Practical Manual of Harmony
Author: Nikolay Rimsky-Korsakov
Publisher: Carl Fischer, L.L.C.
Published: 2005
Total Pages: 128
ISBN-13: 9780825856990
DOWNLOAD EBOOKRead and Download eBook Full
Author: Nikolay Rimsky-Korsakov
Publisher: Carl Fischer, L.L.C.
Published: 2005
Total Pages: 128
ISBN-13: 9780825856990
DOWNLOAD EBOOKAuthor: Nikolay Rimsky-Korsakov
Publisher:
Published: 1930
Total Pages: 0
ISBN-13:
DOWNLOAD EBOOKAuthor: Nikolay Rimsky-Korsakov
Publisher:
Published: 1930
Total Pages: 142
ISBN-13:
DOWNLOAD EBOOKAuthor: Dmitri Tymoczko
Publisher: OUP USA
Published: 2011-03-21
Total Pages: 469
ISBN-13: 0195336674
DOWNLOAD EBOOKIn this groundbreaking book, Tymoczko uses contemporary geometry to provide a new framework for thinking about music, one that emphasizes the commonalities among styles from Medieval polyphony to contemporary jazz.
Author: Evan Feldman
Publisher: Routledge
Published: 2015-12-21
Total Pages: 459
ISBN-13: 131741506X
DOWNLOAD EBOOKInstrumental Music Education: Teaching with the Musical and Practical in Harmony, 2nd Edition is intended for college instrumental music education majors studying to be band and orchestra directors at the elementary, middle school, and high school levels. This textbook presents a research-based look at the topics vital to running a successful instrumental music program, while balancing musical, theoretical, and practical approaches. A central theme is the compelling parallel between language and music, including "sound-to-symbol" pedagogies. Understanding this connection improves the teaching of melody, rhythm, composition, and improvisation. The companion website contains over 120 pedagogy videos for wind, string, and percussion instruments, performed by professional players and teachers, over 50 rehearsal videos, rhythm flashcards, and two additional chapters, "The Rehearsal Toolkit," and "Job Search and Interview." It also includes over 50 tracks of acoustically pure drones and demonstration exercises for use in rehearsals, sectionals and lessons. New to this edition: • Alternative, non-traditional ensembles: How to offer culturally relevant opportunities for more students, including mariachi, African drumming, and steel pans. • More learning and assessment strategies • The science of learning and practicing: How the brain acquires information • The philosophies of Orff and El Sistema, along with the existing ones on Kodály, Suzuki, and Gordon. • The Double Pyramid of Balance: Francis McBeth’s classic system for using good balance to influence tone and pitch. • Updated information about copyright for the digital age Evan Feldman is Conductor of the Wind Ensemble and Associate Professor of Music at the University of North Carolina at Chapel Hill Ari Contzius is the Wind Ensemble Conductor at Washingtonville High School, Washingtonville, NY Mitchell Lutch is Associate Professor of Music and Director of Bands at Central College in Pella, Iowa
Author: Larisa P. Jackson
Publisher: University of North Texas Press
Published: 2022-10-15
Total Pages: 289
ISBN-13: 1574418718
DOWNLOAD EBOOKNikolai Andreyevich Rimsky-Korsakov (1844-1908) was celebrated during his lifetime as a composer and instructor, and his musical works and publications on instrumentation remain prominent today. However, his innovations as a music theorist have gone largely unrecognized. Rimsky-Korsakov’s Harmonic Theory is the first comprehensive study of the composer’s unique concept of harmony. Larisa P. Jackson illuminates Rimsky-Korsakov’s harmonic theory and reveals the intellectual, social, and cultural facets of its historical contexts in both Western and Russian music. In this unprecedented contribution to musicology and music theory, Jackson examines and clarifies Rimsky-Korsakov’s thinking on modulation (key changes), which composers began using much more frequently during the nineteenth century. Based on his discovery of a previously unknown scale, Rimsky-Korsakov saw modulation as shaped by a web of deep relationships among major and minor keys. Jackson charts this tonal space, mapping its implications as well as its often-surprising relationships with the theories of Rimsky-Korsakov’s predecessors and contemporaries, including the famous German music theorists Hauptmann and Riemann.
Author: Nikolay Rimsky-Korsakov
Publisher: e-artnow
Published: 2020-12-17
Total Pages: 430
ISBN-13:
DOWNLOAD EBOOKPrinciples of Orchestration, with Musical Examples Drawn from His Own Works is a book by a famous Russian composer Nikolai Rimsky-Korsakov, member of the group of composers known as The Five. The book presents a notable attempt to show all of the nuances of orchestration. The author describes everything one needs to know about arranging parts for a string or full orchestra. The book is concise, articulate and excels at being both a book of reference and a book of general knowledge.
Author:
Publisher: G. Schirmer, Incorporated
Published: 1986-11
Total Pages: 0
ISBN-13: 9780793555697
DOWNLOAD EBOOK(Special Products). Countless musical examples and a running text guide the reader through using chords and changes to create musical arrangements for folk, rock, pop and jazz. Includes information on blues and modal harmony changes, how melody makes harmony, harmonizing a minor melody, and much more.
Author: Job IJzerman
Publisher:
Published: 2018
Total Pages: 417
ISBN-13: 0190695005
DOWNLOAD EBOOKA new method of music theory education for undergraduate music students, Harmony, Counterpoint, Partimento is grounded in schema theory and partimento, and takes an integrated, hands-on approach to the teaching of harmony and counterpoint in today's classrooms and studios. A textbook in three parts, the package includes: - the hardcopy text, providing essential stylistic and technical information and repertoire discussion; - an online workbook with a full range of exercises, including partimenti by Fenaroli, Sala, and others, along with arrangements of eighteenth- and nineteenth-century compositions; - an online instructor's manual providing additional information and realizations of all exercises. Linking theoretical knowledge with aural perception and aesthetic experience, the exercises encompass various activities, such as singing, playing, improvising, and notation, which challenge and develop the student's harmonic, melodic, and rhythmic imagination. Covering the common-practice period (Corelli to Brahms), Harmony, Counterpoint, Partimento is a core component of practice-oriented training of musicianship skills, in conjunction with solfeggio, analysis, and modal or tonal counterpoint.
Author: Bernhard Ziehn
Publisher: Milwaukee, Wis. : Wm. A. Kaun Music
Published: 1907
Total Pages: 128
ISBN-13:
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