Portraits of Medieval Europe, 800–1400

Portraits of Medieval Europe, 800–1400

Author: Christian Raffensperger

Publisher: Taylor & Francis

Published: 2024-03-28

Total Pages: 201

ISBN-13: 1003847587

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This volume provides a collection of ‘imagined lives’ – individuals who, no matter their position on the social hierarchy, were crucial to the development of medieval Europe and the modern period that followed. Based on primary source materials and the latest historical research, these literary accounts of otherwise unsourced or under-sourced individuals are written by leading scholars in the field. The book’s approach transcends the limitations of both historical narrative and literary fiction, offering a research-informed presentation of real people that is enriched by informed speculation and creative storytelling. This enriched presentation of the lives of these individuals offers the quickest route to understanding medieval culture, society, and intellectual thought. Crucially, the book treats the whole of Europe, broadly defined: both conventional areas of study such as England and France, and also lesser studied but no less important areas such as eastern Europe, Iberia, and the Balkans. The reader of Portraits of Medieval Europe encounters the diversity present in the European past: the resulting portraits – unique, personal, and engaging – offer not only a wide geographical scope but also perspective on the formation of European society in its fullest form. This book is accessible and engaging for students new to medieval history as well as those wishing to expand their knowledge of medieval society.


Portraits of Medieval Europe, 800-1400

Portraits of Medieval Europe, 800-1400

Author: Christian Raffensperger

Publisher:

Published: 2024

Total Pages: 0

ISBN-13: 9781032332871

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This volume provides a collection of 'imagined lives'--individuals who, no matter their position on the social hierarchy, were crucial to the development of medieval Europe and the modern period that followed. Based on primary source materials and the latest historical research, these literary accounts of otherwise unsourced or under-sourced individuals are written by leading scholars in the field. The book's approach transcends the limitations of both historical narrative and literary fiction, offering a research-informed presentation of real people that is enriched by informed speculation and creative storytelling. This enriched presentation of the lives of these individuals offers the quickest route to understanding medieval culture, society, and intellectual thought. Crucially, the book treats the whole of Europe, broadly defined: both conventional areas of study such as England and France, and also lesser studied but no less important areas such as eastern Europe, Iberia, and the Balkans. The reader of Portraits of Medieval Europe encounters the diversity present in the European past: the resulting portraits--unique, personal, and engaging--offer not only a wide geographical scope, but also perspective on the formation of European society in its fullest form. This book is an accessible and engaging for students new to medieval history as well as those wishing to expand their knowledge of medieval society.


Portraits of Medieval Eastern Europe, 900-1400

Portraits of Medieval Eastern Europe, 900-1400

Author: Donald G. Ostrowski

Publisher:

Published: 2018

Total Pages: 0

ISBN-13: 9781138637047

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Portraits of Medieval Eastern Europe provides imagined biographies of twenty figures from all walks of life in Eastern Europe from 800 to 1250, giving an insight into medieval life from Scandinavia to Byzantium. Accompanied by an interactive companion website, it is the perfect teaching aid to support and excite students of medieval Eastern Europe.


Images of Sainthood in Medieval Europe

Images of Sainthood in Medieval Europe

Author: Renate Blumenfeld-Kosinski

Publisher: Cornell University Press

Published: 2019-05-15

Total Pages: 329

ISBN-13: 1501745506

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This handsomely illustrated book suggests new ways of understanding a cultural institution central to the spiritual and artistic imagination of the Middle Ages. Bringing together fourteen essays by contributors representing a number of disciplines, it illuminates issues including the place of sanctity in society, the role of gender in the representation of sainthood, and the use of hagiographic conventions in other genres.


Early Medieval Art

Early Medieval Art

Author: Lawrence Nees

Publisher: Oxford University Press, USA

Published: 2002

Total Pages: 274

ISBN-13: 9780192842435

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Earliest Christian art - Saints and holy places - Holy images - Artistic production for the wealthy - Icons & iconography.


Radegund

Radegund

Author: E. T. Dailey

Publisher: Oxford University Press

Published: 2023-09-01

Total Pages: 229

ISBN-13: 0197656129

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A princess born to the Thuringian royal house. A captive in war, forced to marry the Frankish king who killed her family. A queen, who renounced her position, received consecration as a deaconess, and took monastic vows. A religious leader, who acquired a fragment of the Cross of the Crucifixion for her convent of Holy Cross in Poitiers. And, lastly, a saint, remembered for her healings, exorcisms, and extreme self-mortification. Such was Radegund, a woman who lived through an era defined by headlong change. Honored as a "mother" by subsequent Frankish kings and as a holy woman by her nuns and devotees, Radegund enjoyed a reputation for righteousness that spread throughout the whole of medieval Europe, with later queens emulating her pious achievements. For generations, she defined medieval queenship, female monastic practice, and the expectations associated with holy women. Today, she is often envisioned as a pan-European saint. Radegund presents a new interpretation of this remarkable woman, examining her vibrant life and legacy. E. T. Dailey shows how she succeeded in establishing a place for herself within this difficult and dangerous world, despite the trials she faced. He also demonstrates how Radegund achieved a position of prominence as a woman in a foreign land without resorting to the violence and intrigue that characterized the lives of other prominent women during this period. Based on a wealth of English, French, and German scholarship, this book will equip experts and lay readers with a concise, authoritative, and accessible portrait of Radegund.


The Viewer and the Printed Image in Late Medieval Europe

The Viewer and the Printed Image in Late Medieval Europe

Author: DavidS. Areford

Publisher: Routledge

Published: 2017-07-05

Total Pages: 622

ISBN-13: 1351539671

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Structured around in-depth and interconnected case studies and driven by a methodology of material, contextual, and iconographic analysis, this book argues that early European single-sheet prints, in both the north and south, are best understood as highly accessible objects shaped and framed by individual viewers. Author David Areford offers a synthetic historical narrative of early prints that stresses their unusual material nature, as well as their accessibility to a variety of viewers, both lay and monastic. This volume represents a shift in the study of the early printed image, one that mirrors the widespread movement in art history away from issues of production, style, and the artist toward issues of reception, function, and the viewer. Areford's approach is intensely grounded in the object, especially the unacknowledged material complexity of the print as a portable, malleable, and accessible image that depended on a response that was not only visual but often physical, emotional, and psychological. Recognizing that early prints were not primarily designed for aesthetic appreciation, the author analyzes how their meanings stemmed from specific functions involving private devotion, protection, indulgences, the cult of saints, pilgrimage, exorcism, the art of memory, and anti-Semitic propaganda. Although the medium's first century was clearly transitional and experimental, Areford explores how its potential to impact viewers in new ways?both positive and negative?was quickly realized.


The Likeness of the King

The Likeness of the King

Author: Stephen Perkinson

Publisher: University of Chicago Press

Published: 2009-10-15

Total Pages: 354

ISBN-13: 0226658791

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Anyone who has strolled through the halls of a museum knows that portraits occupy a central place in the history of art. But did portraits, as such, exist in the medieval era? Stephen Perkinson's "The likeness of the king" challenges the canonical account of the invention of modern portrait practices, offering a case against the tendency of recent scholarship to identify likenesses of historical personages as "the first modern portraits". Focusing on the Valois court of France, he argues that local practice prompted shifts in the late medieval understanding of how images could represent individuals and prompted artists and patrons to deploy likeness in a variety of ways.