Poetry and Cultural Studies

Poetry and Cultural Studies

Author: Maria Damon

Publisher: University of Illinois Press

Published: 2009

Total Pages: 466

ISBN-13: 0252076087

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A collection of critical texts exploring poetry's engagement with the social


Poetry After Cultural Studies

Poetry After Cultural Studies

Author: Heidi R. Bean

Publisher: University of Iowa Press

Published: 2011-10-26

Total Pages: 251

ISBN-13: 160938041X

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Poetry after Cultural Studies elucidates the potential of poetry scholarship when joined with cultural studies. In eight searching essays covering an astonishing range of poetic practices, geographical regions, and methodological approaches, this volume reflects on what poetry can accomplish in the broadest social and cultural contexts. From Depression-era Iowa to the postcolonial landscape of French-speaking Martinique, whether appearing in newspapers, correspondences, birders’ field guides, cross-stitches, or television and the internet, the poetry under consideration here is rarely a private, lyrical endeavor. For a great number of people writing, reading, publishing, and using poetry over the past 150 years, verse has not been a retreat from modern life, but a way of engaging with, and even changing, it. Whether the subject is post cards, talk shows, or verse from places as different as academia and MySpace, as cultural production and as literary trickery, the material examined in this volume demonstrates the central role of poetry as an active cultural presence. By bringing together cultural studies, poetics, and formalist reading without antagonism, Poetry after Cultural Studies looks toward a poetry criticism that does not merely “do” cultural studies but, rather, employs the resources of that discipline to examine an increasingly legible and audible record of poetic practice. Exploring a wide range of poetry from the nineteenth century to the present, Poetryafter Cultural Studies showcases the unexpectedly rich intersection of cultural studies theory and current poetry scholarship. These essays show forcefully that cultural studies and poetics—once thought incommensurable—in fact are mutually informative and richer for the effort.


Victorian Poetry as Cultural Critique

Victorian Poetry as Cultural Critique

Author: E. Warwick Slinn

Publisher: University of Virginia Press

Published: 2003

Total Pages: 240

ISBN-13: 9780813921662

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The discussion of each poem attends to the complexity of the poem's utterance, its historical contexts, and its broader implications for cultural meaning.Victorian Literature and Culture Series


Literary into Cultural Studies

Literary into Cultural Studies

Author: Antony Easthope

Publisher: Routledge

Published: 2003-09-02

Total Pages: 171

ISBN-13: 1134919972

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Modern Literary study was founded on an opposition between the canon and its other , popular culture. The theory wars of the 1970s and the 1980s and, in particular, the advent of structuralist and post structuralist theory, transformed this relationship. With `the death of literature', the distinction between high and popular culture was no longer tenable, and the field of inquiry shifted from literary into cultural studies. Anthony Easthope argues that this new discipline must find a methodological consensus for its analysis of canonical and popular texts. Through a detailed criticism of competing theories (British cultural studies, New Historicism, cultural materialism) he shows how this new study should - and should not be done. Easthope's exploration of the problems, possibilities and politics of this new discipline includes an original reassessment of the question of literary value. By contrasting Conrad's Heart of Darkness with Burrough's Tarzan of the Apes, Easthope demonstrates how textuality sustains the opposition between high and popular culture darkness.


Postliterary America

Postliterary America

Author: Maria Damon

Publisher: University of Iowa Press

Published: 2011-04

Total Pages: 285

ISBN-13: 1587299577

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p.MsoNormal, li.MsoNormal, div.MsoNormal { margin: 0in 0in 0.0001pt; font-size: 12pt; font-family: "Times New Roman"; }div.Section1 { page: Section1; } In this capacious and challenging book, Maria Damon surveys the poetry and culture of the United States in two distinct but inextricably linked periods. In part 1, "Identity K/not/e/s," she considers the America of the 1950s and early 1960s, when contentious and troubled alliances took shape between different marginalized communities and their respective but overlapping bohemias--Jews, African Americans, the Beats, and gays and lesbians. Damon then turns to more contemporary issues and broader topics of poetics in part 2's "Poetics for a Postliterary America" which goes on to paint a wider picture, dwelling less on close readings of individual poems and more on asking questions about the nature of poetry itself and its role in community formation and individual survival. Discussions of counterperformance, kinetics, the Nuyoricans, Latino identity, and electronic poetics enliven this section.


