Read and Download eBook Full
Author: Kenneth Gloag
Publisher: Cambridge University Press
Published: 2012-06-21
Total Pages: 223
ISBN-13: 0521151570
DOWNLOAD EBOOKWhat is postmodernism? How does it relate to music? This introduction clarifies the concept, providing ways of interpreting postmodern music.
Author: Judy Lochhead
Publisher: Routledge
Published: 2013-10-08
Total Pages: 389
ISBN-13: 1135717788
DOWNLOAD EBOOKWhat is postmodern music and how does it differ from earlier styles, including modernist music? What roles have electronic technologies and sound production played in defining postmodern music? Has postmodern music blurred the lines between high and popular music? Addressing these and other questions, this ground-breaking collection gathers together for the first time essays on postmodernism and music written primarily by musicologists, covering a wide range of musical styles including concert music, jazz, film music, and popular music. Topics include: the importance of technology and marketing in postmodern music; the appropriation and reworking of Western music by non-Western bands; postmodern characteristics in the music of Górecki, Rochberg, Zorn, and Bolcom, as well as Björk and Wu Tang Clan; issues of music and race in such films as The Bridges of Madison County, Batman, Bullworth, and He Got Game; and comparisons of postmodern architecture to postmodern music. Also includes 20 musical examples.
Author: Neil Nehring
Publisher: SAGE Publications
Published: 1997-03-20
Total Pages: 237
ISBN-13: 1452249695
DOWNLOAD EBOOKThe migration of cynical academic ideas about postmodernism into music journalism are traced in this book. The result of this migration is a widespread fatalism over the ability of the music industry to absorb any expression of defiance in popular music. The book synthesizes a number of fields: American and British academic and journalistic music criticism; aesthetic and literary history and theory from romanticism through postmodernism; alternative music such as feminist punk and grunge; political economy, which has fueled the obsession with commercial incorporation; and subcultural sociology.
Author: Jonathan D. Kramer
Publisher: Bloomsbury Publishing USA
Published: 2016-08-11
Total Pages: 401
ISBN-13: 1501306022
DOWNLOAD EBOOKKramer was one of the most visionary musical thinkers of the second half of the 20th century. In his The Time of Music, he approached the idea of the many different ways that time itself is articulated musically. This book has become influential among composers, theorists, and aestheticians. Now, in his almost completed text written before his untimely death in 2004, he examines the concept of postmodernism in music. Kramer created a series of markers by which we can identify postmodern works. He suggests that the postmodern project actually creates a radically different relationship between the composer and listener. Written with wit, precision, and at times playfully subverting traditional tropes to make a very serious point about this difference, Postmodern Music, Postmodern Listening leads us to a strongly grounded intellectual basis for stylistic description and an intuitive sensibility of what postmodernism in music entails. Postmodern Music, Postmodern Listening is an examination of how musical postmodernism is not just a style or movement, but a fundamental shift in the relationship between composer and listener. The result is a multifaceted and provocative look at a critical turning point in music history, one whose implications we are only just beginning to understand.
Author: Lawrence Kramer
Publisher: Univ of California Press
Published: 2023-04-28
Total Pages: 315
ISBN-13: 0520918428
DOWNLOAD EBOOKA leading cultural theorist and musicologist opens up new possibilities for understanding mainstream Western art music—the "classical" music composed between the eighteenth and early twentieth centuries that is, for many, losing both its prestige and its appeal. When this music is regarded esoterically, removed from real-world interests, it increasingly sounds more evasive than transcendent. Now Lawrence Kramer shows how classical music can take on new meaning and new life when approached from postmodernist standpoints. Kramer draws out the musical implications of contemporary efforts to understand reason, language, and subjectivity in relation to concrete human activities rather than to universal principles. Extending the rethinking of musical expression begun in his earlier Music as Cultural Practice, he regards music not only as an object that invites aesthetic reception but also as an activity that vitally shapes the personal, social, and cultural identities of its listeners. In language accessible to nonspecialists but informative to specialists, Kramer provides an original account of the postmodernist ethos, explains its relationship to music, and explores that relationship in a series of case studies ranging from Haydn and Mendelssohn to Ives and Ravel. This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1996. A leading cultural theorist and musicologist opens up new possibilities for understanding mainstream Western art music—the "classical" music composed between the eighteenth and early twentieth centuries that is, for many, losing both its prestige and its
Author: Georgina Born
Publisher: Univ of California Press
Published: 1995-09-08
Total Pages: 415
ISBN-13: 0520202163
DOWNLOAD EBOOKAs a year-long participant-observer, Born studied the social and cultural economy of an institution for research and production of avant-garde and computer music. She gives a unique portrait of IRCAM's composers, computer scientists, technicians, and secretaries, interrogating the effects of the cultural philosophy of the controversial avant-garde composer, Pierre Boulez, who directed the institute until 1992.
