The poetry in this book addresses a wide variety of subjects. It is written in various formats or styles, including forty-three rhyming storoems (story-poems), five acrostic poems, five political poems, and twenty-nine free-verse poems. Seven older poems (prize-winners and author's favorites) are included as lagniappe. These eighty-nine poems offer the reader hours upon hours of reading pleasure.
DESPITE THE BUZZ is a cautionary tale concerning tech's toll, an artfully designed human interest story about learning, relationships, and wellbeing. A motivated new teacher raises awareness about screen use inside her Reflective Writing class, but she doesn't realize there's danger lurking. Contemporary communication dramatically impacts the learning environment, identity formation, and charged emotions of high school students in the story. When an intimate act is shared over social media, an inciting incident demonstrates that the potential in our pockets could be lethal. Can Miss Gabby Oliver protect her students? Who survives the traumatic turn of events? Wait for the twist! Get to know the characters. Consider the possibilities. From Chicago and new to California, Gabby considers her life's timing unique-on the cusp of technology's cutting edge, yet reminiscent of a time before the Internet dominated. She dares to date a coworker, their schoolyard romance tested by today's cyber world. Meanwhile, Gabby manages to stay connected with her deceased mother by way of hopeful handwritten letters. Inside Miss Oliver's room, a research assignment looks at language, modes of persuasion, and topical issues from distinct teenage perspectives. Inspired by historic figures, students detail their pressing concerns to the president. This colorful novel, set pre-pandemic, depicts demands upon teachers due to class size, special needs, language barriers, gender sensitivity, gun threats, cell phones, and the challenge of holding students' attention. By providing understanding to those who grew up before and after current trends, this insightful book could build rapport among members from different schools of thought. A variety of people will relate to feelings of digital distraction and modern-day accountability. The story is suited for mature readers ages sixteen and up. Despite the Buzz is educational, existential, and exciting! A mix of narrative elements makes it an engaging read!
In their youth, Manni and Franzi, together with their brothers, Ziggy and Sebastian, captured Germany's collective imagination as the Flying Magical Loerber Brothers -- one of the most popular vaudeville acts of the old Weimar days. The ensuing years have, however, found the Jewish brothers estranged and ensconced in various occupations as the war is drawing near its end and a German surrender is imminent. Manni is traveling through the Ruhr Valley with Albert Speer, who is intent on subverting Hitler's apocalyptic plan to destroy the German industrial heartland before the Allies arrive; Franzi has become inextricably attached to Heinrich Himmler's entourage as astrologer and masseur; and Ziggy and Sebastian have each been employed in pursuits that threaten to compromise irrevocably their own safety and ideologies. Now, with the Russian noose tightening around Berlin and the remnants of the Nazi government fleeing north to Flensburg, the Loerber brothers are unexpectedly reunited. As Himmler and Speer vie to become the next Führer, deluded into believing they can strike a bargain with Eisenhower and escape their criminal fates, the Loerbers must employ all their talents -- and whatever magic they possess -- to rescue themselves and one another. Deftly written and darkly funny, Germania is an astounding adventure tale -- with subplots involving a hidden cache of Nazi gold, Hitler's miracle U-boats, and Speer's secret plan to live out his days hunting walrus in Greenland -- and a remarkably imaginative novel from a gifted new writing talent.
An award-winning poet offers a brilliant introduction to the joys--and challenges--of the genre In Don't Read Poetry, award-winning poet and literary critic Stephanie Burt offers an accessible introduction to the seemingly daunting task of reading, understanding, and appreciating poetry. Burt dispels preconceptions about poetry and explains how poems speak to one another--and how they can speak to our lives. She shows readers how to find more poems once they have some poems they like, and how to connect the poetry of the past to the poetry of the present. Burt moves seamlessly from Shakespeare and other classics to the contemporary poetry circulated on Tumblr and Twitter. She challenges the assumptions that many of us make about "poetry," whether we think we like it or think we don't, in order to help us cherish--and distinguish among--individual poems. A masterful guide to a sometimes confounding genre, Don't Read Poetry will instruct and delight ingénues and cognoscenti alike.
