Polemics and Provocations

Polemics and Provocations

Author: Paul Gilk

Publisher: Wipf and Stock Publishers

Published: 2010-06-01

Total Pages: 197

ISBN-13: 1621893960

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In the twelfth century, an Italian monk named Joachim caught the attention of the Christian West by announcing the Three Ages of the World. Joachim arrived at his formulation by a meshing of the Christian Trinity with the Old and New Testaments, proclaiming--in sequence--the Age of the Father, the Age of the Son, and the Age of the Holy Spirit. In the early modern period, however, archaeologists uncovered the remains of an agrarian village social stratum that predates the rise of civilization. The divinity of this period was the Mother Goddess, a divinity that civilized monotheism, with its strict Father God, steadily and severely repressed. Paul Gilk has modified Joachim's Three Ages revelation by placing this newly discovered Age of the Mother at the beginning of Joachim's sequence. But it's obvious that Mother, Father, Son, and Holy Spirit are not psychologically coherent or linguistically consistent. The only way to make semantic sense of Joachim's enlarged formulation is to recognize the Age of the Holy Spirit as the Age of the Daughter, for if there's a Mother, a Father, and a Son, then the Holy Spirit implicitly and quietly reveals Herself as Daughter. With this understanding, it's possible to discern the prophetic power and transformative cultural significance of both the contemporary women's movement and the feminine-Earth sensibility of the growing ecological outrage. Gilk goes on to assert that the radical servanthood and radical stewardship contained within Jesus' "kingdom of God" proclamation is, at least in part, an attempt to spiritually reconnect with the agrarian village culture of the Mother's Age; but it's also a lifting of that Age to a finer spirituality and toward an ethically Green political order. The "kingdom of God" is Green, Gilk says, and its overarching divinity is the Daughter. The Age of the Daughter is Green and is struggling to be born.


Polemics and Provocations

Polemics and Provocations

Author: Paul Gilk

Publisher: Wipf and Stock Publishers

Published: 2010-06-01

Total Pages: 193

ISBN-13: 160899371X

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In the twelfth century, an Italian monk named Joachim caught the attention of the Christian West by announcing the Three Ages of the World. Joachim arrived at his formulation by a meshing of the Christian Trinity with the Old and New Testaments, proclaiming--in sequence--the Age of the Father, the Age of the Son, and the Age of the Holy Spirit. In the early modern period, however, archaeologists uncovered the remains of an agrarian village social stratum that predates the rise of civilization. The divinity of this period was the Mother Goddess, a divinity that civilized monotheism, with its strict Father God, steadily and severely repressed. Paul Gilk has modified Joachim's Three Ages revelation by placing this newly discovered Age of the Mother at the beginning of Joachim's sequence. But it's obvious that Mother, Father, Son, and Holy Spirit are not psychologically coherent or linguistically consistent. The only way to make semantic sense of Joachim's enlarged formulation is to recognize the Age of the Holy Spirit as the Age of the Daughter, for if there's a Mother, a Father, and a Son, then the Holy Spirit implicitly and quietly reveals Herself as Daughter. With this understanding, it's possible to discern the prophetic power and transformative cultural significance of both the contemporary women's movement and the feminine-Earth sensibility of the growing ecological outrage. Gilk goes on to assert that the radical servanthood and radical stewardship contained within Jesus' kingdom of God proclamation is, at least in part, an attempt to spiritually reconnect with the agrarian village culture of the Mother's Age; but it's also a lifting of that Age to a finer spirituality and toward an ethically Green political order. The kingdom of God is Green, Gilk says, and its overarching divinity is the Daughter. The Age of the Daughter is Green and is struggling to be born.


Against the Workshop

Against the Workshop

Author: Anis Shivani

Publisher:

Published: 2011

Total Pages: 0

ISBN-13: 9781933896724

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Against the Workshop is the first sustained critique of twenty-first century literary production in America under the MFA/creative writing program infrastructure. Since earlier critics like John Aldridge wrote on the subject, the creative writing regime has become vastly more institutionalized. Publishing has changed, but what does it mean for the quality of fiction and poetry? This book brings the subject completely up-to-date, by focusing on fiction and poetry generated during the last decade. The book contrasts the vast amount of sludge with the rare gems, to argue that the creative writing product is a debased one that will not stand the test of time.


Contra Instrumentalism

Contra Instrumentalism

Author: Lawrence Venuti

Publisher: U of Nebraska Press

Published: 2019-07-01

Total Pages: 226

ISBN-13: 1496215923

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Contra Instrumentalism questions the long-accepted notion that translation reproduces or transfers an invariant contained in or caused by the source text. This "instrumental" model of translation has dominated translation theory and commentary for more than two millennia, and its influence can be seen today in elite and popular cultures, in academic institutions and in publishing, in scholarly monographs and in literary journalism, in the most rarefied theoretical discourses and in the most commonly used clichés. Contra Instrumentalism aims to end the dominance of instrumentalism by showing how it grossly oversimplifies translation practice and fosters an illusion of immediate access to source texts. Lawrence Venuti asserts that all translation is an interpretive act that necessarily entails ethical responsibilities and political commitments. Venuti argues that a hermeneutic model offers a more comprehensive and incisive understanding of translation that enables an appreciation of not only the creative and scholarly aspects of what a translator does but also the crucial role translation plays in the cultural and social institutions that shape human life.