Author: Andy H. Nercessian
Publisher: Scarecrow Press
Published: 2002-03-26
Total Pages: 152
ISBN-13: 1461670624
DOWNLOAD EBOOKIs the music world clinging to an outdated school of thought in ethnomusicology? Nercessian shows how the theory of cultural relativism continues to detrimentally pervade ethnomusicological thought, and then offers a solution that may better serve musical study in today’s more globalized world. At the heart of cultural relativism, which seeks to avoid imposing the standards of an outside culture on a work, is the emic-etic dichotomy, which delineates the perspective of the outsider and that of the culture of origin. Nercessian points out that in our increasingly globalized society, cultures are no longer separate and distinct. A new theory is necessary to account for the cultural overlap. Borrowing from Derrida, the author offers a new solution that will allow for multiple perspectives, without favoring that of the insider or emic. Of importance to students and scholars of ethnomusicology, this book also speaks to other fields of study where cultural relativism continues to dominate.
Author: Michael Barnett
Publisher: Cognella Academic Publishing
Published: 2018-07-13
Total Pages:
ISBN-13: 9781516544448
DOWNLOAD EBOOKThe textbook Rock: Postmodernism in Action features research that examines the impact of rock music as an art form and its ongoing effect on society and culture. It introduces readers to the defining features and historical development of rock, and then explores rock and its subgenres from the 1960s through the 1990s. Students learn about the particular flavors of the music of each decade, as well as its central artists and events. They explore the emotional power and cultural relevance of specific lyrics and review charts that enhance their understanding of form and sectional relationships. Additional charts map out common rock rhythms. With an accompanying active learning component and curated playlist, the book gives non-music majors insight into the world of rock music while also providing meaningful content for music majors seeking a deeper appreciation of this musical form. Rock: Postmodernism in Action is well-suited to courses on American culture and popular music. It can also serve as a supplemental text in classes on the philosophy of music or cultural studies.
Author: Jonathan D. Kramer
Publisher: Bloomsbury Publishing USA
Published: 2016-08-11
Total Pages: 401
ISBN-13: 1501306049
DOWNLOAD EBOOKKramer was one of the most visionary musical thinkers of the second half of the 20th century. In his The Time of Music, he approached the idea of the many different ways that time itself is articulated musically. This book has become influential among composers, theorists, and aestheticians. Now, in his almost completed text written before his untimely death in 2004, he examines the concept of postmodernism in music. Kramer created a series of markers by which we can identify postmodern works. He suggests that the postmodern project actually creates a radically different relationship between the composer and listener. Written with wit, precision, and at times playfully subverting traditional tropes to make a very serious point about this difference, Postmodern Music, Postmodern Listening leads us to a strongly grounded intellectual basis for stylistic description and an intuitive sensibility of what postmodernism in music entails. Postmodern Music, Postmodern Listening is an examination of how musical postmodernism is not just a style or movement, but a fundamental shift in the relationship between composer and listener. The result is a multifaceted and provocative look at a critical turning point in music history, one whose implications we are only just beginning to understand.
Author: David Bennett
Publisher:
Published: 2009
Total Pages: 200
ISBN-13:
DOWNLOAD EBOOKDemonstrates how theories of postmodernism as 'incredulity toward grand narrative' speak to musical history and aesthetics. This book illustrates how music has figured centrally in poststructuralist theory and can itself open up fresh perspectives for reassessing that theory.