Nature in Literary and Cultural Studies

Nature in Literary and Cultural Studies

Author: Catrin Gersdorf

Publisher: Rodopi

Published: 2006

Total Pages: 491

ISBN-13: 9042020962

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Nature in Literary and Cultural Studies is a collection of essays written by European and North American scholars who argue that nature and culture can no longer be thought of in oppositional, mutually exclusive terms. They are united in an effort to push the theoretical limits of ecocriticism towards a more rigorous investigation of nature's critical potential as a concept that challenges modern culture's philosophical assumptions, epistemological convictions, aesthetic principles, and ethical imperatives. This volume offers scholars and students of literature, culture, history, philosophy, and linguistics new insights into the ongoing transformation of ecocriticism into an innovative force in international and interdisciplinary literary and cultural studies.


Disciplinarity and Dissent in Cultural Studies

Disciplinarity and Dissent in Cultural Studies

Author: Cary Nelson

Publisher: Routledge

Published: 2013-10-28

Total Pages: 470

ISBN-13: 1135221782

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First published in 1996. As recently as the early 1990s, people wondered what was the future of cultural studies in the United States and what effects its increasing internationalization might have. What type of projects would cultural studies inspire people to undertake? Would established disciplines welcome its presence and adapt their practices accordingly? Disciplinarity and Dissent in Cultural Studies answers such questions. It is now clear that, while striking and innovative work is underway in many different fields, most disciplinary organizations and structures have been very resistant to cultural studies. Meanwhile, cultural studies has been subjected to repeated attacks by conservative journalists and commentators in the public sphere. Cultural studies scholars have responded not only by mounting focused critiques of the politics of knowledge but also by embracing ambitious projects of social, political, and cultural commentary, by transgressing all the official boundaries of knowledge in a broad quest for cultural understanding. This book tracks these debates and maps future strategies for cultural studies in academia and public life. The contributors to Disciplinarity and Dissent in Cultural Studies include established scholars and new voices. In a series of polemic and exploratory essays written especially for this book, they track the struggle with cultural studies in disciplines like anthropology, literature and history; and between cultural studies and very different domains like Native American culture and the culture of science. Contributors include Arjun Appadurai, Michael Denning, Lawrence Grossberg, Cary Nelson, Constance Penley, Andrew Ross, and Lynn Spigel.


Killing Poetry

Killing Poetry

Author: Javon Johnson

Publisher: Rutgers University Press

Published: 2017-07-17

Total Pages: 194

ISBN-13: 081358003X

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Winner of the 2019 Lilla A. Heston Award Co-winner of the 2018 Ethnography Division’s Best Book from the NCA In recent decades, poetry slams and the spoken word artists who compete in them have sparked a resurgent fascination with the world of poetry. However, there is little critical dialogue that fully engages with the cultural complexities present in slam and spoken word poetry communities, as well as their ramifications. In Killing Poetry, renowned slam poet, Javon Johnson unpacks some of the complicated issues that comprise performance poetry spaces. He argues that the truly radical potential in slam and spoken word communities lies not just in proving literary worth, speaking back to power, or even in altering power structures, but instead in imagining and working towards altogether different social relationships. His illuminating ethnography provides a critical history of the slam, contextualizes contemporary black poets in larger black literary traditions, and does away with the notion that poetry slams are inherently radically democratic and utopic. Killing Poetry—at times autobiographical, poetic, and journalistic—analyzes the masculine posturing in the Southern California community in particular, the sexual assault in the national community, and the ways in which related social media inadvertently replicate many of the same white supremacist, patriarchal, and mainstream logics so many spoken word poets seem to be working against. Throughout, Johnson examines the promises and problems within slam and spoken word, while illustrating how community is made and remade in hopes of eventually creating the radical spaces so many of these poets strive to achieve.


Poetic Culture

Poetic Culture

Author: Christopher Beach

Publisher: Northwestern University Press

Published: 1999

Total Pages: 260

ISBN-13: 9780810116788

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In Poetic Culture, Christopher Beach questions the cultural significance of poetry, both as a canonical system and as a contemporary practice. By analyzing issues such as poetry's loss of audience, the "anthology wars" of the 1950s and early 1960s, the academic and institutional orientation of current poetry, the poetry slam scene, and the efforts to use television as a medium for presenting poetry to a wider audience, Beach presents a sociocultural framework that is fundamental to an understanding of the poetic medium. While calling for new critical methods that allow us to examine poetry beyond the limits of the accepted contemporary canon, and beyond the terms in which canonical poetry is generally discussed and evaluated, Beach also makes a compelling case for poetry and its continued vitality both as an aesthetic form and as a site for the creation of community and value.