The "World" in Robert Lee Brewer's Solving the World's Problems is a slippery world ... where chaos always hovers near, where we are (and should be) "splashing around in dark puddles." And one feels a bit dizzy reading these poems because (while always clear, always full of meaning) they come at reality slantwise so that nothing is quite the same and the reader comes away with a new way of looking at the ordinary objects and events of life. The poems are brim-full of surprises and delights, twists in the language, double-meanings of words, leaps of thought and imagination, interesting line-breaks. There are love and relationship poems, dream poems, poems of life in the modern world. And always the sense (as he writes) of "pulling the world closer to me/leaves falling to the ground/ birds flying south." I read these once, twice with great enjoyment. I will go back to them often. -Patricia Fargnoli, former Poet Laureate of New Hampshire and author of Then, Something
Shortlisted for the Laugh Out Loud Awards - the UK's only prize for funny children's books A brilliant collection of poems by an exciting young poet, this book is perfect, whether you like poetry or not! 'When you read this book, the windows will burp and the grass will turn blue. That's how magic these poems are.' Michael Rosen Packed full of silly, funny, or downright hilarious poems (with a few serious ones mixed in) this brilliant collection from exciting young poet, Joshua Seigal is perfect for fans of Michael Rosen and anyone else who needs a giggle. If you like poetry, you'll like this book. And if you don't like poetry you'll LOVE it! With poems on every topic from the power of books to the joys of fried chicken, this collection is a fabulous mix of Joshua Seigal's subversive humour and insight into the world of children. With hilarious doodle style illustrations by Chris Piascik, if you don't like poetry after reading this, there's probably something wrong with you! Book band: Grey - Ideal for Age 8 - 9
The Most Trusted Guide to Publishing Poetry, fully revised and updated Want to get your poetry published? There's no better tool for making it happen than Poet's Market, which includes hundreds of publishing opportunities specifically for poets, including listings for book and chapbook publishers, print and online poetry publications, contests, and more. These listings include contact information, submission preferences, insider tips on what specific editors want, and--when offered--payment information. In addition to the completely updated listings, the 34th edition of Poet's Market offers: Hundreds of updated listings for poetry-related book publishers, publications, contests, and more Insider tips on what specific editors want and how to submit poetry Articles devoted to the craft and business of poetry, including how to track poetry submissions, perform poetry, and find more readers 77 poetic forms, including guidelines for writing them 101 poetry prompts to inspire new poetry
Don Share’s latest collection, Squandermania, is a book of poems that are slightly death-haunted and studded with references to marriage and fatherhood, geology and biology. It also revives a luminous, if complex, domesticity – not something most men take as their subject. Its focus is the frenzied energy and unreal depression of living in a world at war with terror, and ultimately with itself. Here the paralysis of long-standing grief and fear combine with strange energy of trying to get by from day to day: “If these are the woods, / I'm not out of them yet.” There are poems about the intimate household terrors of marital relations and questions raised by children about what happens in the world, and others woven from a tapestry of literary interactions with sources that range from Burton's Anatomy of Melancholy and Bacon's essay On Building to the “rotten kid theorem.” Proverbs cease to reassure as the poet monitors news about global warning, war, and other self-inflicted disasters. What William James called the "trail of the human serpent" that runs over everything has at least (and perhaps finally) brought us to a world in which, as Share describes it, "anti-depressants make certain people violently depressed; / testing a safer system causes reactors to explode; / more freeways create more traffic; / the power grid dims, powerless; / [and] antibiotics make stronger germs." These poems of conscience and imagination record the struggle to continue living in a "glitterbound microcosm" amidst the impulses of maniacal squandering and ceaseless destruction.
'Thirty Angry Ghosts' is a collection of poems written in the voices of famous figures from history including Shakespeare, Mary Shelley, Genghis Khan and Abraham Lincoln. Historically-accurate biographies are included at the back of the book.
