This collection of 14 essays explores drama from around the world that depicts the United States and Americans. From eighteenth century German dramas about Native Americans through post-Revolutionary War British plays, to the theaters of contemporary Japan, Mexico, Serbia, Ireland, Ghana and other nations, the contributors consider conflicting representations of Americans. Often critical, sometimes flattering, and occasionally insulting, these various international views highlight perceptions of America abroad and how they influence the world's stages.
In the past generation, Brazil has risen to become the seventh largest economy and fourth largest democracy in the world. Yet its rise challenges the conventional wisdom that capitalist democracies will necessarily converge to become faithful adherents of a US-led global liberal order. Indeed, Brazil demonstrates that middle powers, even those of a deeply democratic bent, may differ in their views of what democracy means on the global stage and how international relations should be conducted among sovereign nations. This volume explores Brazil's postures on specific aspects of foreign relations, including trade, foreign and environmental policy, humanitarian intervention, nuclear proliferation and South-South relations, among other topics. The authors argue from a variety of perspectives that, even as Brazil seeks greater integration and recognition, it also brings challenges to the status quo that are emblematic of the tensions accompanying the rise to prominence of a number of middle powers in an increasingly multipolar world system.
Americans are still fascinated by the romantic notion of the "noble savage," yet know little about the real Native peoples of North America. This two-volume work seeks to remedy that by examining stereotypes and celebrating the true cultures of American Indians today. The two-volume American Indians and Popular Culture seeks to help readers understand American Indians by analyzing their relationships with the popular culture of the United States and Canada. Volume 1 covers media, sports, and politics, while Volume 2 covers literature, arts, and resistance. Both volumes focus on stereotypes, detailing how they were created and why they are still allowed to exist. In defining popular culture broadly to include subjects such as print advertising, politics, and science as well as literature, film, and the arts, this work offers a comprehensive guide to the important issues facing Native peoples today. Analyses draw from many disciplines and include many voices, ranging from surveys of movies and discussions of Native authors to first-person accounts from Native perspectives. Among the more intriguing subjects are the casinos that have changed the economic landscape for the tribes involved, the controversy surrounding museum treatments of American Indians, and the methods by which American Indians have fought back against pervasive ethnic stereotyping.
This text tackles the traditional topics of media psychology--sex, violence, advertising--along with developmental aspects of media influence and the psychology of the audience. It examines specific media genres--news, sports, soaps, audience participation media, the internet -- and asks what light psychology can shed on the popularity of these genres and the response of their audiences.
Scholars have analyzed Chinese society in the light of contemporary Western social and natural sciences for centuries. This compact volume turns the tables and opens tantalizing new perspectives on the American civilization by examining it through the lens of ancient Confucianism. The current work invites Americans to step through the looking glass -- backwards, this time -- and view ourselves from a Confucian perspective. In his analysis, Zhang draws together references to the I Ching, Leibniz, Tocqueville, Lipset and Aristotle, a judicious few statistics such as crime rate and economic growth, and the lions of Chinese philosophy. Chapter 1: The American Civilization and Ancient Confucianism in Open Society Chapter 2: "All Men Are Created Equal" Versus All Men Are Born Equal Chapter 3: Democracy and Law Chapter 4: Education and Knowledge Chapter 5: Economic Freedom and Development Chapter 6: The American Universalism and Rational Civilizations in the Future
A fresh account of the US presidential rhetoric embodied in Cold War international travel. Crowds swarm when US presidents travel abroad, though many never hear their voices. The presidential body, moving from one secured location to another, communicates as much or more to these audiences than the texts of their speeches. In The World is Our Stage, Allison M. Prasch considers how presidential appearances overseas broadcast American superiority during the Cold War. Drawing on extensive archival research, Prasch examines five foundational moments in the development of what she calls the “global rhetorical presidency:” Truman at Potsdam, Eisenhower’s “Goodwill Tours,” Kennedy in West Berlin, Nixon in the People’s Republic of China, and Reagan in Normandy. In each case, Prasch reveals how the president’s physical presence defined the boundaries of the “Free World” and elevated the United States as the central actor in Cold War geopolitics.
Spatial Representations and the Jacobean Stage offers a timely alternative to theatre criticism's neglect of the intensely spatial character of theatrical performance. The book shows that early modern audiences were highly aware of the spatial aspects of the stage. West examines the ways Jacobean dramatists used stage space to explore the spatial transformations of early modern society - social mobility, wandering populations, rural enclosure, sea travel, localized empirical thought. Dramas by Shakespeare, Jonson, Middleton and Webster are scrutinized for their treatment of these controversial themes.