Manifestoes

Manifestoes

Author: Janet Lyon

Publisher: Cornell University Press

Published: 2018-09-05

Total Pages: 242

ISBN-13: 1501728350

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For more than three hundred years, manifestoes have defined the aims of radical groups, individuals, and parties while galvanizing revolutionary movements. As Janet Lyon shows, the manifesto is both a signal genre of political modernity and one of the defining forms of aesthetic modernism. Ranging from the pamphlet wars of seventeenth-century England to dyke and ACT-UP manifestoes of the 1990s, her extraordinarily accomplished book offers the first extended treatment of this influential form of discourse. Lyon demonstrates that the manifesto, usually perceived as the very model of rhetorical transparency, is in fact a complex, ideologically inflected genre—one that has helped to shape modern consciousness. Lyon explores the development of the genre during periods of profound historical crisis. The French Revolution generated broadsides that became templates for the texts of Chartism, the Commune, and late-nineteenth-century anarchism, while in the twentieth century the historical avant-garde embraced a revolutionary discourse that sought in the manifesto's polarizing polemics a means for disaggregating and publicizing radical artistic movements. More recently, in the manifestoes of the 1960s, the wretched of the earth called for either the full realization or the final rejection of the idea of the universal subject, paving the way for contemporary contestations of identity among second- and third-wave feminists and queer activists.


The 'R' Word

The 'R' Word

Author: Kurt Barling

Publisher: Biteback Publishing

Published: 2015-11-27

Total Pages: 120

ISBN-13: 1785900099

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Race and racism remain an inescapable part of the lives of black people. Daily slights, often rooted in fears and misperceptions of the 'other', still damage lives. But does race matter as much as it used to? Many argue that the post-racial society is upon us and racism is no longer a block on opportunity - Kurt Barling doubts whether things are really that simple. Ever since, at the age of four, he wished for 'blue eyes and blond hair', skin colour has featured prominently as he, like so many others, navigated through a childhood and adolescence in which 'blackness' defined and dominated so much of social discourse. But despite the progress that has been made, he argues, the 'R' word is stubbornly resilient. In this powerful polemic, Barling tackles the paradoxes at the heart of anti-racism and asks whether, by adopting the language of the oppressor to liberate the oppressed, we are in fact paralysing ourselves within the false mythologies inherited from raciology, race and racism. Can society escape this so-called 'race-thinking' and re-imagine a Britain that is no longer 'Black' and 'White'? Is it yet possible to step out of our skins and leave the colour behind?


Abolishing Freedom

Abolishing Freedom

Author: Frank Ruda

Publisher: U of Nebraska Press

Published: 2016

Total Pages: 192

ISBN-13: 0803288786

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Pushing back against the contemporary myth that freedom from oppression is freedom of choice, Frank Ruda resuscitates a fundamental lesson from the history of philosophical rationalism: a proper concept of freedom can arise only from a defense of absolute necessity, utter determinism, and predestination. Abolishing Freedom demonstrates how the greatest philosophers of the rationalist tradition and even their theological predecessors--Luther, Descartes, Kant, Hegel, Freud--defended not only freedom but also predestination and divine providence. By systematically investigating this mostly overlooked and seemingly paradoxical fact, Ruda demonstrates how real freedom conceptually presupposes the assumption that the worst has always already happened; in short, fatalism. In this brisk and witty interrogation of freedom, Ruda argues that only rationalist fatalism can cure the contemporary sickness whose paradoxical name today is freedom.


Rational Polemics

Rational Polemics

Author: Richard Todd Devens

Publisher:

Published: 2013-05-01

Total Pages: 228

ISBN-13: 9781432798802

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Rational Polemics: Tackling the Ethical Dilemmas of Life There's a whole host of beliefs that most people simply repeat without question. They are chanted so often as to have nearly lost all meaning, and are rarely challenged. Rational Polemics dares to expose the contradictions that are rife in many of these blindly accepted beliefs. The book endeavors to question all things - to expose the folly and hypocrisy of universally held beliefs, including accepted religious dogma. It is geared toward open-minded readers with the courage to challenge convention and political correctness to consider alternative viewpoints. Rational Polemics by Richard Devens presents a provocative, controversial, outrageous challenge to the ideas and values that most of the world merely accepts "on faith - ideas that, upon closer examination, make little sense. "I wrote this book to encourage people not to blindly accept what others believe just because it is 'politically correct' to do so, or just because the majority does," Devens says. "I encourage people to think for themselves, and to live by the courage of their convictions. I encourage people to have the integrity of living by their own moral code if, by rational thought and reflection, they are convinced they are right." Told through personal anecdotes, with tongue-in-cheek humor and refreshing candor, Rational Polemics is a breath of fresh air to anyone ready to consider the true nature of evil, the hypocrisies inherent in religion and other prickly debates. Rational Polemics opens readers' minds to new ideas about deep and often difficult topics, sans the sugarcoating.


The New Philistines

The New Philistines

Author: Sohrab Ahmari

Publisher: Biteback Publishing

Published: 2016-10-20

Total Pages: 66

ISBN-13: 1785901591

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Contemporary art is obsessed with the politics of identity. Visit any contemporary gallery, museum or theatre, and chances are the art on offer will be principally concerned with race, gender, sexuality, power and privilege. The quest for truth, freedom and the sacred has been thrust aside to make room for identity politics. Mystery, individuality and beauty are out; radical feminism, racial grievance and queer theory are in. The result is a drearily predictable culture and the narrowing of the space for creative self-expression and honest criticism. Sohrab Ahmari's book is a passionate cri de coeur against this state of affairs. The New Philistines takes readers deep inside a cultural scene where all manner of ugly, inept art is celebrated so long as it toes the ideological line, and where the artistic glories of the Western world are revised and disfigured to fit the rigid doctrines of identity politics. The degree of politicisation means that art no longer performs its historical function, as a mirror and repository of the human spirit - something that should alarm not just art lovers but anyone who cares about the future of liberal civilisation.