Detailed illustrated instruction in etching, engraving, aquatint, drypoint, mezzotint from preparing plate to mounting print. No better guide for beginners."
Comprehensive handbook covers materials and equipment, tools, printing papers, presses, and other essentials. Detailed instructions for etching, engraving, drypoint, collagraphs, tuilegraphs, and the Blake transfer method.
In this book, Nigel Oxley describes fully the techniques of etching and aquatint employed by the artists who worked with him at Kelpra Studio where he established a reputation for using intaglio processes to create full colour images. Dame Elisabeth Frink, John Piper, John Hoyland, Jim Dine and Patrick Heron are illustrated within and the use of multi-plates is written with great detail. The author introduced the use of carborundum and polymer plates to the studio and the book includes step-by-step descriptions of these techniques. Having editioned for many years the author relates his experience of complex colour and plate combinations clearly enabling the reader to hav comprehensive insight to the work of the many artists illustrated within this book. This book is a valuable practical guide for the beginner and for those wishing to develop their printing and etching skills. For those interested in printmaking it provides a unique insight into the demands of a professional print.
How to use Asian tools, equipment and techniques to create modern paintings in the Oriental tradition. 188 illustrations provide close-up details of trees, skies, water, snow, and architecture to show how the author achieves his haunting, atmospheric effects.
This user-friendly guide from the 1930s offers aspiring cartoonists a wealth of practical advice. Rich in period flavor, it supplies the ageless foundations of comic art. Abundant illustrations and clear, nontechnical prose cover: creating expressions, attaining proportion and applying perspective, depicting anatomy, simple shading, achieving consistency, lettering, and writing a strip.
Many of the valuable techniques and materials formerly used in painting have been lost or forgotten. With the convenience of the art supply store, the artist is no longer forced to acquaint himself with many of the operations performed by the great craftsmen-painters of the past. The result is that the modern painter often does not understand the chemical and physical reasons for the steps he follows. This book bridges the gap between artist and craftsman, and gives the reader insights into the classical techniques of the great masters as well as the procedures followed today. Professor Laurie has based his book on an intensive study of great master paintings and manuscripts as well as on actual experiment. He covers techniques for painting on wood panels, paper, walls, and canvas, and for dealing with watercolors, tempera, fresco, pigments and colors, balsams, resins, turpentines, varnishes, waxes, sizings, and various oils such as walnuts, linseed, and poppy. The reader will also find much information on the behavior of light through various refractions, prism effect in layers of paint, and the cleaning and preservation of pictures. The discussion is illustrated by 48 full-page plates. These reproductions of actual paintings by major and minor masters — Rembrandt, Lippi, Michelangelo, Botticelli, Rubens, Hals, and others — were selected to show specific points of painting condition or technical procedures. Microphotographs are used to show cross-sections of painting, age cracks, flaking, pigment particles, and similar material.
Screen printing is simple enough for a child or beginner, but it is also a favorite printing process of experienced artists and craftspeople. It allows for a wide range of creative possibilities. It is less inhibiting than other printing processes. And, contrary to most other methods of printing, it does not require the user to make the mental translations of a reversed image. The extreme versatility of the medium has opened completely new possibilities for design and expression in both serigraphy (art prints) and textile designs. The Schwalbachs' book clearly explains how to employ silk-screen printing in both of these areas: producing a serigraph and making a fabric print. It also sets down all of the steps involved in constructing a printing board and frame, keying the screen, preparing inks or dyes, and printing the color runs — plus a list of various problems that might turn up and their solutions. Other facets discussed include the best ways of cleaning up, handling the completed print, and working with different resists — paper, blockout, washout, photo-emulsion. There is even a special print project for the beginner, using a cardboard frame and school tempera paint. Nearly 200 diagrams and photographs, including 19 in full color, make a clear text even clearer and offer examples of completed prints. The Schwalbachs taught silk-screen printing for many years at the University of Wisconsin. They know how to communicate the essence of this craft in the best manner possible. With their book as a guide, anyone can quickly master the techniques of silk-screening printing.
Both experienced and novice sculptors will appreciate this manual, written by an expert, that addresses every practical detail necessary for a complete knowledge of the craft. Topics include modelling a portrait bust; casting; modelling for terra-cotta, in relief, and for bronze; and modelling in clay. 36 plates. 82 line illustrations.
Outstanding book offers beginners and professionals a complete manual for working in one of the world's liveliest art forms. Text traces origins of cartooning; furnishes tips for using proper tools and techniques; and provides suggestions for drawing the human figure, animals, and backgrounds; creating comic strips, editorial cartoons, and more. 75 illustrations.
Down-to-earth, practical book by noted sculptor covers everything you need to know — woods, tools, equipment, carving techniques, finishing, preservation, etc. Especially valuable "dictionary of woods" covers geographical distribution, physical properties, carving characteristics, more. Over 70 photos and drawings illustrate methods and techniques, works by Brancusi, Henry Moore, Leonard Baskin, other artists.