Dr. Mookerji was one of the remarkable figures who adorned India's political firmament during the crucial decades before and after Independence. This book puts into perspective the life and career of this versatile genius who excelled in every field of activity he entered - as Vice-Chancellor of Calcutta University; as the acting president of the Hindu Mahasabha; as parliamentarian and the first president of Jana Sangh; and as a crusader for the cause of Indian unity. Prof Bal Raj Madhok's association with Dr. Shyama Prasad Mookerji began in 1940. He has worked in close association with Dr. Mookerji for the formation of Bharatiya Jana Sangh, which reached the highest watermark of popularity under his leadership in 1967
(Book). Warren Zevon songs are like chapters in a great American novel. Its story lies in the heart of his and our psyche. The lines are blurred. We never seem to know if we are looking in a mirror or peering through a window; we only know that when we listen we see something . The music sets the scene his voice a striking baritone, its narrator our guide through a labyrinth of harrowing narratives. The plot unfolds without subtlety; each musical and lyrical arc awakens imagination. In Accidentally Like a Martyr: The Tortured Art of Warren Zevon , music journalist James Campion presents 13 essays on seminal Zevon songs and albums that provide context to the themes, inspirations, and influence of one of America's most literate songwriters. In-depth interviews with Zevon's friends and colleagues provide first-person accounts of how the music was lived, composed, recorded, and performed. Longtime fans of this most uniquely tortured artist, as well as those who want to discover his work for the first time, will get inside the mind, talent, and legacy of the wildly passionate Excitable Boy.
This is a study of the life and times of Saint Perpetua, Saint Felicity and their companions, all martyred at Carthage in A.D. 203. Unlike most early Christian saints, whose lives are often shrouded in legend and myth, Perpetua left an authentic prison diary, later completed by an anonymous eyewitness to her execution, that is now considered a classic of Christian, Latin and feminist literature. Perpetua was also unusual in that she was wealthy, educated, married, and a young mother. The book includes the first English translations of French archaeological scholarship covering the discovery of the martyrs' tombs.
In sixteenth-century Venice, paintings were often treated as living beings. As this book shows, paintings attended dinner parties, healed the sick, made money, and became involved in love affairs. Presenting a range of case studies, Elsje van Kessel offers a detailed examination of the agency paintings and other two-dimensional images could exert. This lifelike agency is not only connected to the seemingly naturalistic style of these images – works by Titian, Giorgione and their contemporaries, illustrated here in over 150 plates. It is also brought in relation to their social-historical contexts, meticulously unravelled through archival research. Grounded in the theoretical literature on the agency of material things, The Lives of Paintings contributes to Venetian studies as well as engaging with wider debates on the attribution of life and presence to images and objects.
Visualizing Sensuous Suffering and Affective Pain in Early Modern Europe and the Spanish Americas is a trans-cultural collection of studies on visual treatments of the phenomena of suffering and pain in early modern culture. Ranging geographically from Italy, Spain, and the Low Countries to Chile, Mexico, and the Philippines and chronologically from the fourteenth to the eighteenth centuries, these studies variously consider pain and suffering as somatic, emotional, and psychological experiences. From examination of bodies shown victimized by brutal public torture to the sublimation of physical suffering conveyed through the incised lines of Counter-Reformation engravings, the authors consider depictions of pain and suffering as conduits to the divine or as guides to social behaviour; indeed, often the two functions overlap.
