Modern Occultism in Late Imperial Russia traces the history of occult thought and practice from its origins in private salons to its popularity in turn-of-the-century mass culture. In lucid prose, Julia Mannherz examines the ferocious public debates of the 1870s on higher dimensional mathematics and the workings of seance phenomena, discusses the world of cheap instruction manuals and popular occult journals, and looks at haunted houses, which brought together the rural settings and the urban masses that obsessed over them. In addition, Mannherz looks at reactions of Russian Orthodox theologians to the occult. In spite of its prominence, the role of the occult in turn-of-the-century Russian culture has been largely ignored, if not actively written out of histories of the modern state. For specialists and students of Russian history, culture, and science, as well as those generally interested in the occult, Mannherz's fascinating study remedies this gap and returns the occult to its rightful place in the popular imagination of late nineteenth- and early twentieth-century Russian society.
Explores how the search for meaning in the post-Soviet era has given rise to a revival of ancient spiritual traditions and a plethora of new movements • Reveals the survival of ancient Slavic deities, pagan practices, and folk medicine tradition in modern Russia, including the indigenous pre-Christian customs of the Mari people and the shamanic traditions of Siberia • Examines the precursors to modern spiritual movements in the “Silver Age” (1880-1920) and discusses the impact of the Russian Revolution on spiritual and esoteric groups • Offers a deep look at the controversial Book of Veles, branded by some as a forgery and hailed by others as an epic chronicle of the Slavic people In this in-depth look at occult and esoteric traditions in Russia, Christopher McIntosh explores the currents of mysticism, myth, magic, and the spiritual to which the Russian soul has always been attuned. The author explains how the search for meaning in the post- Soviet era has given rise to a revival of ancient spiritual traditions and a plethora of new movements. He examines the precursors to these movements in the “Silver Age” (1880-1920) before the Revolution, when alternative forms of spirituality were finding new life as a reaction to the ongoing climate of violence, revolt, and repression. He discusses the impact of the Russian Revolution on spiritual and esoteric groups and shows how their activities were tolerated and even in some instances encouraged--until Stalin assumed power in 1924. Discussing the spiritual reawakening after the fall of communism in 1989, the author explores the survival of Slavic deities and pagan practices in modern Russia, including the indigenous pre-Christian customs of the Mari people and the shamanic traditions of Siberia. He examines the resurgence of the Orthodox Church and the burgeoning of alternative forms of spirituality. He offers a deep look at the controversial Book of Veles, branded by some as a forgery and hailed by others as an epic chronicle of the Slavic people. He also explores the interface between spirituality and the arts and the unique qualities of the Russian language as a medium for the sacred. Revealing the implications of the modern Russian spiritual and esoteric renaissance, McIntosh shows that it still remains to be seen whether Edgar Cayce’s prediction of Russia as the hope of the world will come true or if Russia will remain, as Churchill famously stated, “a riddle, wrapped in a mystery, inside an enigma.”
Karen Petrone shatters the notion that World War I was a forgotten war in the Soviet Union. Although never officially commemorated, the Great War was the subject of a lively discourse about religion, heroism, violence, and patriotism during the interwar period. Using memoirs, literature, films, military histories, and archival materials, Petrone reconstructs Soviet ideas regarding the motivations for fighting, the justification for killing, the nature of the enemy, and the qualities of a hero. She reveals how some of these ideas undermined Soviet notions of military honor and patriotism while others reinforced them. As the political culture changed and war with Germany loomed during the Stalinist 1930s, internationalist voices were silenced and a nationalist view of Russian military heroism and patriotism prevailed.
The Nazis' use and misuse of Nietzsche is well known. In this pioneering book, Bernice Glatzer Rosenthal excavates the trail of long-obscured Nietzschean ideas that took root in late Imperial Russia, intertwining with other elements in the culture to become a vital ingredient of Bolshevism and Stalinism.
