The war in Georgia. Tensions with Ukraine and other nearby countries. Moscow's bid to consolidate its "zone of privileged interests" among the Commonwealth of Independent States. These volatile situations all raise questions about the nature of and prospects for Russia's relations with its neighbors. In this book, Carnegie scholar Dmitri Trenin argues that Moscow needs to drop the notion of creating an exclusive power center out of the post-Soviet space. Like other former European empires, Russia will need to reinvent itself as a global player and as part of a wider community. Trenin's vision of Russia is an open Euro-Pacific country that is savvy in its use of soft power and fully reconciled with its former borderlands and dependents. He acknowledges that this scenario may sound too optimistic but warns that the alternative is not a new version of the historic empire but instead is the ultimate marginalization of Russia.
Written without notes in Ireland, and first published pseudonymously in 1948, Imperium is Francis Parker Yockey’s masterpiece. It is a critique of 19th-century rationalism and materialism, synthesising Oswald Spengler, Carl Schmitt, and Klaus Haushofer’s geopolitics. In particular, it rethinks the themes of Spengler’s The Decline of the West in an effort to account for the United States’ then recent involvement in World War II and for the task bequeathed to Europe’s political soldiers in the struggle to unite the Continent—heroically, rather than economically—in the realisation of the destiny implied in European High Culture. Yockey’s radical attack on liberal thought, especially that embodied by Americanism (distinct from America or Americans), condemned his work to obscurity, its appeal limited to the post-war fascist underground. Yet, Imperium transcents both the immediate post-war situation and its initial readership: it opened pathways to a deconstruction of liberalism, and introduced the concept of cultural vitalism— the organic conceptualisation of culture, with all that attends to it. These contributions are even more relevant now than in their day, and provide us with a deeper understanding of, as well as tools to deal with, the situation in the West in current century. It is with this in mind that the present, 900-page, fully-annotated edition is offered, complete with a major foreword by Dr Kerry Bolton, Julius Evola’s review as an afterword (in a fresh new translation), a comprehensive index, a chronology of Yockey's life, and an appendix, revealing, for the first time, much previously unknown information about the author's genealogical background.
Winner of the Wilhelm Raabe Literature Prize One of Publishers Weekly's Ten Best Books of 2015 A Huffington Post Best Fiction Book of the Year In 1902, a radical vegetarian and nudist from Nuremberg named August Engelhardt set sail for what was then called the Bismarck Archipelago. His destination: the island of Kabakon. His goal: to establish a colony based on worship of the sun and coconuts. His malnourished body was found on the beach on Kabakon in 1919; he was forty-three years old. In his first novel to be translated into English, internationally bestselling author Christian Kracht uses the outlandish details of Engelhardt’s life to craft a fable about the allure of extremism and its fundamental foolishness. “A Melvillean masterpiece of the South Seas” (Jonathan Sturgeon, Flavorwire), Imperium is funny, bizarre, shocking, and poignant---sometimes all on the same page.
From the bestselling author of Fatherland and Pompeii, comes the first novel of a trilogy about the struggle for power in ancient Rome. In his “most accomplished work to date” (Los Angeles Times), master of historical fiction Robert Harris lures readers back in time to the compelling life of Roman Senator Marcus Cicero. The re-creation of a vanished biography written by his household slave and righthand man, Tiro, Imperium follows Cicero’s extraordinary struggle to attain supreme power in Rome. On a cold November morning, Tiro opens the door to find a terrified, bedraggled stranger begging for help. Once a Sicilian aristocrat, the man was robbed by the corrupt Roman governor, Verres, who is now trying to convict him under false pretenses and sentence him to a violent death. The man claims that only the great senator Marcus Cicero, one of Rome’s most ambitious lawyers and spellbinding orators, can bring him justice in a crooked society manipulated by the villainous governor. But for Cicero, it is a chance to prove himself worthy of absolute power. What follows is one of the most gripping courtroom dramas in history, and the beginning of a quest for political glory by a man who fought his way to the top using only his voice—defeating the most daunting figures in Roman history.
Decolonization revolutionized the international order during the twentieth century. Yet standard histories that present the end of colonialism as an inevitable transition from a world of empires to one of nations—a world in which self-determination was synonymous with nation-building—obscure just how radical this change was. Drawing on the political thought of anticolonial intellectuals and statesmen such as Nnamdi Azikiwe, W.E.B Du Bois, George Padmore, Kwame Nkrumah, Eric Williams, Michael Manley, and Julius Nyerere, this important new account of decolonization reveals the full extent of their unprecedented ambition to remake not only nations but the world. Adom Getachew shows that African, African American, and Caribbean anticolonial nationalists were not solely or even primarily nation-builders. Responding to the experience of racialized sovereign inequality, dramatized by interwar Ethiopia and Liberia, Black Atlantic thinkers and politicians challenged international racial hierarchy and articulated alternative visions of worldmaking. Seeking to create an egalitarian postimperial world, they attempted to transcend legal, political, and economic hierarchies by securing a right to self-determination within the newly founded United Nations, constituting regional federations in Africa and the Caribbean, and creating the New International Economic Order. Using archival sources from Barbados, Trinidad, Ghana, Switzerland, and the United Kingdom, Worldmaking after Empire recasts the history of decolonization, reconsiders the failure of anticolonial nationalism, and offers a new perspective on debates about today’s international order.
