Poetry & Image in Japanese Prints

Poetry & Image in Japanese Prints

Author: Charlotte van Rappard-Boon

Publisher: Hotei Publishing

Published: 2000

Total Pages: 200

ISBN-13:

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"Surimono" (literally "printed object"') are privately published prints inscribed with a dedication or poem that reflects upon everyday themes. This catalog includes more than 150 illustrations of prints drawn from the splendid Amsterdam Rijksmuseum collection. It also contains in-depth essays discussing the history of surimono and the subjects depicted in the prints, which incorporate seasonal references and classical themes. Most of the poems on the selected prints have been translated into English. This publication is an important reference work in the study of "surimono."


Haiku

Haiku

Author: Judith Patt

Publisher:

Published: 2010

Total Pages: 0

ISBN-13: 9780764956102

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The strictest and purest of poetic forms, the Japanese haiku contains in its seventeen sound characters (on) a reference to a season as well as a distinct pause or interruption. Cherry blossoms and swallows might refer to spring; red maple leaves and deer usually imply autumn. These seasonal allusions emphasize the essence of haiku: nature and its ephemeral beauty. The graceful, evocative haiku featured here were composed by the renowned Japanese haiku masters of the past four hundred years, including Matsuo Bash, Taniguchi Buson, and Kobayashi Issa. The deceptively simple poemsrendered in English with Japanese calligraphies and transliterationsare paired with exquisite eighteenth- or nineteenth-century paintings and ukiyo-e prints and twentieth-century shin hanga woodcuts from the Art Gallery of Greater Victoria, Canada. With their depth and delicacy, wide range of subtle hues, and time-honored focus on landscapes, birds, and flowers, these artworkslike their haiku counterpartsquietly capture a moment in time. Haiku: Japanese Art and Poetry presents thirty-five pairs of poems and images, organized seasonally. The Introduction details the origin and development of haiku, the lives of the most famous poets, and the obstacles faced when translating the concise yet complex lines.


The Lure of Painted Poetry

The Lure of Painted Poetry

Author: Cleveland Museum of Art

Publisher: Hudson Hills Press

Published: 2011

Total Pages: 0

ISBN-13: 9781555953645

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Traces the Cleveland Museum of Art's collection of Japenese and Korean Art.


Poetry As Image

Poetry As Image

Author: Tomoko Sakomura

Publisher: Brill Academic Pub

Published: 2015-09-30

Total Pages: 260

ISBN-13: 9789004292482

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The culture of Japanese poetry, waka, is richly visual. In Poetry as Image Tomoko Sakomura examines the ways the visual culture ofwaka in sixteenth-century Japan engages with practice and protocol developed over the course of the previous six centuries, and what these engagements reveal about the role of the past in cultural productions of the present.


One Hundred Poets, One Poem Each

One Hundred Poets, One Poem Each

Author:

Publisher: Penguin UK

Published: 2018-05-31

Total Pages: 317

ISBN-13: 014139594X

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A new edition of the most widely known and popular collection of Japanese poetry. The best-loved and most widely read of all Japanese poetry collections, the Ogura Hyakunin Isshu contains 100 short poems on nature, the seasons, travel, and, above all, love. Dating back to the seventh century, these elegant, precisely observed waka poems (the precursor of haiku) express deep emotion through visual images based on a penetrating observation of the natural world. Peter MacMillan's new translation of his prize-winning original conveys even more effectively the beauty and subtlety of this magical collection. Translated with an introduction and commentary by Peter MacMillan.


My First Book of Haiku Poems

My First Book of Haiku Poems

Author: Esperanza Ramirez-Christensen

Publisher: Tuttle Publishing

Published: 2019-03-26

Total Pages: 55

ISBN-13: 1462920691

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**Chosen for 2020 NCTE Notable Poetry Books and Verse Novels List** **Winner of 2020 Northern Lights Book Award for Poetry** **Winner of 2019 Skipping Stones Honor Awards** My First Book of Haiku Poems introduces children to inspirational works of poetry and art that speak of our connection to the natural world, and that enhance their ability to see an entire universe in the tiniest parts of it. Each of these 20 classic poems by Issa, Shiki, Basho, and other great haiku masters is paired with a stunning original painting that opens a door to the world of a child's imagination. A fully bilingual children's book, My First Book of Haiku Poems includes the original versions of the Japanese poems (in Japanese script and Romanized form) on each page alongside the English translation to form a complete cultural experience. Each haiku poem is accompanied by a "dreamscape" painting by award-winning artist Tracy Gallup that will be admired by children and adults alike. Commentaries offer parents and teachers ready-made "food for thought" to share with young readers and stimulate a conversation about each work.


Awash in Color

Awash in Color

Author: Chelsea Foxwell

Publisher: Smart Museum of Art, the University of C

Published: 2012

Total Pages: 0

ISBN-13: 9780935573510

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Catalog of an exhibition held at Smart Museum of Art, University of Chicago, Oct. 4, 2012 - Jan. 20, 2013.


Hokusai, One Hundred Poets

Hokusai, One Hundred Poets

Author: Peter Morse

Publisher: George Braziller

Published: 1989

Total Pages: 0

ISBN-13: 9780807612132

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This lavishly illustrated, oversized (17" x 10") book brings together the last major print series of the celebrated Japanese artist Hokusai (1760-1849) and the Japanese poetry that inspired these beautiful prints. Whether showing semi-nude women abalone divers struggling with their catch while a male crew of shriveled old salts leers from a nearby boat, or the carefree rapture of a leisurely group of men and women observing cherry blossoms at their peak, Hokusai captures, with drama and delicacy, sublime and ridiculous states. The artist's simplicity, though deceptive, is also remarkable: he illustrates a poem about a lovers' seaside tryst with a magnificently imposing yet unadorned sailing vessel, its small window offering a coy glimpse of the fortunate couple inside. Each of the 111 color prints (as well as 41 black-and-white sketches of projected prints apparently never completed) is accompanied by the poem, in Japanese and English, a biographical note on the poet and by Peter Morse's comments on literary and artistic intention and execution.