Deadly feuds and ancient secrets spell war in the second novel of The Covenant of Steel, an epic series of action, intrigue, and magic from Anthony Ryan, a master storyteller who has taken the fantasy world by storm. "Ryan again showcases his gift for epic fantasy in his excellent sequel to The Pariah . . . . Ryan's evocative prose enhances the suspenseful, intricate story . . . .This fires on all cylinders." —Publishers Weekly (starred review) Times have changed for Alwyn Scribe. Once an outlaw, he’s now a spymaster and sworn protector of Lady Evadine Courlain, whose visions of a demonic apocalypse have earned her the fanatical devotion of the faithful. Yet Evadine’s growing fame has put her at odds with both Crown and Covenant. As trouble brews in the kingdom, both seek to exploit her position for their own ends. Sent to the Duchy of Alundia to put down a rebellion, Alwyn must rely on old instincts to fight for his new cause. Deadly feuds and ancient secrets are laid bare as war erupts, a war that will decide the fate of the Kingdom of Albermaine and, perhaps, prevent the coming of the prophesied Second Scourge. "A gritty, heart-pounding tale of betrayal and bloody vengeance. I loved every single word." — John Gwynne on The Pariah For more from Anthony Ryan, check out: The Covenant of Steel The Pariah The Martyr Raven's Shadow Trilogy Blood Song Tower Lord Queen of Fire Raven's Blade Duology The Wolf's Call The Black Song The Draconis Memoria Trilogy The Waking Fire The Legion of Flame The Empire of Ashes
"The surprises keep coming in La Salle's twisting debut thriller, in which good and evil aren't always black and white."—Kirkus Reviews, Starred Review From actor, director, producer, and author Eriq La Salle, comes the first in a heart-pounding crime thriller series. Every ten years, for the past 30 years, a dozen clergymen are killed, brutally murdered in twisted scenes emulating the deaths of Jesus and his disciples. Now, "The Martyr Maker" has set his mark on New York City. 30 years. 36 priests butchered. His bloodiest masterpiece is yet to come. The Laws of Depravity follows two NYPD detectives and an FBI agent as they race to catch a serial killer before he completes his last cycle of kills and disappears forever. Clerical transgressions at the heart of Spotlight meets the visceral horror of Thomas Harris's Red Dragon, for a gritty, dark story about of how some of the most trusted members of society fail. The Laws of Depravity raises eye-opening questions about faith when the lines between good and evil have blurred beyond recognition. Praise for Laws of Depravity: "Laws of Depravity may be the most engrossing book you read this year, bar none."—Lee Ashford, Reader's Favorites "...an utterly compelling and riveting thriller with echoes of the dark master, Thomas Harris. Here, La Salle also adds a surprising twist by weaving in a spiritual component that raises the narrative to lofty and thought-provoking levels. It's a wonderful accomplishment."—Leonard Chang, author of Over the Shoulder and Crossings "Actor and director Eriq La Salle's intense debut is a modern day parable cleverly masquerading as a crime novel. A muscular, gritty and spiritual thriller."—John Shors, bestselling author of Beneath a Marble Sky, Beside a Burning Sea, Dragon House, The Wishing Trees, and Cross Currents "Laws of Depravity will take you on a heart-pounding ride of vengeance, murder and atonement, never letting you rest until you've reached the final page."—Neal Baer, co-author of Kill Switch and former Executive Producer of "Law and Order S.V.U." "A gritty crime thriller, spiritual quest, and love story all woven into one compelling tale."—Publishers Weekly
A rich and illuminating biography of America’s forgotten Founding Father, the patriot physician and major general who fomented rebellion and died heroically at the battle of Bunker Hill on the brink of revolution Little has been known of one of the most important figures in early American history, Dr. Joseph Warren, an architect of the colonial rebellion, and a man who might have led the country as Washington or Jefferson did had he not been martyred at Bunker Hill in 1775. Warren was involved in almost every major insurrectionary act in the Boston area for a decade, from the Stamp Act protests to the Boston Massacre to the Boston Tea Party, and his incendiary writings included the famous Suffolk Resolves, which helped unite the colonies against Britain and inspired the Declaration of Independence. Yet after his death, his life and legend faded, leaving his contemporaries to rise to fame in his place and obscuring his essential role in bringing America to independence. Christian Di Spigna’s definitive new biography of Warren is a loving work of historical excavation, the product of two decades of research and scores of newly unearthed primary-source documents that have given us this forgotten Founding Father anew. Following Warren from his farming childhood and years at Harvard through his professional success and political radicalization to his role in sparking the rebellion, Di Spigna’s thoughtful, judicious retelling not only restores Warren to his rightful place in the pantheon of Revolutionary greats, it deepens our understanding of the nation’s dramatic beginnings.
From Eusebius of Caesarea, who first compiled a collection of martyr narratives around 300, to Thierry Ruinart, whose Acta primorum martyrum sincera et selecta was published in 1689, the selection and study of early hagiographic narratives has been founded on an assumption that there existed documents written at the time of martyrdom, or very close to it. As a result, a search for authenticity has been and continues to be central, even in the context of today's secular scholarship. But, as Éric Rebillard contends, the alternative approach, to set aside entirely the question of the historical reliability of martyr narratives, is not satisfactory either. Instead, he argues that martyr narratives should be consider as fluid "living texts," written anonymously and received by audiences not as precise historical reports but as versions of the story. In other words, the form these texts took, between fact and fiction, made it possible for audiences to readily accept the historicity of the martyr while at the same time not expect to hear or read a truthful account. In The Early Martyr Narratives, Rebillard considers only accounts of Christian martyrs supposed to have been executed before 260, and only those whose existence is attested in sources that can be dated to before 300. The resulting small corpus contains no texts in the form of legal protocols, traditionally viewed as the earliest, most official and authentic records, nor does it include any that can be dated to a period during which persecution of Christians is known to have taken place. Rather than deduce from this that they are forgeries written for the sake of polemic or apologetic, Rebillard demonstrates how the literariness of the narratives creates a fictional complicity that challenges and complicates any claims of these narratives to be truthful.
