Poetry in Composition
Poetry in Composition

Author: Angel Leya

Publisher: Angel Leya

Published: 2017-11-07

Total Pages: 122

ISBN-13:

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Feelings are a powerful thing. As a teen, Angel Leya experienced the angst of transition and chronicled her thoughts and emotions in poetry. This collection displays those poems, along with some brand new ones, in a thoughtful series of themes that will take you from the depths of despair and uncertainty to the heights of hope. Each poem has been carefully paired with photography to enrich the experience. It's a symphony of stimuli that's sure to take you on an emotional journey through the good and bad of the human heart, as told by a young woman whose faith buoyed her through the darkest of depths. Perfect for fans of Rupi Kaur's Milk and Honey and The Princess Saves Herself in This One by Amanda Lovelace. Also available in print, for those who like to display their "coffee table" books.

The Philosophy of Composition
The Philosophy of Composition

Author: Edgar Allan Poe

Publisher: Lindhardt og Ringhof

Published: 2022-07-19

Total Pages: 18

ISBN-13: 8728414500

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This fascinating literary essay, written by the famous American writer and poet, Edgar Allan Poe, explores the mystique of artistic creation. By using his renowned poem ‘The Raven’ as an example, Poe explains how good writers write well, concluding that brevity, ‘unity of effect’ and a logical method are the most important factors. Taking the reader through the deliberate choices made when writing the poem, the author also discusses theme, setting, sound, and the importance of refrain. ‘The Philosophy of Composition’ (1846) is a perfect read for literary scholars, writers, and fans of Poe. Edgar Allan Poe (1809–1849) was an American writer, poet, editor and literary critic, best known for his gothic, macabre tales that include ‘The Fall of the House of Usher’, ‘The Tell-Tale Heart’, and ‘The Murders in the Rue Morgue’. One of America’s first short story writers, Poe is considered the inventor of detective fiction and a key figure in both horror and science fiction. His work had a profound impact on American and international literature and he was one of the first American writers to earn international recognition. His other notable works include ‘The Raven and other Poem’s’, (1845) ‘The Cask of Amontillado’, ‘The Fall of the House of Usher’, and ‘The Tell-Take Heart’. With many of his stories adapted for TV and screen, including the gothic 2014 film ‘Stonehearst Asylum’, starring Kate Beckinsale, Michael Caine, and Ben Kingsley, Poe continues to influence literature, film, and television to this day.

Writing Poetry
Writing Poetry

Author: Barbara Drake

Publisher: Houghton Mifflin Harcourt P

Published: 1983

Total Pages: 324

ISBN-13:

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WRITING POETRY is intended to be an all-purpose poetry writing textbook, a fount of inspiration and informtion on the writing process, a solid first step for beginners, and a source of ideas for writers and teachers at all levels. Taken from the Greek word meaning making something up, poetry gos beyond the simple act of creation to inspire. In this textbook, the core structure of the genre is dissected so the intangible may be a little more understood. WRITING POETRY is an appreciative study of an allusive art.

A Poetry Handbook
A Poetry Handbook

Author: Mary Oliver

Publisher: Houghton Mifflin Harcourt

Published: 1994

Total Pages: 148

ISBN-13: 9780156724005

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With passion, wit, and good common sense, the celebrated poet Mary Oliver tells of the basic ways a poem is built-meter and rhyme, form and diction, sound and sense. Drawing on poems from Robert Frost, Elizabeth Bishop, and others, Oliver imparts an extraordinary amount of information in a remarkably short space. "Stunning" (Los Angeles Times). Index.

