Post-War British Literature and the "End of Empire"

Post-War British Literature and the

Author: Matthew Whittle

Publisher: Springer

Published: 2017-01-03

Total Pages: 227

ISBN-13: 1137540141

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This book examines literary texts by British colonial servant and settler writers, including Anthony Burgess, Graham Greene, William Golding, and Alan Sillitoe, who depicted the impact of decolonization in the newly independent colonies and at home in Britain. The end of the British Empire was one of the most significant and transformative events in twentieth-century history, marking the beginning of a new world order and having an indelible impact on British culture and society. Literary responses to this moment by those from within Britain offer an enlightening (and often overlooked) exploration of the influence of decolonization on received notions of “race” and class, while also prefiguring conceptions of multiculturalism. As Matthew Whittle argues in this sweeping study, these works not only view decolonization within its global context (alongside the aftermath of the Second World War, the rise of America, and mass immigration) but often propose a solution to imperial decline through cultural renewal.


British culture and the end of empire

British culture and the end of empire

Author: Stuart Ward

Publisher: Manchester University Press

Published: 2017-03-01

Total Pages: 254

ISBN-13: 1526119625

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This book is the first major attempt to examine the cultural manifestations of the demise of imperialism as a social and political ideology in post-war Britain. Far from being a matter of indifference or resigned acceptance as is often suggested, the fall of the British Empire came as a profound shock to the British national imagination, and resonated widely in British popular culture. The sheer range of subjects discussed, from the satire boom of the 1960s to the worlds of sport and the arts, demonstrates how profoundly decolonisation was absorbed into the popular consciousness. Offers an extremely novel and provocative interpretation of post-war British cultural history, and opens up a whole new field of enquiry in the history of decolonisation.


Mapping the End of Empire

Mapping the End of Empire

Author: Aiyaz Husain

Publisher: Harvard University Press

Published: 2014-04-14

Total Pages: 383

ISBN-13: 067441943X

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By the end of World War II, strategists in Washington and London looked ahead to a new era in which the United States shouldered global responsibilities and Britain concentrated its regional interests more narrowly. The two powers also viewed the Muslim world through very different lenses. Mapping the End of Empire reveals how Anglo-American perceptions of geography shaped postcolonial futures from the Middle East to South Asia. Aiyaz Husain shows that American and British postwar strategy drew on popular notions of geography as well as academic and military knowledge. Once codified in maps and memoranda, these perspectives became foundations of foreign policy. In South Asia, American officials envisioned an independent Pakistan blocking Soviet influence, an objective that outweighed other considerations in the contested Kashmir region. Shoring up Pakistan meshed perfectly with British hopes for a quiescent Indian subcontinent once partition became inevitable. But serious differences with Britain arose over America's support for the new state of Israel. Viewing the Mediterranean as a European lake of sorts, U.S. officials--even in parts of the State Department--linked Palestine with Europe, deeming it a perfectly logical destination for Jewish refugees. But British strategists feared that the installation of a Jewish state in Palestine could incite Muslim ire from one corner of the Islamic world to the other. As Husain makes clear, these perspectives also influenced the Dumbarton Oaks Conference and blueprints for the UN Security Council and shaped French and Dutch colonial fortunes in the Levant and the East Indies.


British Spy Fiction and the End of Empire

British Spy Fiction and the End of Empire

Author: Sam Goodman

Publisher: Routledge

Published: 2015-06-05

Total Pages: 198

ISBN-13: 1317678958

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Drawing focus on a crucial period of contemporary British history, this book explores Cold War anxieties over Imperial decline and British identity through analysis of space in popular twentieth-century spy fiction, enabling the cultural impact of decolonisation to be read in a new and revealing light. Visiting the literary representation of space, identity, and power in the work of Ian Fleming, Graham Greene, and John le Carré, it is an excellent resource for any scholars with an interest in spy fiction, British fiction, and popular literature.


Imperial Endgame

Imperial Endgame

Author: B. Grob-Fitzgibbon

Publisher: Springer

Published: 2016-11-09

Total Pages: 501

ISBN-13: 0230300383

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In this fresh and controversial account of Britain's end of empire, Grob-Fitzgibbon reveals that the British government developed a successful strategy of decolonization following the Second World War based on devolving power to indigenous peoples within the Commonwealth.


Afterlife of Empire

Afterlife of Empire

Author: Jordanna Bailkin

Publisher: Univ of California Press

Published: 2012-11-15

Total Pages: 381

ISBN-13: 0520289471

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This book investigates how decolonization transformed British society in the 1950s and 1960s, and examines the relationship between the postwar and the postimperial.


The Post-War British Literature Handbook

The Post-War British Literature Handbook

Author: Katharine Cockin

Publisher: A&C Black

Published: 2010-02-10

Total Pages: 271

ISBN-13: 082649501X

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A comprehensive, accessible and lucid coverage of major issues and key figures in modern and contemporary British literature.


State Sponsored Literature

State Sponsored Literature

Author: Asha Rogers

Publisher: Oxford University Press, USA

Published: 2020-03-12

Total Pages: 231

ISBN-13: 0198857764

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Debates about the value of the 'literary' rarely register the expressive acts of state subsidy, sponsorship, and cultural policy that have shaped post-war Britain. In State Sponsored Literature, Asha Rogers argues that the modern state was a major material condition of literature, even as its efforts were relative, partial, and prone to disruption. Drawing from neglected and occasionally unexpected archives, she shows how the state became an integral and conflicted custodian of literary freedom in the postcolonial world as beliefs about literature's 'public' were radically challenged by the unrivalled migration to Britain at the end of Empire. State Sponsored Literature retells the story of literature's place in post-war Britain through original analysis of the institutional forces behind canon-formation and contestation, from the literature programmes of the British Council and Arts Council and the UK's fraught relations with UNESCO, to GCSE literature anthologies and the origins of The Satanic Verses in migrant Camden. The state did not shape literary production in a vacuum, Rogers argues, but its policies, practices, and priorities were also inexorably shaped in turn. Demonstrating how archival work can potentially transform our understanding of literature, this book challenges how we think about literature's value by asking what state involvement has meant for writers, readers, institutions, and the ideal of autonomy itself.


End of empire and the English novel since 1945

End of empire and the English novel since 1945

Author: Rachael Gilmour

Publisher: Manchester University Press

Published: 2015-07-01

Total Pages: 379

ISBN-13: 1784991791

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Available in paperback for the first time, this first book-length study explores the history of postwar England during the end of empire through a reading of novels which appeared at the time, moving from George Orwell and William Golding to Penelope Lively, Alan Hollinghurst and Ian McEwan. Particular genres are also discussed, including the family saga, travel writing, detective fiction and popular romances. All included reflect on the predicament of an England which no longer lies at the centre of imperial power, arriving at a fascinating diversity of conclusions about the meaning and consequences of the end of empire and the privileged location of the novel for discussing what decolonization meant for the domestic English population of the metropole. The book is written in an easy style, unburdened by large sections of abstract reflection. It endeavours to bring alive in a new way the traditions of the English novel.