Occult and esoteric ideas became deeply embedded in Russian culture long before the Bolshevik Revolution. Everyone interested in the occult and esoteric will appreciate this book, because it documents their continued importance in Russia and raises new issues for research and discussion.
Guru to the World tells the story of Swami Vivekananda, the nineteenth-century Hindu ascetic who introduced the West to yoga and to a tolerant, scientifically minded universalist conception of religion. Ruth Harris explores the many legacies of Vivekananda’s thought, including his impact on anticolonial movements and contemporary Hindu nationalism.
This sourcebook provides the first systematic overview of witchcraft laws and trials in Russia and Ukraine from medieval times to the late nineteenth century. Witchcraft in Russia and Ukraine, 1000–1900 weaves scholarly commentary with never-before-published primary source materials translated from Polish, Russian, and Ukrainian. These sources include the earliest references to witchcraft and sorcery, secular and religious laws regarding witchcraft and possession, full trial transcripts, and a wealth of magical spells. The documents present a rich panorama of daily life and reveal the extraordinary power of magical words. Editors Valerie A. Kivelson and Christine D. Worobec present new analyses of the workings and evolution of legal systems, the interplay and tensions between church and state, and the prosaic concerns of the women and men involved in witchcraft proceedings. The extended documentary commentaries also explore the shifting boundaries and fraught political relations between Russia and Ukraine.
Mention twentieth-century Russian music, and the names of three &"giants&"&—Igor Stravinsky, Sergei Prokofiev, and Dmitrii Shostakovich&—immediately come to mind. Yet during the turbulent decade following the Bolshevik Revolution, Stravinsky and Prokofiev lived abroad and Shostakovich was just finishing his conservatory training. While the fame of these great musicians is widely recognized, little is known about the creative challenges and political struggles that engrossed musicians in Soviet Russia during the crucial years after 1917. Music for the Revolution examines musicians&’ responses to Soviet power and reveals the conditions under which a distinctively Soviet musical culture emerged in the early thirties. Given the dramatic repression of intellectual freedom and creativity in Stalinist Russia, the twenties often seem to be merely a prelude to Totalitarianism in artistic life. Yet this was the decade in which the creative intelligentsia defined its relationship with the Soviet regime and the aesthetic foundations for socialist realism were laid down. In their efforts to deal with the political challenges of the Revolution, musicians grappled with an array of issues affecting musical education, professional identity, and the administration of musical life, as well as the embrace of certain creative platforms and the rejection of others. Nelson shows how debates about these issues unfolded in the context of broader concerns about artistic modernism and elitism, as well as the more expansive goals and censorial authority of Soviet authorities. Music for the Revolution shows how the musical community helped shape the musical culture of Stalinism and extends the interpretive frameworks of Soviet culture presented in recent scholarship to an area of artistic creativity often overlooked by historians. It should be broadly important to those interested in Soviet history, the cultural roots of Stalinism, Russian and Soviet music, and the place of music and the arts in revolutionary change.
This “riveting history . . . brings us face to face with this notorious trial” of a Russian Jew who was framed for ritual murder in 1913 (Jewish Book World). On Sunday, March 20, 1911, children playing in a cave near Kiev made a gruesome discovery: the blood-soaked body of a partially clad boy. After right-wing groups asserted that the killing was a ritual murder, the police, with no direct evidence, arrested Menachem Mendel Beilis, a thirty-nine-year-old Jewish manager at a factory near the site of the crime. Beilis’s trial in 1913 quickly became an international cause célèbre. The jury ultimately acquitted Beilis but held that the crime had the hallmarks of a ritual murder. Robert Weinberg’s account of the Beilis Affair explores the reasons why the tsarist government framed Beilis, shedding light on the excesses of antisemitism in late Imperial Russia. It is a gripping narrative culled from trial transcripts, newspaper articles, Beilis’s memoirs, and archival sources, many appearing in English for the first time.
