In 2009, the Harvard Ukrainian Research Institute gathered scholars from around the globe and from various fields of study to mark the 300th anniversary of the Battle of Poltava. This collection of their papers provides a fresh look at this watershed event and sheds new light on the legacies of the battle's major players.
'This victory', exulted Peter the Great, 'has laid the final stone in the foundations of St Petersburg!' The Battle of Poltava, 1709, marks the birth of the Tsar's vast Russian Empire. In 1700, seeking to open Russian trade routes to the West, the Tsar combined with Denmark, Saxony and Poland to attack Swedish hegemony in the North. Against the odds, King Charles XII of Sweden subdued the hostile coalition for nearly a decade, but in 1708 took his fatal decision to march for Moscow. His defeat at Poltava, in the Ukraine, proved the turning-point of the Great Northern War, heralding the collapse of the Swedish Empire and the rise of Russia, the effects of which would be felt for almost three hundred years. Swedish historian Peter Englund's vivid account of the three violent days of battle is an internationally acclaimed classic of military history, admired by scholars and the lay reader alike.
Ivan Mazepa (1639-1709), hetman of the Zaporozhian Host in what is now Ukraine, is a controversial figure, famous for abandoning his allegiance to Tsar Peter I and joining Charles XII's Swedish army during the Battle of Poltava. Although he is discussed in almost every survey and major book on Russian and Ukrainian history, Ivan Mazepa and the Russian Empire is the first English-language biography of the hetman in sixty years. A translation and revision of Tatiana Tairova-Yakovleva's 2007 Russian-language book, Ivan Mazepa and the Russian Empire presents an updated perspective. This account is based on many new sources, including Mazepa's archive - thought lost for centuries before it was rediscovered by the author in 2004 - and post-Soviet Russian and Ukrainian historiography. Focusing on this fresh material, Tairova-Yakovleva delivers a more nuanced and balanced account of the polarizing figure who has been simultaneously demonized in Russia as a traitor and revered in Ukraine as the defender of independence. Chapters on economic reform, Mazepa's impact on the rise to power of Peter I, his cultural achievements, and the reasons he switched his allegiance from Peter to Charles integrate a larger array of issues and personalities than have previously been explored. Setting a standard for the next generation of historians, Ivan Mazepa and the Russian Empire reveals an original picture of the Hetmanate during a moment of critical importance for the Russian Empire and Ukraine.
Ukrainian Cossacks used icon painting to investigate their relationship not only with God but also their relationship with the Russian tsar. In this groundbreaking study, Serhii Plokhy examines the political and religious culture of Ukrainian Cossackdom, as reflected in the Cossack-era paintings, icons, and woodcuts.
"A History of Baroque Music is a detailed treatment of the music of the Baroque era, with particular focus on the seventeenth century. The author's approach is a history of musical style with an emphasis on musical scores. The book is divided initially by time period into early and later Baroque (1600-1700 and 1700-1750 respectively), and secondarily by country and composer. An introductory chapter discusses stylistic continuity with the late Renaissance and examines the etymology of the term "Baroque." The concluding chapter on the composer Telemann addresses the stylistic shift that led to the end of the Baroque and the transition into the Classical period."--Jacket.
This book examines the politics of the Grand Duchy of Lithuania during the crucial period between the Russian tsar Peter the Great’s victory over Sweden at the battle of Poltava and the 1717 Silent Sejm, the Polish-Lithuanian parliament’s session which is traditionally seen as responsible for opening the way to Russian domination of Polish-Lithuanian politics. It not only challenges the accepted view of the passivity of the Lithuanian gentry and their subservience to the Russians, but also presents a clear view of how the Lithuanian economy and political system were functioning in 1710–1717, factors which have never been studied in depth in any language. Šapoka argues that much more blame for the Confederations of Vilnius and Tarnogród that had led to the Silent Sejm can be attributed to the Polish king Augustus II than is argued by the conventional scholarship. By so completely and deliberately ignoring the Commonwealth’s institutions and refusing to work within them, the Polish king provoked justified suspicion that by destroying the basis of the consensual political system, he wanted to introduce absolute monarchy.