Portrait of an English Patron
Author: Elizabeth G. Hammel
Publisher:
Published: 1990
Total Pages: 136
ISBN-13:
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Author: Elizabeth G. Hammel
Publisher:
Published: 1990
Total Pages: 136
ISBN-13:
DOWNLOAD EBOOKAuthor: Tim Bonyhady
Publisher: Pantheon
Published: 2011-11-15
Total Pages: 409
ISBN-13: 0307906817
DOWNLOAD EBOOKVienna and its Secessionist movement at the turn of the last century is the focus of this extraordinary social portrait told through an eminent Viennese family, headed by Hermine and Moriz Gallia, who were among the great patrons of early-twentieth-century Viennese culture at its peak. Good Living Street takes us from the Gallias’ middle-class prosperity in the provinces of central Europe to their arrival in Vienna, following the provision of Emperor Franz Joseph in 1848 that gave Jews freedom of movement and residence, legalized their religious services, opened public service and professions up to them, and allowed them to marry. The Gallias, like so many hundreds of thousands of others, came from across the Hapsburg Empire to Vienna, and for the next two decades the city that became theirs was Europe’s center of art, music, and ideas. The Gallias lived beyond the Ringstrasse in Vienna’s Fourth District on the Wohllebengasse (translation: Good Living Street), named after Vienna’s first nineteenth-century mayor. In this extraordinary book we see the amassing of the Gallias’ rarefied collections of art and design; their cosmopolitan society; we see their religious life and their efforts to circumvent the city’s rampant anti-Semitism by the family’s conversion to Catholicism along with other prominent intellectual Jews, among them Gustav Mahler. While conversion did not free Jews from anti-Semitism, it allowed them to secure positions otherwise barred to them. Two decades later, as Kristallnacht raged and Vienna burned, the Gallias were having movers pack up the contents of their extraordinary apartment designed by Josef Hoffmann. The family successfully fled to Australia, bringing with them the best private collection of art and design to escape Nazi Austria; included were paintings, furniture, three sets of silver cutlery, chandeliers, letters, diaries, books and bookcases, furs—chinchilla, sable, sealskin—and even two pianos, one upright and one Steinway. Not since the publication of Carl Schorske’s acclaimed portrait of Viennese modernism, Fin-de-Siècle Vienna, has a book so brilliantly—and completely—given us this kind of close-up look at turn-of-the-last-century Viennese culture, art, and daily life—when the Hapsburg Empire was fading and modernism and a new order were coming to the fore. Good Living Street re-creates its world, atmosphere, people, energy, and spirit, and brings it all to vivid life.
Author: Kalman A. Burnim
Publisher: SIU Press
Published: 1998
Total Pages: 304
ISBN-13: 9780809321230
DOWNLOAD EBOOKFor this catalog, Kalman A. Burnim has selected more than 360 portraits from various editions of the John Bell publication Bell's Shakespeare (including John Barker's continuation of 1799-1800) and from Bell's British Theatre (including George Cawthorn's 1797 edition). Philip H. Highfill Jr. has furnished the introductory essay for the catalog. Most of these portraits are by James Roberts and Samuel De Wilde, who were among the leading painters of actors and actresses between 1770 and 1820. Richard Cosway, William Hamilton, Gilbert Stuart, and other painters also have work represented in the catalog. The engraved versions are by James Thornthwaite, William Leney, Philippe Audinet, and others. When possible, each entry is illustrated by a reproduction of the engraving or by an original picture. For each entry, Burnim provides details of publication, the provenance and related pictures, the locations of the originals, and commentary.
