Popular Opinion in Stalin's Russia

Popular Opinion in Stalin's Russia

Author: Sarah Rosemary Davies

Publisher: Cambridge University Press

Published: 1997-10-02

Total Pages: 262

ISBN-13: 9780521566766

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Between 1934 and 1941 Stalin unleashed what came to be known as the 'Great Terror' against millions of Soviet citizens. The same period also saw the 'Great Retreat', the repudiation of many of the aspirations of the Russian Revolution. The response of ordinary Russians to the extraordinary events of this time has been obscure. Sarah Davies's study uses NKVD and party reports, letters and other evidence to show that, despite propaganda and repression, dissonant public opinion was not extinguished. The people continued to criticise Stalin and the Soviet regime, and complain about particular policies. The book examines many themes, including attitudes towards social and economic policy, the terror, and the leader cult, shedding light on a hugely important part of Russia's social, political, and cultural history.


Stalin

Stalin

Author: Sarah Davies

Publisher: Cambridge University Press

Published: 2005-09-08

Total Pages: 310

ISBN-13: 9780521616539

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The recent declassification of a substantial portion of Stalin's archive has made possible this fundamental new assessment of the controversial Soviet leader. Leading international experts accordingly challenge many assumptions about Stalin from his early life in Georgia to the Cold War years--with contributions ranging across the political, economic, social, cultural, ideological and international history of the Stalin era. The volume provides a more profound understanding of Stalin's power and one of the most important leaders of the twentieth century.


Stalin’s Terror

Stalin’s Terror

Author: B. McLoughlin

Publisher: Springer

Published: 2002-12-11

Total Pages: 275

ISBN-13: 0230523935

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The British, Irish, Russian, American, German and Austrian contributors examine the intricate nature of the mass repression unleashed by the Stalinist leader of the USSR during 1937-38. The first part of the collection deals with annihilation policies against the Soviet elite and the Communist International. The second section of the volume looks at mass operations of the secret police (NKVD) against social outcasts, Poles and other 'hostile' ethnic groups. The final section comprises micro-studies about targeted victim groups among the general population.


Reading Primary Sources

Reading Primary Sources

Author: Miriam Dobson

Publisher: Routledge

Published: 2008-09-03

Total Pages: 270

ISBN-13: 1134086776

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How does the historian approach primary sources? How do interpretations differ? How can they be used to write history? Reading Primary Sources goes a long way to providing answers for these questions. In the first part of this unique volume, the chapters give an overview of both traditional and new methodological approaches to the use of sources, analyzing the way that these have changed over time. The second part gives an overview of twelve different types of written sources, including letters, opinion polls, surveillance reports, diaries, novels, newspapers, and dreams, taking into account the huge expansion in the range of written primary sources used by historians over the last thirty years. This book is an up-to-date introduction into the historical context of these different genres, the ways they should be read, the possible insights and results these sources offer and the pitfalls of their interpretation. All of the chapters push the reader beyond a conventional understanding of source texts as mere "reflections" of a given reality, instead fostering an understanding of how each of the various genres has to be seen as a medium in its own right. Taking examples of sources from around the globe, and also including a student-friendly further reading section, this is the perfect companion for every student of history who wants to engage with sources.


Stalinism

Stalinism

Author: Sheila Fitzpatrick

Publisher: Taylor & Francis

Published: 2000

Total Pages: 396

ISBN-13: 0415152348

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First Published in 1999. Routledge is an imprint of Taylor & Francis, an informa company.


Mobilizing Soviet Peasants

Mobilizing Soviet Peasants

Author: Mary E. A. Buckley

Publisher: Rowman & Littlefield

Published: 2006

Total Pages: 388

ISBN-13: 9780742541276

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Exploring the story of rural shock work and Stakhanovism in the Soviet countryside in the late 1930s, this book tries to contextualise Stakhanovism, considering historical context, changing party priorities, propaganda, the press, the nature of farm leaderships, shortages, peasant attitudes, gender, purges, and local organisations.


Stalinism

Stalinism

Author: Alter L. Litvin

Publisher: Psychology Press

Published: 2005

Total Pages: 268

ISBN-13: 9780415351096

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This volume, the fruit of co operation between a British and Russian historian, seeks to review comparatively the progress made in recent years, largely thanks to the opening of the Russian archives, in enlarging our understanding of Stalin and


This Thing of Darkness

This Thing of Darkness

Author: Joan Neuberger

Publisher: Cornell University Press

Published: 2019-03-15

Total Pages: 425

ISBN-13: 1501732773

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Sergei Eisenstein's unfinished masterpiece, Ivan the Terrible, was no ordinary movie. Commissioned by Joseph Stalin in 1941 to justify state terror in the sixteenth century and in the twentieth, the film's politics, style, and epic scope aroused controversy even before it was released. In This Thing of Darkness, Joan Neuberger offers a sweeping account of the conception, making, and reception of Ivan the Terrible that weaves together Eisenstein's expansive thinking and experimental practice with a groundbreaking new view of artistic production under Stalin. Drawing on Eisenstein's unpublished production notebooks, diaries, and manuscripts, Neuberger's riveting narrative chronicles Eisenstein's personal, creative, and political challenges and reveals the ways cinematic invention, artistic theory, political critique, and historical and psychological analysis went hand in hand in this famously complex film. Neuberger's bold arguments and daring insights into every aspect of Eisenstein's work during this period, together with her ability to lucidly connect his wide-ranging late theory with his work on Ivan, show the director exploiting the institutions of Soviet artistic production not only to expose the cruelties of Stalin and his circle but to challenge the fundamental principles of Soviet ideology itself. Ivan the Terrible, she argues, shows us one of the world's greatest filmmakers and one of the 20th century's greatest artists observing the world around him and experimenting with every element of film art to explore the psychology of political ambition, uncover the history of recurring cycles of violence and lay bare the tragedy of absolute power.


Stalin's Final Films

Stalin's Final Films

Author: Claire Knight

Publisher: Cornell University Press

Published: 2024-07-15

Total Pages: 276

ISBN-13: 1501776185

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Stalin's Final Films explores a neglected period in the history of Soviet cinema, breathing new life into a body of films long considered moribund as the pinnacle of Stalinism. While film censorship reached its apogee in this period and fewer films were made, film attendance also peaked as Soviet audiences voted with their seats and distinguished a clearly popular postwar cinema. Claire Knight examines the tensions between official ideology and audience engagement, and between education and entertainment, inherent in these popular films, as well as the financial considerations that shaped and constrained them. She explores how the Soviet regime used films to address the major challenges faced by the USSR after the Great Patriotic War (World War II), showing how war dramas, spy thrillers, Stalin epics, and rural comedies alike were mobilized to consolidate an official narrative of the war, reestablish Stalinist orthodoxy, and dramatize the rebuilding of socialist society. Yet, Knight also highlights how these same films were used by filmmakers more experimentally, exploring a diverse range of responses to the ideological crisis that lay at the heart of Soviet postwar culture, as a victorious people were denied the fruits of their sacrificial labor. After the war, new heroes were demanded by both the regime and Soviet audiences, and filmmakers sought to provide them, with at times surprising results. Stalin's Final Films mines Soviet cinema as an invaluable resource for understanding the unique character of postwar Stalinism and the cinema of the most repressive era in Soviet history.