In these illustrated essays Portoghesi offers a critical profile of the postmodern movement and explains why it constitutes a decisive turning point in the history of architecture. He reconstructs the theoretical intentions of postmodern architects, analyzes the important projects by Philip Johnson, Michael Graves, Thomas Beeby, Stanley Tigerman, Helmut Jahn, Ricardo Bofill, Massimo Scolari and others.
Neither a manifesto nor a one-sided critique, this new book introduces a number of original essays exploring various aspects of that contemporary cultural phenomenon named postmodernism. These essays are prefaced by an introductory essay which sets out the major lines of a debate which is about nothing less than the current shape and future prospects of our society.
The second edition of this classic study, revised with a new and substantial opening chapter. New edition of a classic study by a leading social theorist Explores three major ideas crucial to contemporary social theory: the information society, post-Fordism, and post-modernism Places the three key ideas within the context of contemporary discourse on globalization.
Post-modernism offers a revolutionary approach to the study of society: in questioning the validity of modern science and the notion of objective knowledge, this movement discards history, rejects humanism, and resists any truth claims. In this comprehensive assessment of post-modernism, Pauline Rosenau traces its origins in the humanities and describes how its key concepts are today being applied to, and are restructuring, the social sciences. Serving as neither an opponent nor an apologist for the movement, she cuts through post-modernism's often incomprehensible jargon in order to offer all readers a lucid exposition of its propositions. Rosenau shows how the post-modern challenge to reason and rational organization radiates across academic fields. For example, in psychology it questions the conscious, logical, coherent subject; in public administration it encourages a retreat from central planning and from reliance on specialists; in political science it calls into question the authority of hierarchical, bureaucratic decision-making structures that function in carefully defined spheres; in anthropology it inspires the protection of local, primitive cultures from First World attempts to reorganize them. In all of the social sciences, she argues, post-modernism repudiates representative democracy and plays havoc with the very meaning of "left-wing" and "right-wing." Rosenau also highlights how post-modernism has inspired a new generation of social movements, ranging from New Age sensitivities to Third World fundamentalism. In weighing its strengths and weaknesses, the author examines two major tendencies within post-modernism, the largely European, skeptical form and the predominantly Anglo-North-American form, which suggests alternative political, social, and cultural projects. She draws examples from anthropology, economics, geography, history, international relations, law, planning, political science, psychology, sociology, urban studies, and women's studies, and provides a glossary of post-modern terms to assist the uninitiated reader with special meanings not found in standard dictionaries.
Now in paperback, Fredric Jameson’s most wide-ranging work seeks to crystalize a definition of ”postmodernism”. Jameson’s inquiry looks at the postmodern across a wide landscape, from “high” art to “low” from market ideology to architecture, from painting to “punk” film, from video art to literature.
Garish churches, gabled panel blocks, neo-historical tenements—this book is about these and other architectural oddities that emerged in Poland between 1975 and 1989, a period characterised by the decline of the authoritarian socialist regime and waves of political protest. During that period, committed architects defied repressive politics and persistent shortages, and designed houses and churches which adapted eclectic historical forms and geometric volumes, and were based on traditional typologies. These buildings show a very different background of postmodernism, far removed from the debates over Robert Venturi, Philip Johnson, or Prince Charles in Western Europe and North America—a context in which postmodern architecture stood not for world-weary irony in an economically saturated society, but for individualised counter-propositions to a collectivist ideology, for a yearning for truth and spiritual values, and for a discourse on distinctiveness and national identity. Postmodern Architecture in Socialist Poland argues that this new architecture marked the beginning of socio-political transformation and at the same time showed postmodernism's reconciliatory potential. In light of massive historical ruptures and wartime destruction, these buildings successfully responded to the contradictory desires for historical continuity and acknowledgment of rupture and loss. Next to international ideas, the architects took up domestic traditions, such as the ideas of the Polish school of historic conservation and long-standing national-patriotic narratives. They thus contributed to the creation of a built environment and intellectual climate that have been influential to date. This book will be of great interest to students and scholars interested in postmodern architecture and urban design, as well as in the socio-cultural background and transformative potential of architecture under socialism.
