After examining origins, Flynt (Southern history, Auburn U.) studies farmers, textile workers, coal miners, and timber workers in depth and discusses family structure, folk culture, the politics of poor whites, and their attempts to resolve problems through labor unions and political movements. Annotation copyrighted by Book News, Inc., Portland, OR
"Poor and Proud; Or, The Fortunes of Katy Redburn: A Story for Young Folks" is a delightful novel written by Oliver Optic. The book transports readers into the world of Katy Redburn, a young girl from humble beginnings who possesses an indomitable spirit. Set in the mid-19th century, the story follows Katy's journey as she navigates the challenges and triumphs of life. Despite her limited resources, Katy's determination, perseverance, and unwavering optimism shine through as she strives to improve her circumstances. The narrative explores themes of social class, friendship, and personal growth, emphasizing the importance of character and resilience in the face of adversity. Throughout the book, Katy encounters various memorable characters, each contributing to her development and providing valuable life lessons. Oliver Optic skillfully weaves together a heartwarming tale that captivates young readers, instilling in them a sense of hope and inspiring them to overcome obstacles. It serves as a reminder that one's circumstances do not define their worth and that with determination, even the poorest and proudest among us can achieve great things.
A haunting and powerful portrait of a young French girl, and her desire to escape the world in which she is born, without losing her identity In the marshy countryside of southwestern France, fourteen-year-old Galla rides her battered bicycle twenty miles, twice a month, from the high school she attends on scholarship back to her family’s rocky, barren farm. Galla’s loving, overwhelmed mother would prefer she stay at home, where Galla can look after her neglected little sisters and defuse her father’s brutal rages. What does this dutiful daughter owe her family, and what does she owe her own ambition? In Inès Cagnati’s haunting and visually powerful novel Free Day, winner of the 1973 Prix Roger Nimier, Galla makes an extra journey one frigid winter Saturday to surprise her mother. As she anticipates their reunion, she mentally retraces the crooked path of her family’s past and the more recent map of her school life as a poor but proud student. Galla’s dense interior monologue blends with the landscape around her, building a powerful portrait of a girl who yearns to liberate herself from the circumstances that confine her, without losing their ties to her heart.
Close to midnight on May 17, 1951, four north Alabama lawmen drove to a bootlegger’s home to serve an arrest warrant. Before the clock struck twelve, the bootlegger lay dead in front of the house he shared with his wife and eight children, and three of the four officers were also dead. Afterward, a sixteen-year-old boy would face a series of trials that would divide a county and thrust the state of Alabama into the national spotlight. In this good, old-fashioned, true-crime story, Lesa Carnes Shaul draws on court documents, trial transcripts, newspaper articles, and personal interviews to weave together a rollicking and illuminating tale of murder and revenge. Besides the shooting itself and the subsequent trials, the narrative explores the cultural shifts that occurred after World War II in the United States, the Deep South, and the state of Alabama in particular. Immediately after the war, many southern states, still recovering from the lingering effects of the Great Depression, stood poised to advance toward a progressive New South yet struggled with the legacy of race and class inequities, retrograde government policies, and a stubborn resistance to change. Sand Mountain represented a kind of “land that time forgot” during this era, even as nearby cities like Huntsville and Birmingham sought to claim a place on the national stage in technology, industry, business, and medicine. Through her investigation of these murder trials, Shaul reveals the backwoods justice at play in this isolated area of the American South.
The South was many things to Mark Twain: boyhood home, testing ground for manhood, and the principal source of creative inspiration. Although he left the South while a young man, seldom to return, it remained for him always a haunting presence, alternately loved and loathed. Mark Twain and the South was the first book on this major yet largely ignored aspect of the private life of Samuel Clemens and one of the major themes in his writing from 1863 until his death. Arthur G. Pettit clearly demonstrates that Mark Twain's feelings on race and region moved in an intelligible direction from the white Southern point of view he was exposed to in his youth to self-censorship, disillusionment, and, ultimately, a deeply pessimistic and sardonic outlook in which the dream of racial brotherhood was forever dead. Approaching his subject as a historian with a deep appreciation for literature, he bases his study on a wide variety of Mark Twain's published and unpublished works, including his notebooks, scrapbooks, and letters. An interesting feature of this illuminating work is an examination of Clemens's relations with the only two black men he knew well in his adult years.
From the seventeenth century Cavaliers and Uncle Tom's Cabin to Civil Rights museums and today's conflicts over the Confederate flag, here is a brilliant portrait of southern identity, served in an engaging blend of history, literature, and popular culture. In this insightful book, written with dry wit and sharp insight, James C. Cobb explains how the South first came to be seen--and then came to see itself--as a region apart from the rest of America. As Cobb demonstrates, the legend of the aristocratic Cavalier origins of southern planter society was nurtured by both northern and southern writers, only to be challenged by abolitionist critics, black and white. After the Civil War, defeated and embittered southern whites incorporated the Cavalier myth into the cult of the "Lost Cause," which supplied the emotional energy for their determined crusade to rejoin the Union on their own terms. After World War I, white writers like Ellen Glasgow, William Faulkner and other key figures of "Southern Renaissance" as well as their African American counterparts in the "Harlem Renaissance"--Cobb is the first to show the strong links between the two movements--challenged the New South creed by asking how the grandiose vision of the South's past could be reconciled with the dismal reality of its present. The Southern self-image underwent another sea change in the wake of the Civil Rights movement, when the end of white supremacy shook the old definition of the "Southern way of life"--but at the same time, African Americans began to examine their southern roots more openly and embrace their regional, as well as racial, identity. As the millennium turned, the South confronted a new identity crisis brought on by global homogenization: if Southern culture is everywhere, has the New South become the No South? Here then is a major work by one of America's finest Southern historians, a magisterial synthesis that combines rich scholarship with provocative new insights into what the South means to southerners and to America as well.
This book reflects intersection between the lives, commitments, and strategies of two highly respected figures Dr. Paul Farmer and Fr. Gustavo Gutierrez joined in their option for the poor, their defense of life, and their commitment to liberation. Farmer has credited liberation theology as the inspiration for his effort to do "social justice medicine," while Gutierrez has recognized Farmer's work as particularly compelling example of the option for the poor, and the impact that theology can have outside the church. Draws on their respective writings, major addresses by both at Notre Dame, and a transcript of a dialogue between them.