women Talking balances grief and hope in the voice of a witty, beleaguered teenager whose family is shattered by fundamentalist Christianity "Half of our family, the better–looking half, is missing," Nomi Nickel tells us at the beginning of A Complicated Kindness. Left alone with her sad, peculiar father, her days are spent piecing together why her mother and sister have disappeared and contemplating her inevitable career at Happy Family Farms, a chicken slaughterhouse on the outskirts of East Village. Not the East Village in New York City where Nomi would prefer to live, but an oppressive town founded by Mennonites on the cold, flat plains of Manitoba, Canada. This darkly funny novel is the world according to the unforgettable Nomi, a bewildered and wry sixteen–year–old trapped in a town governed by fundamentalist religion and in the shattered remains of a family it destroyed. In Nomi's droll, refreshing voice, we're told the story of an eccentric, loving family that falls apart as each member lands on a collision course with the only community any of them have ever known. A work of fierce humor and tragedy by a writer who has taken the American market by storm, this searing, tender, comic testament to family love will break your heart. “Brilliant.” —New York Times Book Review “A darkly funny and provocative novel.” —O, the Oprah Magazine
On a motorcycle trip from Manitoba to southern Chile, Cameron Dueck seeks out isolated enclaves of Mennonites—and himself. “An engrossing account of an unusual adventure, beautifully written and full of much insight about the nature of identity in our ever-changing world, but also the constants that hold us together."—Adam Shoalts, national best-seller author of Beyond the Trees: A Journey Alone Across Canada's Arctic and A History of Canada in 10 Maps Across Latin America, from the plains of Mexico to the jungles of Paraguay, live a cloistered Germanic people. For nearly a century, they have kept their doors and their minds closed, separating their communities from a secular world they view as sinful. The story of their search for religious and social independence began generations ago in Europe and led them, in the late 1800s, to Canada, where they enjoyed the freedoms they sought under the protection of a nascent government. Yet in the 1920s, when the country many still consider their motherland began to take shape as a nation and their separatism came under scrutiny, groups of Mennonites left for the promises of Latin America: unbroken land and new guarantees of freedom to create autonomous, ethnically pure colonies. There they live as if time stands still—an isolation with dark consequences. In this memoir of an eight-month, 45,000 kilometre motorcycle journey across the Americas, Mennonite writer Cameron Dueck searches for common ground within his cultural diaspora. From skirmishes with secular neighbours over water rights in Mexico, to a mass-rape scandal in Bolivia, to the Green Hell of Paraguay and the wheat fields of Argentina, Dueck follows his ancestors south, finding reasons to both love and loathe his culture—and, in the process, finding himself.