Author: Susan Jenkins
Publisher: Routledge
Published: 2017-03-02
Total Pages: 406
ISBN-13: 1351909886
DOWNLOAD EBOOKOnce described as 'England's Apollo' James Brydges, first Duke of Chandos (1674-1744) was an outstanding patron of the arts during the first half of the eighteenth century. Having acquired great wealth and influence as Paymaster-General of Queen Anne's forces abroad, Chandos commissioned work from leading artists, architects, poets and composers including Godfrey Kneller, William Talman, Sir John Vanbrugh, Sir James Thornhill, John Gay and George Frederick Handel. Despite his associations with such renowned figures, Chandos soon gained a reputation for tasteless extravagance. This reputation was not helped by the publication in 1731 of Alexander Pope's poem 'Of Taste' which was widely regarded as a satire upon Chandos and Cannons, the new house he was building near Edgware. The poem destroyed Chandos's reputation as a patron of the arts and ensured that he was remembered as a man lacking in taste. Yet, as this book shows, such a judgement is plainly unfair when the Duke's patronage is considered in more depth and understood within the artistic context of his age. By investigating the patronage and collections of the Duke, through an examination of documentary sources and contemporary accounts, it is possible to paint a very different picture of the man. Rather than the epitome of bad taste described by his enemies, it is clear that Chandos was an enlightened patron who embraced new ideas, and strove to establish a taste for the Palladian in England, which was to define the Georgian era.
Author: Charles Molloy Westmacott
Publisher:
Published: 1824
Total Pages: 272
ISBN-13:
DOWNLOAD EBOOKAuthor: J. Douglas Stewart
Publisher: Oxford University Press, USA
Published: 1983
Total Pages: 398
ISBN-13:
DOWNLOAD EBOOKAuthor: David C. Price
Publisher: Cambridge University Press
Published: 1981-02-05
Total Pages: 274
ISBN-13: 0521228069
DOWNLOAD EBOOKThe author examines the secular music of the late Renaissance period primarily through families of varying importance.
Author: Henry Benjamin Wheatley
Publisher:
Published: 1897
Total Pages: 438
ISBN-13:
DOWNLOAD EBOOKAuthor: Marie Manilla
Publisher: HMH
Published: 2014-06-17
Total Pages: 357
ISBN-13: 054413348X
DOWNLOAD EBOOKCatholic lore, American tales, and Sicilian superstition blend in this “clever, funny, heartbreaking, and heartwarming” novel (Publishers Weekly). Born with unruly red hair, a sharp tongue, and wine-colored marks all over her body—marks that oddly mimick a map of the world and make her subject to endless ridicule—Garnet Ferrari would hardly consider herself blessed. So when an emissary from the Vatican shows up at her door, convinced that her seeming ability to cure the skin ailments of others qualifies her for sainthood, she’s not quite convinced—or pleased. Garnet sets off on a quest to better understand who she is and where she and her unusual gifts came from. Tracing a twisted path that leads from Sicily to West Virginia, poverty to riches, romance to loss, reality to mythology, Garnet uncovers a truth far more powerful than any dermatological miracle: that the things of which we are most ashamed often become our greatest strengths. “A cleareyed, touching fable of a girl learning the hard truths about herself and others.” —Kirkus Reviews
Author: Elizabeth Mansfield
Publisher: U of Minnesota Press
Published:
Total Pages: 257
ISBN-13: 1452909164
DOWNLOAD EBOOKFew tales of artistic triumph can rival the story of Zeuxis. As first reported by Cicero and Pliny, the painter Zeuxis set out to portray Helen of Troy, but when he realized that a single model could not match Helen’s beauty, he combined the best features of five different models. A primer on mimesis in art making, the Zeuxis myth also illustrates ambivalence about the ability to rely on nature as a model for ideal form. In Too Beautiful to Picture, Elizabeth C. Mansfield engages the visual arts, literature, and performance to examine the desire to make the ideal visible. She finds in the Zeuxis myth evidence of a cultural primal scene that manifests itself in gendered terms. Mansfield considers the many depictions of the legend during the Renaissance and questions its absence during the eighteenth century. Offering interpretations of Angelica Kauffman’s paintings, Mary Shelley’s Frankenstein, and Picasso’s Les Demoiselles d’Avignon, Mansfield also considers Orlan’s carnal art as a profound retelling of the myth. Throughout, Mansfield asserts that the Zeuxis legend encodes an unconscious record of the West’s reliance on mimetic representation as a vehicle for metaphysical solace. Elizabeth C. Mansfield is associate professor of art history at the University of the South.