For what must be one of the most creative and satisfying of crafts, Puppets and Puppet-Making provides the perfect introduction to the art as well as the means for mastering the more complicated skills and subtle effects.
Expert guide explains how to construct several types of puppets and presents exercises for developing distinctive voices, learning puppet movement. Includes stage design, writing plays, directing productions, more. Over 150 black-and-white illustrations.
In recent years, puppetry has enjoyed a huge revival on the stages of our theatres, dance venues and opera houses. Large-scale productions such as War Horse and The Lion King have revitalized age-old techniques to attract new audiences and develop the power of storytelling. Puppetry is now seen not only as a specialist art form that exists on its own, but also as a vital tool in the armoury of theatrical storytellers. A Practical Guide to Puppetry offers a comprehensive overview to this versatile art form, exploring established techniques and offering expert instruction on styles from shadow puppetry to group puppetry. Each method is illustrated with practical and accessible exercises, achievable either individually or in a group workshop or rehearsal. With over eighty exercises for improvising, training, designing and directing puppetry, accompanied by 400 illustrations, this new book gives a complete approach to puppeteering with objects, simple puppets and puppets with mechanisms.
A practical, accessible and inspiring guide to using puppetry in theatre--the perfect entry point for anyone looking to use puppets in their productions, to explore what puppets can do, or to develop their puppetry skills. Written by an experienced theatre and puppetry director, Mervyn Millar's Puppetry: How to Do Itfocuses on the performer and the craft of bringing any puppet to life. No puppet-making is required to use this book: starting just with simple objects, it lays out the skills required to unlock a puppet's limitless potential for expression and connection with an audience. Inside you'll discover fifty practical, easy-to-follow exercises - for use in a group or on your own - to develop elements of the craft, build confidence and help you improve your puppetry through play and improvisation. Also included are sections on different types of puppet, thinking about how the puppeteer is presented on stage and how to direct and devise puppet performances. Ideal for actors and performers, for directors and designers, and for teachers and students of all ages and levels of experience, this book will demystify the art of puppetry, and help you become more confident and creative with all kinds of puppets and objects on stage.
Puppet Play Therapy is a comprehensive guidebook that describes the basic skills, techniques, and applications for selecting and working with puppets in specific types of settings and populations. Written by preeminent voices in the field, chapters offer invaluable guidance on selecting, using, and assessing puppet-based therapeutic interventions. Both beginning and experienced clinicians will also appreciate the inclusion of practical, step-by-step approaches and reproducible handouts that will aid them in their puppet play therapy sessions.
Puppets & Puppet Theatre is essential reading for everyone interested in making and performing with puppets. It concentrates on designing, making and performing with the main types of puppet, and is extensively illustrated in full colour throughout.Topics covered include: nature and heritage of puppet theatre; the anatomy of a puppet, its design and structure; materials and methods for sculpting, modelling and casting; step-by-step instructions for making glove, hand, rod and shadow puppets & marionettes; puppet control and manipulation; staging principles, stage and scenery design; principles of sound & lighting and finally, organisation of a show.
From The Accidental Drum Circle to Totally Twisted, Mark Burrowss resources are always creative, practical, and full of unique ways to bring fun and learning into the classroom. Threadbare Theatres guide Practical Puppetry is all three and more. There are directions for making more than a dozen puppets, ideas for puppet stages, and five different scripts. And because puppetry is less about the puppets and more about the puppeteer, youll learn how to manipulate your puppet, find its voices, and use it to teach music concepts. Mark even shares his Top Ten Mistakes so that you can be spared the same fate. Children love puppets, and if they love it, theyll learn it. Thanks to Practical Puppetry, you can bring that learning into your classroom and be good to the environment at the same timefound objects make up more than 90% of the materials used to create these puppets.
Playwriting for Puppet Theatre provides a foundation for those puppeteers, teachers and librarians who want to develop suitable scripts for puppet theatre. Mattson explores the difference between traditional theatre and puppet theatre and notes the special characteristics of the various puppets. The important aspects of script writing are then addressed. She considers the many general questions which must be answered by the playwright: the type of puppet to be used, the audience, and availability of resources and facilities. Suggestions are then given for dramatizing original ideas and for adapting well-known stories. The chapter on plot development emphasizes the importance of perspective, transitional material and the need for action. One chapter proposes various ways to develop a character through dialogue, names, and behavior. Another chapter demonstrates how the use of rhyme can add interest and humor to a puppet play. Teachers will find suggestions on how to develop a play on a specific theme or about a specific character. Some attention is also given to the mechanics of writing a play. Includes a group of puppet plays which have been successfully performed by Seattle Puppetory Theatre. Among them are Rumplestiltskin, The Princess and the Pea, The Bad-Tempered Wife, The Golden Axe, The Swineherd, and The Fisherman and His Wife. Production notes follow each script. Several samples of manipulation charts are included which may be used as an aid in blocking the puppets and the puppeteers for the various hand puppet productions.
"The best book on hand puppetry we've seen." — The Whole Kids Catalog. Lucid, easy-to-follow book teaches beginners how to create a full working range of puppet motions and emotions. Also covers elements of good puppet theatrical technique: voice use and synchronization, stage deportment and interactions, improvisation, simple staging, lighting effects, and more. All clearly explained and beautifully illustrated.
The Routledge Companion to Puppetry and Material Performance offers a wide-ranging perspective on how scholars and artists are currently re-evaluating the theoretical, historical, and theatrical significance of performance that embraces the agency of inanimate objects. This book proposes a collaborative, responsive model for broader artistic engagement in and with the material world. Its 28 chapters aim to advance the study of the puppet not only as a theatrical object but also as a vibrant artistic and scholarly discipline. This Companion looks at puppetry and material performance from six perspectives: theoretical approaches to the puppet, perspectives from practitioners, revisiting history, negotiating tradition, material performances in contemporary theatre, and hybrid forms. Its wide range of topics, which span 15 countries over five continents, encompasses: • visual dramaturgy • theatrical juxtapositions of robots and humans • contemporary transformations of Indonesian wayang kulit • Japanese ritual body substitutes • recent European productions featuring toys, clay, and food. The book features newly commissioned essays by leading scholars such as Matthew Isaac Cohen, Kathy Foley, Jane Marie Law, Eleanor Margolies, Cody Poulton, and Jane Taylor. It also celebrates the vital link between puppetry as a discipline and as a creative practice with chapters by active practitioners, including Handspring Puppet Company’s Basil Jones, Redmoon’s Jim Lasko, and Bread and Puppet’s Peter Schumann. Fully illustrated with more than 60 images, this volume comprises the most expansive English-language collection of international puppetry scholarship to date.