Based on a major exhibition of masks from the Northwest coast, this book features photographs of over 150 masks from North America and Europe. The masks are manifestations of ancestral spirits as well as works of art. Issues of aesthetics, changes in form and subthemes are explored.
American mariners made more than 175 voyages to the Northwest Coast during the half-century after 1787. The art and culture of Northwest Coast Indians so intrigued American sailors that the collecting of ethnographic artifacts became an important secondary trade. Malloy has brought details about these early collections together for the first time.
This is the first bibliography in its field, based on first-hand collations of the actual articles. International in scope, it includes publications found in public theatre libraries and archives of Barcelona, Berlin, Brussels, Budapest, Florence, London, Milan, New York and Paris amongst others. Over 3500 detailed entries on separately published sources such as books, sales and exhibition catalogues and pamphlets provide an indispensible guide for theatre students, practitioners and historians. Indices cover designers, productions, actors and performers. The iconography provides an indexed record of over 6000 printed plates of performers in role, illustrating performance costume from the 18th to 20th century.
Over 360 authentic royalty-free designs adapted from Navajo blankets and rugs, painted wooden masks, decorated moccasins, Hopi pottery, Sioux buffalo hides, more. Geometrics, symbolic figures, plant and animal motifs, much more.
Extending some 1,400 miles from Alaska to northern California, America's Northwest Coast is one of the richest and most distinct cultural areas on earth. The region is famous for its magnificent art--masks, totem poles, woven blankets--produced by the world's most politically and economically complex hunters and gatherers. As this pioneering account shows, the history of settlement on the Northwest Coast stretches back some 11,000 years. With the stabilization of sea levels and salmon runs after 4000 B.C., many of the region's salient features began to emerge. Salmon fishing supported rapid population growth to a peak over 1,000 years ago. The spread of rain forest made available trees such as red cedar that could be turned into vast houses and seaworthy canoes. Large households and permanent villages emerged alongside slavery and a hereditary nobility. Warfare became epidemic, initially hand to hand but later characterized by the development of fortresses and the bow and arrow. Art evolved from simple carvings and geometric designs 5,000 years ago to the specialized crafts of the modern era. Written by noted experts and profusely illustrated, this is an essential reference for scholars and students of Native American archaeology and anthropology as well as travelers to the region.
A beautifully produced and illustrated (bandw) reference that offers complete descriptions and cultural contexts of the dress and ornamentation of the North American Indian tribes. The volume is divided into ten cultural regions, with each chapter giving an overview of the regional clothing. Individual tribes of the area follow in alphabetical order. Tribal information includes men's basic dress, women's basic dress, footwear, outer wear, hair styles, headgear, accessories, jewelry, armor, special costumes, garment decoration, face and body embellishment, transitional dress after European contact, and bibliographic references. Appendices include a description of clothing arts and a glossary. Annotation copyright by Book News, Inc., Portland, OR
The heyday of anthropological collecting on the Northwest Coast took place between 1875 and the Great Depression. The scramble for skulls and skeletons, poles, canoes, baskets, feast bowls, and masks went on until it seemed that almost everything not nailed down or hidden was gone. The period of most intense collecting on the coast coincided with the growth of anthropological museums, which reflected the realization that time was running out and that civilization was pushing the indigenous people to the wall, destroying their material culture and even extinguishing the native stock itself.
This book is devoted to a thorough explication of the techniques of Northwest Coast Indian mask-making, and the role of the artist and masks in the society.