Join Benny and Harper as they spread their love throughout the animal kingdom. Their curiosity of how animals share kisses allows them to discover that animal affection is just as pure, innocent and silly as our own. Porcupine Kisses is the first installation in the Love You Most series and LYM can be found represented in each illustration.
Stephen Dobyns is one of America's most respected poets; his manner is tart and often sardonic, his language tough, funny, yet at heart profoundly humane. In his eleventh book of poetry he pushes the boundaries of conventional collections, presenting an intriguing two-part volume. The first section contains ruminative prose poems, dealing with a man who is looking back over the successes and failures of his life, that are intercut with short "considerations" in the manner of the Maxims of La Rochefoucauld. The second section presents an alphabetical selection of words defined by Dobyns in evocative one-line phrases. Punctuating the text throughout are woodcuts and line drawings by the artist Howie Michels. A compelling exploration of attitudes, words, and concepts, this is an important addition to Doybns's body of work.
Embrace what makes you unique and encourage compassionate friendships with Porcupine and Armadillo in this delightful picture book that makes a great gift for Valentine's Day or for any day when a hug (or kiss) is needed. Poor Porcupine just cannot be hugged-his quills are too spikey! Each night, before settling down to sleep, all of Porcupine's forest friends hug each other goodnight. All except Porcupine, who feels left out-and grumpy! But when Armadillo shows him what a warm, fuzzy "kiss" is (even for a porcupine!), Porcupine is delighted and cannot wait to show his friends. With adorable art, Zoe Waring's story of making the most out of your physical limitations is sure to win hearts. No Hugs for Porcupine is filled with love and friendship, and is the perfect gift for Valentine's Day, or any day that requires a hug and a kiss.
From a noted science journalist comes a wonderfully witty and fascinating exploration of how and why we kiss. When did humans begin to kiss? Why is kissing integral to some cultures and alien to others? Do good kissers make the best lovers? And is that expensive lip-plumping gloss worth it? Sheril Kirshenbaum, a biologist and science journalist, tackles these questions and more in The Science of a Kiss. It's everything you always wanted to know about kissing but either haven't asked, couldn't find out, or didn't realize you should understand. The book is informed by the latest studies and theories, but Kirshenbaum's engaging voice gives the information a light touch. Topics range from the kind of kissing men like to do (as distinct from women) to what animals can teach us about the kiss to whether or not the true art of kissing was lost sometime in the Dark Ages. Drawing upon classical history, evolutionary biology, psychology, popular culture, and more, Kirshenbaum's winning book will appeal to romantics and armchair scientists alike.
The New York Times has called Carl Dennis’s poetry “wise, original, and deeply moving.” A poet with a growing audience of admirers, Dennis writes in a clear, classically simple language that is both personal and universal. Making use of a rich variety of genres—advice, meditation, elegy, and prophecy—his poems take unexpected turns as they explore their subjects, catching the reader off balance in a way that is liberating. This new anthology gathers the best of his eight previous books along with a generous sampling of new poems.
The Stupa of Borobudur in Java is one of the architectural wonders of the world, designed as both a mandala and as an aid for the Buddhist pilgrim that can be read as a holy book. It has inspired Anne Waldman to create a work which is at once a walking meditation, a ?cultural intervention,? a ?recovery? of a sacred site, and a take on contemporary reality and how the busy ?monkey brain? (as it is called in Buddhism) works and travels. Exploratory and meditative, even playful at times, it expands the sense of invocation and incantation that Waldman is celebrated for, while also reflecting an engaged political/cultural awareness.
Winner of the John Burroughs Medal for Lifetime Achievement in Nature Poetry Pattiann Rogers, one of America’s finest contemporary poets, has won a reputation for densely detailed, thickly textured poems describing the natural world and one’s place in it that are informed by a broad knowledge of science. In the tradition of Emerson, Whitman, and A. R. Ammons, Rogers’s wise and complex poems read like a series of witty but deeply felt explorations of the physical world and the presence of the divine, exuding much observational care and descriptive panache. Her new collection, Generations, consists of fifty-four poems that concern themselves not just with the notion of the generations of life, but “generations” in the sense of energy, change, replication, and continuity—the entire process of coming or bringing into being.
In her seventh book of poetry, Debora Greger walks out of art history class and into Europe, even to the edge of Asia. A night wedding in Venice, an encounter with a girl on an aqueduct in Istanbul, a walk into the emptiness of the Florida prairie, standing before a Rembrant or a tomb in Ravenna-these portraits of travel reveal a poet never at home even when home. Debora Greger's poems love the accident of discovery; she is a poet whose intimacies are expressed in whispers, whose secrets come in sidelong glances.
The third collection of poetry from the author of Lighthead, winner of the 2010 National Book Award Watch for the new collection of poetry from Terrance Hayes, American Sonnets for My Past and Future Assassin, coming in June of 2018 Terrance Hayes is an elegant and adventurous writer with disarming humor, grace, tenderness, and brilliant turns of phrase. He is very much interested in what it means to be an artist and a black man. In his first collection, Muscular Music, he took the reader through a living library of cultural icons, from Shaft and Fat Albert to John Coltrane and Miles Davis. His second collection, Hip Logic, continued these explorations of popular culture, fatherhood, cultural heritage, and loss. Wind in a Box, Hayes’s resonant new collection, continues his interest in how traditions (of poetry and culture alike) can be simultaneously upended and embraced. The struggle for freedom (the wind) within containment (the box) is the unifying motif as Hayes explores how identity is shaped by race, heritage, and spirituality. This new book displays not only what the Los Angeles Times calls the range of a "bold virtuoso," but also the imaginative fervor of a poet in love with poetry.
Sly and sophisticated, direct, playful, and profound, Amy Gerstler’s new collection highlights her distinctive poetic style. In thirty-seven poems, using a variety of dramatic voices and visual techniques, she finds meaning in unexpected places, from a tour of a doll hospital to an ad for a CD of Beethoven symphonies to an earthy exploration of toast. Gerstler’s abiding interests—in love and mourning, in science and pseudoscience, in the idea of an afterlife, in seances and magic—are all represented here. Entertaining and erudite, complex yet accessible, these poems will enhance Gerstler’s reputation as an important contemporary poet.