This book sheds light on the ways in which the on-going Israeli-Arab conflict has shaped Arabic language instruction. Due to its interdisciplinary nature it will be of great interest to academics and researchers in security and middle eastern studies as well as those focused on language and linguistics.
This book surveys discourse and opinion in the United States toward the Arab-Israeli conflict since 1991. Contrary to popular myth, it demonstrates that U.S. support for Israel is not based on the pro-Israel lobby, but rather is deeply rooted in American political culture. That support has increased since 9/11. However, the bulk of this increase has been among Republicans, conservatives, evangelicals, and Orthodox Jews. Meanwhile, among Democrats, liberals, the Mainline Protestant Church, and non-Orthodox Jews, criticism of Israeli policies toward the Palestinians has become more vociferous. This book works to explain this paradox.
This book examines the politics of Jerusalem since 1967 and the city’s decline as an Arab city. Covering issues such as the Old City, the barrier, planning regulations and efforts to remove Palestinians from it, the book provides a broad overview of the contemporary situation and political relations inside the Palestinian community, but also with the Israeli authorities.
This important volume rethinks the conventional parameters of Middle East studies through attention to popular cultural forms, producers, and communities of consumers. The volume has a broad historical scope, ranging from the late Ottoman period to the second Palestinian uprising, with a focus on cultural forms and processes in Israel, Palestine, and the refugee camps of the Arab Middle East. The contributors consider how Palestinian and Israeli popular culture influences and is influenced by political, economic, social, and historical processes in the region. At the same time, they follow the circulation of Palestinian and Israeli cultural commodities and imaginations across borders and checkpoints and within the global marketplace. The volume is interdisciplinary, including the work of anthropologists, historians, sociologists, political scientists, ethnomusicologists, and Americanist and literary studies scholars. Contributors examine popular music of the Palestinian resistance, ethno-racial “passing” in Israeli cinema, Arab-Jewish rock, Euro-Israeli tourism to the Arab Middle East, Internet communities in the Palestinian diaspora, café culture in early-twentieth-century Jerusalem, and more. Together, they suggest new ways of conceptualizing Palestinian and Israeli political culture. Contributors. Livia Alexander, Carol Bardenstein, Elliott Colla, Amy Horowitz, Laleh Khalili, Mary Layoun, Mark LeVine, Joseph Massad, Melani McAlister, Ilan Pappé, Rebecca L. Stein, Ted Swedenburg, Salim Tamari
An award-winning novel of love, betrayal, and Arab Israeli identity by the author of Dancing Arabs—“one of the most important contemporary Hebrew writers” (Haaretz). A successful Arab criminal attorney and a social worker-turned-artist find their lives intersecting under the most curious of circumstances. The lawyer has a thriving practice in Jerusalem, a large house, and a Mercedes. He speaks both Arabic and Hebrew, and lives with his wife and two young children. To maintain his image as a sophisticated Israeli Arab, he makes frequent visits to a local bookstore and picks up popular novels. But on one fateful evening, he decides to buy a used copy of Tolstoy’s The Kreutzer Sonata, a book his wife once recommended. Tucked in its pages, he finds a love letter, in Arabic . . . in his wife’s handwriting. Consumed with suspicion and jealousy, he decides to hunt down the book’s previous owner—a man named Yonatan. But Yonatan’s identity is more complex than the attorney imagined. In the process of dredging up old ghosts and secrets, the lawyer breaks the fragile threads that hold all of their lives together. Winner of the 2011 Bernstein Prize, Second Person Singular is “part comedy of manners, part psychological mystery” (The Boston Globe) that offers “sharp insights on the assumptions made about race, religion, ethnicity, and class that shape Israeli identity” (Publishers Weekly). “[Kashua’s] dry wit shines.” —Los Angeles Times “Kashua’s protagonists struggle, often comically . . . making his narratives more nuanced than some of the other Arabs writing about the conflict” —Newsweek “Sayed Kashua is a brilliant, funny, humane writer who effortlessly overturns any and all preconceptions about the Middle East. God, I love him.” —Gary Shteyngart, author of Super Sad True Love Story
In late summer 1929, a countrywide outbreak of Arab-Jewish-British violence transformed the political landscape of Palestine forever. In contrast with those who point to the wars of 1948 and 1967, historian Hillel Cohen marks these bloody events as year zero of the Arab-Israeli conflict that persists today. The murderous violence inflicted on Jews caused a fractious - and now traumatized - community of Zionists, non-Zionists, Ashkenazim, and Mizrachim to coalesce around a unified national consciousness arrayed against an implacable Arab enemy. While the Jews unified, Arabs came to grasp the national essence of the conflict, realizing that Jews of all stripes viewed the land as belonging to the Jewish people. Through memory and historiography, in a manner both associative and highly calculated, Cohen traces the horrific events of August 23 to September 1 in painstaking detail. He extends his geographic and chronological reach and uses a non-linear reconstruction of events to call for a thorough reconsideration of cause and effect. Sifting through Arab and Hebrew sources - many rarely, if ever, examined before - Cohen reflects on the attitudes and perceptions of Jews and Arabs who experienced the events and, most significantly, on the memories they bequeathed to later generations. The result is a multifaceted and revealing examination of a formative series of episodes that will intrigue historians, political scientists, and others interested in understanding the essence - and the very beginning - of what has been an intractable conflict.