THE INSTANT SUNDAY TIMES, THE TIMES, SUNDAY POST AND iPAPER BESTSELLER WINNER OF 2024 SCOTS BOOK OF THE YEAR SHORTLISTED FOR THE BOOKS ARE MY BAG READER AWARD 2024 And I have done more than just simply get by So much more than escape or survive Through the galvanisation of love, time and patience I’ll take hold of my story and thrive. After life that was seldom what life ought to be Through laughter and love I’ll be whole This story is mine from the cover to spine And the narrative I will control Whether she’s writing letters to her younger self, advocating for women’s rights or adapting fairy tales to process an abusive relationship, Len’s voice is bold, unashamedly frank and unmistakably hers. The poems in this collection, both funny and fiercely feminist, announce a formidable new talent. Moving deftly between English and Scots, poyums is as approachable as it is affecting.
"Akashvani" (English) is a programme journal of ALL INDIA RADIO, it was formerly known as The Indian Listener. It used to serve the listener as a bradshaw of broadcasting ,and give listener the useful information in an interesting manner about programmes, who writes them, take part in them and produce them along with photographs of performing artists. It also contains the information of major changes in the policy and service of the organisation. The Indian Listener (fortnightly programme journal of AIR in English) published by The Indian State Broadcasting Service, Bombay, started on 22 December, 1935 and was the successor to the Indian Radio Times in English, which was published beginning in July 16 of 1927. From 22 August ,1937 onwards, it used to published by All India Radio, New Delhi. From 1950,it was turned into a weekly journal. Later, The Indian listener became "Akashvani" (English ) w.e.f. January 5, 1958. It was made fortnightly journal again w.e.f July 1,1983. NAME OF THE JOURNAL: AKASHVANI LANGUAGE OF THE JOURNAL: English DATE, MONTH & YEAR OF PUBLICATION: 21 MAY, 1972 PERIODICITY OF THE JOURNAL: Weekly NUMBER OF PAGES: 51 VOLUME NUMBER: Vol. XXXVII. No. 22 BROADCAST PROGRAMME SCHEDULE PUBLISHED (PAGE NOS): 15-50 ARTICLE: 1. Elections In Mizoram 2. Acute Heart Attack And Its Care 3. Indian Theatre at Cross-Roads 4. Window Shopping 5. Zest For Life 6. Loopholes in Land Ceiling 7. IET-1991 A High-Yielding Superfine Rice Variety AUTHOR: 1. Harji Malik 2. Prof. Sujoy B. Roy 3. P. R. Reddy 4. Chandra Nayadu 5. Hamdi Bey 6. Balraj Mehta 7. Interview- Dr. S. V. S Shastry KEYWORDS : 1. Step Forward, Democratic Tradition, 2. Risk Factors, False Alarm, Precautions 3. Casual Approach, Basic Material, 4. World of Romance and Dreams, It is Economical 5. Biological Urge, Two Extremes, Signpost, Feeling of Completeness 6. Sordid Realities 7. Tests in Rabi-1972, Suitable for Kharief, High Yielding Variety Document ID : APE-1972 (A-J) Vol-II-07 Prasar Bharati Archives has the copyright in all matters published in this “AKASHVANI” and other AIR journals. For reproduction previous permission is essential.
An anthology of works by key modern Scottish writers, published as a tribute to the Clocktower Press, which encouraged such writers as Irvine Welsh, James Kelman, Janice Galloway and Gordon Legge. Contains original pieces, as well as new specially written stories.
Wendy just wants to be a poet. So how comes she's on the run after an art heist? An aspiring writer from the Southside of Glasgow, Wendy is in a rut. She tries to brighten her call-center job by shoehorning as many long words as possible into conversations with customers. But her manager isn't amused by that and, after a public dressing-down, Wendy walks out. Jobless and depressed, she finds consolation in a surprise friendship with another disgruntled ex-colleague, wild-child painter Cat, who encourages her to live more dangerously. It's just what Wendy needs and it's also brilliant for her creative juices. But a black cloud is about to overshadow this new-found liberation, as well as to put Wendy on the wrong side of the law. Fresh, insightful and funny, as well as unflinchingly honest about the tougher side of life, Kenny Boyle's debut novel takes us deep into the psyche of a likeable misfit who treads a fine line between reality and fantasy - and just wants the world to see her true self.
Sometimes life hands you lemons. In this collection of jokes, autobiography, and personal philosophy, author and businessman Dr. J. T. Dock Houk makes an ocean of lemonade. Life’s a Joke compiles four books – “It’s All About Me,” “My Life with a Girl,” “Kids and Pets,” and “Life Around Us” – recounting 1,162 jokes, funny anecdotes, and descriptions of Sunday morning comics, clippings of which Dock has been collecting for an incredible amount of decades. As the author writes, “What I mean to convey by saying ‘life is a joke’ is that humor has helped me over some of the rough spots by showing me a side of life that either explains what I am feeling, or gives me a glimpse of something I also see. Humor, whose visual expression is often a joke, makes me smile or even laugh out loud. And sometimes, if you don’t laugh, you might cry.” So crack open Life’s a Joke and crack a smile. You might learn a little wisdom – but if not, at least you’ll get a laugh
This book is meant to be disconcerting. It asks many more questions than it answers, but perhaps that is how philosophy should be, especially if the questions posed are capable of rousing interest in a topic and stimulating individual thought. It challenges, sometimes attacks, and even ridicules, various traditions and theoretical positions in the history of the philosophy of art, not for merely destructive or polemical purposes, but rather to encourage insightful readers to proceed beyond these positions in their own minds. Its arguments are not didactic and its conclusions are not dogmatic, but evocative and provisional, in the hope that its readers will confront them with a vigor at least equal to that with which these arguments and conclusions have already confronted the traditional opinions. Its general aims are (1) to try to answer the basic questions: "What is art?" and "What is good art?" and (2) to try to develop a unified theory of art, i.e., a theory which would embrace and be equally applicable to all types and media of art, from architecture to rock songs, from symphonies to sculpture, from Shakespeare to street graffiti. Toward this second aim, it examines the traditional concept of beauty and finds it incoherent, undefinable, philosophically unsatisfactory, and incapable of serving as the ground of any rigorous unified theory of art, because it cannot, without equivocation, be made equally applicable to all sorts of art. Thus, instead of beauty, it proposes the concept of power, which can be clearly and precisely defined and which is not only universally and univocally applicable, but also rich enough as a concept to be able to shed light on the whole idea of art. It is not a difficult book. It is written for people at all levels of erudition from college frosh to tenured professors. It does not aim primarily toward any level, and tries not to pander, but presents interpretations within the philosophy of art which should be both sufficiently original to provide grist for the professors' speculative mills and at the same time sufficiently lucid for beginning students to be able to grasp the main ideas. In short, the book aims to become both a course textbook and a work which will be discussed at scholarly conferences and written about in journal articles. At least with regard to this twofold aim, to be simultaneously intelligible to tyros and interesting to experts, and its consequent claim to a broad audience, it is akin to such works as John Dewey's Art as Experience, Robin Collingwood's The Principles of Art, or Susanne Langer's Philosophy in a New Key.