This fully updated book offers the first systematic analysis of Putin’s three wars, placing the Second Chechen War, the war with Georgia of 2008, and the war with Ukraine of 2014–2015 in their broader historical context. Drawing on extensive original Russian sources, Marcel H. Van Herpen analyzes in detail how Putin’s wars were prepared and conducted, and why they led to allegations of war crimes and genocide. He shows how the conflicts functioned to consolidate and legitimate Putin’s regime and explores how they were connected to a fourth, hidden, “internal war” waged by the Kremlin against the opposition. The author convincingly argues that the Kremlin—relying on the secret services, the Orthodox Church, the Kremlin youth “Nashi,” and the rehabilitated Cossacks—is preparing for an imperial revival, most recently in the form of a “Eurasian Union.” An essential book for understanding the dynamics of Putin’s regime, this study digs deep into the Kremlin’s secret long-term strategies. Readable and clearly argued, it makes a compelling case that Putin’s regime emulates an established Russian paradigm in which empire building and despotic rule are mutually reinforcing. As the first comprehensive exploration of the historical antecedents and political continuity of the Kremlin’s contemporary policies, Van Herpen’s work will make a valuable contribution to the literature on post-Soviet Russia, and his arguments will stimulate a fascinating and vigorous debate.
Ryszard Kapuscinski's last book, The Soccer War -a revelation of the contemporary experience of war -- prompted John le Carre to call the author "the conjurer extraordinary of modern reportage." Now, in Imperium, Kapuscinski gives us a work of equal emotional force and evocative power: a personal, brilliantly detailed exploration of the almost unfathomably complex Soviet empire in our time. He begins with his own childhood memories of the postwar Soviet occupation of Pinsk, in what was then Poland's eastern frontier ("something dreadful and incomprehensible...in this world that I enter at seven years of age"), and takes us up to 1967, when, as a journalist just starting out, he traveled across a snow-covered and desolate Siberia, and through the Soviet Union's seven southern and Central Asian republics, territories whose individual histories, cultures, and religions he found thriving even within the "stiff, rigorous corset of Soviet power." Between 1989 and 1991, Kapuscinski made a series of extended journeys through the disintegrating Soviet empire, and his account of these forms the heart of the book. Bypassing official institutions and itineraries, he traversed the Soviet territory alone, from the border of Poland to the site of the most infamous gulags in far-eastern Siberia (where "nature pals it up with the executioner"), from above the Arctic Circle to the edge of Afghanistan, visiting dozens of cities and towns and outposts, traveling more than 40,000 miles, venturing into the individual lives of men, women, and children in order to Understand the collapsing but still various larger life of the empire. Bringing the book to a close is a collection of notes which, Kapuscinski writes, "arose in the margins of my journeys" -- reflections on the state of the ex-USSR and on his experience of having watched its fate unfold "on the screen of a television set...as well as on the screen of the country's ordinary, daily reality, which surrounded me during my travels." It is this "schizophrenic perception in two different dimensions" that enabled Kapuscinski to discover and illuminate the most telling features of a society in dire turmoil. Imperium is a remarkable work from one of the most original and sharply perceptive interpreters of our world -- galvanizing narrative deeply informed by Kapuscinski's limitless curiosity and his passion for truth, and suffused with his vivid sense of the overwhelming importance of history as it is lived, and of our constantly shifting places within it.
Taking a broad, comparative approach to imperial experiences, this volume provides an authoritative survey of the latest research into the histories of modern empires. The focus is on the era of modern imperial history dating approximately from the early sixteenth century to the present. Such a periodization enables the volume to include the European experience of imperial expansion and settlement, important historical experiences outside the west such as those of Russia, Japan and China, the collapse of European empires attendant on decolonization in the post World War II period, and the contemporary example of North America. The companion is divided into three sections, 'Times', 'Spaces' and 'Themes' which allows chronological, geographical and thematical approaches to be successfully combined. In so doing this volume provides a unique research tool that will be invaluable to all students and scholars interested in the history of empires, imperialism and colonialism in the post-classical world.
IMPERIUM LUPI A decade has passed since the last Howler War and the City of Lupa stands peaceful again under the choking clouds of the Ashfall. The wild hyenas have been conquered, the little beasts remain subdued, and the wolf packs preserve their uneasy oligarchy thanks to the noxious power of imperium. However, new threats fester within the Lupan Wall. There are those who would overturn the rule of the Den Fathers, if not the dominion of wolfkind altogether, by persuasion, murder, even genocide, if that’s what it takes. Imperium Lupi is a gritty, steampunk, fantasy adventure packed with intrigue and flexible morals. The true monsters are not the giant insects that stalk the wild world of Erde, but the beasts who don the mask of civility to cover their crooked convictions. "For the Republic Lupi!"
