Portrait Sculpting

Portrait Sculpting

Author: Philippe Faraut

Publisher: Pcf Studios

Published: 2004-01-01

Total Pages: 214

ISBN-13: 9780975506509

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Step-by-step techniques for modeling the portrait in clay, firing meethods and mold making.


Modelling and Sculpting the Human Figure

Modelling and Sculpting the Human Figure

Author: Edouard Lanteri

Publisher: Courier Corporation

Published: 2012-08-02

Total Pages: 497

ISBN-13: 0486132366

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Covers modelling from casts, live models; measurements; frameworks; scale of proportions; compositions; reliefs, drapery, medals, etc. 107 full-page photographic plates. 27 other photographs. 175 drawings and diagrams.


The Portrait in Clay

The Portrait in Clay

Author: Peter Rubino

Publisher: Watson-Guptill

Published: 2015-11-24

Total Pages: 335

ISBN-13: 080414981X

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Simulating a workshop studio course, this book provides action-photography sequences that enable readers to observe every step a master sculptor takes in building a portrait in clay.


Bernini and the Birth of Baroque Portrait Sculpture

Bernini and the Birth of Baroque Portrait Sculpture

Author: Andrea Bacchi

Publisher: Getty Publications

Published: 2008-01-01

Total Pages: 338

ISBN-13: 0892369329

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Gian Lorenzo Bernini was the greatest sculptor of the Baroque period, and yet—surprisingly—there has never before been a major exhibition of his sculpture in North America. Bernini and the Birth of Baroque Portrait Sculpture showcases portrait sculptures from all phases of the artist’s long career, from the very early Antonio Coppola of 1612 to Clement X of about 1676, one of his last completed works. Bernini’s portrait busts were masterpieces of technical virtuosity; at the same time, they revealed a new interest in psychological depth. Bernini’s ability to capture the essential character of his subjects was unmatched and had a profound influence on other leading sculptors of his day, such as Alessandro Algardi, Giuliano Finelli, and Francesco Mochi. Bernini and the Birth of Baroque Portrait Sculpture is a groundbreaking study that features drawings and paintings by Bernini and his contemporaries. Together they demonstrate not only the range, skill, and acuity of these masters of Baroque portraiture but also the interrelationship of the arts in seventeenth-century Rome.


Creating a Portrait in Sculpture

Creating a Portrait in Sculpture

Author: Eugene F. Fairbanks

Publisher: Createspace Independent Pub

Published: 2013-04-18

Total Pages: 194

ISBN-13: 9781482724639

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This book will be of interest to George Washington scholars, and artists engaged in modeling portrait sculpture using clay or plasteline on armatures for casting. More than 150 photos showing each step of modeling process. Including chapters on human proportions for portrait artists, anatomy, and the process of marble sculpting. Including chapters on human proportions for portrait artists, anatomy, and the process of marble sculpting. Includes more than 40 other portraits of individuals done by Avard Fairbanks during his career.


Creating Lifelike Figures in Polymer Clay

Creating Lifelike Figures in Polymer Clay

Author: Katherine Dewey

Publisher: Potter Craft

Published: 2013-05-29

Total Pages: 146

ISBN-13: 0770434657

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Katherine Dewey's expressive and elegantly detailed sculptures enchant all who see them. With the magical medium of polymer clay and this book, you can follow in her footsteps. Thorough instructions supported by more than 400 step-by-step color photos and 200 detailed drawings cover the entire process of sculpting realistic figures, from selecting clay and gathering essential tools to the basics of modeling the human figure, to incorporating poses, facial expressions, ethnic and gender subtleties, costumes, and painted finishing touches. Easy-to-read maps of the figure illustrate the landmarks of the body, while scale diagrams indicate the simple shapes hidden within the human form, as well as how to combine and model those shapes. For anyone who loves fantasy, romance, nature—or sophisticated crafting—this book is a must-have.