Poetry as Research
Poetry as Research

Author: David Ian Hanauer

Publisher: John Benjamins Publishing

Published: 2010

Total Pages: 181

ISBN-13: 9027233411

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"Elegantly written, convincingly argued, and interspersed with hauntingly beautiful and poignant poems written by his ESL students, Hanauer's book draws attention to the unexplored potential of poetry writing in a second language classroom." Aneta Pavelenko, Temple University --

Composition as Explanation
Composition as Explanation

Author: Gertrude Stein

Publisher: Strelbytskyy Multimedia Publishing

Published: 2024-01-09

Total Pages: 18

ISBN-13:

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Gertrude Stein's "Composition as Explanation" delves into the intricate relationship between language and artistic expression. Published in 1926, the essay explores Stein's unique approach to writing and challenges conventional perceptions of composition. With a distinctive prose style, she reflects on the nature of creativity, emphasizing the significance of repetition and abstraction. Stein's work serves as both an exploration of her own artistic process and a broader commentary on the essence of language in shaping our understanding of art.

On Poetry
On Poetry

Author: Glyn Maxwell

Publisher: Harvard University Press

Published: 2016-11-21

Total Pages: 116

ISBN-13: 0674265874

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“This is a book for anyone,” Glyn Maxwell declares of On Poetry. A guide to the writing of poetry and a defense of the art, it will be especially prized by writers and readers who wish to understand why and how poetic technique matters. When Maxwell states, “With rhyme what matters is the distance between rhymes” or “the line-break is punctuation,” he compresses into simple, memorable phrases a great deal of practical wisdom. In seven chapters whose weird, gnomic titles announce the singularity of the book—“White,” “Black,” “Form,” “Pulse,” “Chime,” “Space,” and “Time”—the poet explores his belief that the greatest verse arises from a harmony of mind and body, and that poetic forms originate in human necessities: breath, heartbeat, footstep, posture. “The sound of form in poetry descended from song, molded by breath, is the sound of that creature yearning to leave a mark. The meter says tick-tock. The rhyme says remember. The whiteness says alone,” Maxwell writes. To illustrate his argument, he draws upon personal touchstones such as Emily Dickinson and Robert Frost. An experienced teacher, Maxwell also takes us inside the world of the creative writing class, where we learn from the experiences of four aspiring poets. “You master form you master time,” Maxwell says. In this guide to the most ancient and sublime of the realms of literature, Maxwell shares his mastery with us.

Writing and Workshopping Poetry: A Constructive Introduction
Writing and Workshopping Poetry: A Constructive Introduction

Author: Stephen Guppy

Publisher: Broadview Press

Published: 2016-12-07

Total Pages: 303

ISBN-13: 1554813085

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Most texts on creative writing emphasize either sources of inspiration or strategies for editing. The process of getting from initial inspiration to final draft isn’t often dealt with in any practical way. Writing and Workshopping Poetry focuses on all three phases of the process of composition: finding the material; building and developing the poem from rough draft to complete work; editing and refining. The text offers everything students and instructors need: extensive notes written in an accessible, conversational style; seventy-five writing exercises; and about a hundred poems chosen from a wide range of sources, from sixteenth-century sonnets to experimental constrained forms, with an emphasis on exciting poems by contemporary American and Canadian poets. Each chapter concludes with a brief, point-form summary of major learning objectives as well as a review list of useful terms.

Naming the Unnameable
Naming the Unnameable

Author: Michelle Bonzcek Evory

Publisher: Open Suny Textbooks

Published: 2018-03-05

Total Pages: 190

ISBN-13: 9781942341505

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Naming the Unnameable: An Approach to Poetry for the New Generation assembles a wide range of poetry from contemporary poets, along with history, advice, and guidance on the craft of poetry. Informed by a consideration to the psychology of invention, Michelle Bonczek Evory¿s writing philosophy emphasizes both spontaneity and discipline, teaching students how to capture the chaos in our memories, imagination, and bodies with language, and discovering ways to mold them into their own cosmos, sculpt them like clay on a page. Exercises aim to make writing a form of play in its early stages that gives way to more enriching insights through revision, embracing the writing of poetry as both a love of language and a tool that enables us to explore ourselves and understand the world. Naming the Unnameable promotes an understanding of poetry as a living art and provides ways for students to involve themselves in the growing contemporary poetry community that thrives in America today.