The Artist as Critic

The Artist as Critic

Author: Oscar Wilde

Publisher: University of Chicago Press

Published: 1982

Total Pages: 475

ISBN-13: 0226897648

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Reprint. Originally published: New York: Random House, [1969]


Oscar Wilde's Plagiarism

Oscar Wilde's Plagiarism

Author: Florina Tufescu

Publisher:

Published: 2011

Total Pages: 0

ISBN-13: 9780716529057

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This title offers a compact history of the meanings and uses of plagiarism from antiquity to the present. It is an interpretation of Oscar Wilde's plagiarism and of its impact on Joyce, Borges, Gide, and many others.


A Florentine Tragedy; La Sainte Courtisane

A Florentine Tragedy; La Sainte Courtisane

Author: Oscar Wilde

Publisher: DigiCat

Published: 2022-08-15

Total Pages: 48

ISBN-13:

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DigiCat Publishing presents to you this special edition of "A Florentine Tragedy; La Sainte Courtisane" by Oscar Wilde. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.


Oscar Wilde's Chatterton

Oscar Wilde's Chatterton

Author: Joseph Bristow

Publisher: Yale University Press

Published: 2015-01-01

Total Pages: 485

ISBN-13: 0300208308

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In Oscar Wilde's Chatterton, Joseph Bristow and Rebecca N. Mitchell explore Wilde's fascination with the eighteenth-century forger Thomas Chatterton, who tragically took his life at the age of seventeen. This innovative study combines a scholarly monograph with a textual edition of the extensive notes that Wilde took on the brilliant forger who inspired not only Coleridge, Wordsworth, and Keats but also Victorian artists and authors. Bristow and Mitchell argue that Wilde's substantial “Chatterton” notebook, which previous scholars have deemed a work of plagiarism, is central to his development as a gifted writer of criticism, drama, fiction, and poetry. This volume, which covers the whole span of Wilde's career, reveals that his research on Chatterton informs his deepest engagements with Romanticism, plagiarism, and forgery, especially in later works such as “The Portrait of Mr. W. H.,”The Picture of Dorian Gray, and The Importance of Being Earnest. Grounded in painstaking archival research that draws on previously undiscovered sources,Oscar Wilde's Chatterton explains why, in Wilde's personal canon of great writers (which included such figures as Charles Baudelaire, Gustave Flaubert, Théophile Gautier, and Dante Gabriel Rossetti), Chatterton stood as an equal in this most distinguished company.


Portrait of a Port

Portrait of a Port

Author: W. H. Bunting

Publisher: Harvard University Press

Published: 1994

Total Pages: 548

ISBN-13: 9780674690769

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Portrait Of A Port is a classic portrayal of Boston's glorious maritime past opens a window onto the history of American port cities.


Beautiful Untrue Things

Beautiful Untrue Things

Author: Gregory Mackie

Publisher: University of Toronto Press

Published: 2019-07-11

Total Pages: 300

ISBN-13: 1487502907

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Borrowing its title from Oscar Wilde's essay "The Decay of Lying," this study engages questions of fraudulent authorship in the literary afterlife of Oscar Wilde. The unique cultural moment of Wilde's early-twentieth-century afterlife, Gregory Mackie argues, afforded a space for marginal and transgressive forms of literary production that, ironically enough, Wilde himself would have endorsed. Beautiful Untrue Things recovers the careers of several forgers who successfully inhabited the persona of the Victorian era's most infamous homosexual and arguably its most successful dramatist. More broadly, this study tells a larger story about Oscar Wilde's continued cultural impact at a moment when he had fallen out of favour with the literary establishment. It probes the activities of a series of eccentric and often outrageous figures who inhabited Oscar Wilde's much-mythologized authorial persona - in forging him, they effectively wrote as Wilde - in order to argue that literary forgery can be reimagined as a form of performance. But to forge Wilde and generate "beautiful untrue things" in his name is not only an exercise in role-playing - it is also crucially a form of imaginative world-making, resembling what we describe today as fan fiction.