Sculpting the Figure in Clay

Sculpting the Figure in Clay

Author: Peter Rubino

Publisher: Watson-Guptill

Published: 2010-04-20

Total Pages: 194

ISBN-13: 0823099245

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A comprehensive guide for sculptors looking to recreate the human body using clay, from the author of The Portrait in Clay In Sculpting the Figure in Clay, acclaimed portrait bust sculptor Peter Rubio teaches a master class in the essentials of figurative sculpture. In this intensive, all-inclusive guide, he introduces students to a natural, straightforward geometry that will help them become masters at forming figures of clay. Rubino’s unique approach utilizes a geometric system consisting of blocks, simple shapes, and guidelines that instruct students in a new and instinctive sculptural style, With these easy-to-follow instructions and informative concepts, students will see figures as the basic shapes beneath the form as well as learn vital approaches such as BLT: Bend, Lean, and Turn, to create evocative expression, and the Three Ps: Position, Proportion, and Plans, for accurate representation. Other topics include: • The Fundamentals of the Clay Torso • Observing the Model • Essential Materials and Tools • Sculpting the Female Torso from the Live Model • Sculpting the Reclining Figure from the Live Model • Sculpting the Hand, Foot, and Lower Arm • Plus Many Photographic Reference Poses for Continued Study This unparalleled resource is the definitive guide to figurative sculpture.


Digital Sculpting with Mudbox

Digital Sculpting with Mudbox

Author: Mike de la Flor

Publisher: Taylor & Francis

Published: 2012-10-12

Total Pages: 271

ISBN-13: 1136136371

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Digital sculpting is the use of tools to push, pull, smooth, grab, pinch or otherwise manipulate a digital object as if it were made of a real-life substance such as clay. Mudbox is the premier sculpting solution for digital artists, in that it allows them to naturally and easily sculpt detailed, organic characters and models in a way that feels like traditional sculpting. This book guides CG professionals through the process of creating amazing digital sculptures using the Mudbox arsenal of ground-breaking digital sculpting and 3D painting tools, and porting the models into their Maya or Max work. Artists will explore tried and true, traditional, sculpting techniques and learn to apply them to digital sculpting. A series of in-depth tutorials are incluced, each challenging them with progressively more complex models as they go on. Unique to this book are topics specific to fine art sculptors transitioning from traditional sculpting to digital sculpting. information found nowhere else for professional sculptors shows them how to successfully integrate digital sculpting into their workflow. Associated web site with: support files, models, materials, and textures for completing the tutorials in the book.


Modelling and Sculpting Animals

Modelling and Sculpting Animals

Author: Edouard Lanteri

Publisher: Courier Corporation

Published: 2012-11-01

Total Pages: 351

ISBN-13: 0486138291

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"A joy to read, as well as a constant reference library. Thoroughly inspiring." — Workbench The republication of this highly valuable text by Edouard Lanteri, a renowned teacher, sculptor, and intimate friend of Rodin (Rodin called him "my dear master, my dear friend"), makes it possible for serious students to gain the requisite skills needed for figurative sculpture and to bridge the gap between artistic concept and figurative realization. Modelling and Sculpting Animals, together with its companion piece Modelling and Sculpting the Human Figure, is the classic treatise on the techniques of figurative sculpture. Representing at least three thousand years of studio lore, this readily understandable, authoritative guide is a goldmine of technical information, easily comprising a four-year sculpture curriculum unavailable elsewhere. In this reasonably priced volume, devoted almost entirely to the modelling of animals, Lanteri offers thorough step-by-step instruction for the figurative sculptor. Beginning with a description of the historical symbolism of animals in different cultures, the author then proceeds to give meticulous anatomy for the horse, lion, and bull. Rules of motion, measurements of construction, erecting the framework, tools, materials, and other pertinent aspects of animal sculpture are covered in detail. The final section presents a comprehensive exposition of the methods of casting in plaster, including how to mix the plaster, applying successive layers and irons, opening the mold, soaping and oiling, chipping off the mold, and special precautions. A profusion of illustrations — over 200 photographs, drawings, and diagrams — clearly demonstrate every principle and method the author describes. 64 full-page photographic plates, 139 drawings and diagrams.