This edition of Robert Southey's early poetry seeks to restore Southey the poet to his place at the centre of late 18th and early 19th century British literary culture. This collection of his poetical works critically reassesses Southey's epics and romances.
This edition of Robert Southey's early poetry seeks to restore Southey the poet to his place at the centre of late 18th and early 19th century British literary culture. This collection of his poetical works critically reassesses Southey's epics and romances.
This edition of Robert Southey's early poetry seeks to restore Southey the poet to his place at the centre of late 18th and early 19th century British literary culture. This collection of his poetical works critically reassesses Southey's epics and romances.
This edition of Robert Southey's early poetry seeks to restore Southey the poet to his place at the centre of late 18th and early 19th century British literary culture. This collection of his poetical works critically reassesses Southey's epics and romances.
This edition of Robert Southey's early poetry seeks to restore Southey the poet to his place at the centre of late 18th and early 19th century British literary culture. This collection of his poetical works critically reassesses Southey's epics and romances.
This is a book about readers: readers reading, and readers writing. They are readers of all ages and from all ages: young and old, male and female, from Europe and the Americas. The book they are reading is the Spanish chivalric romance Amadís de Gaula, known in English as Amadis de Gaule. Famous throughout the sixteenth century as the pinnacle of its fictional genre, the cultural functions of Amadis were further elaborated by the publication of Cervantes's Don Quixote in 1605, in which Amadis features as Quixote's favourite book. Amadis thereby becomes, as the philosopher Ortega y Gasset terms it, 'enclosed' within the modern novel and part of the imaginative landscape of British reader-authors such Mary Shelley, Smollett, Keats, Southey, Scott, and Thackeray. Amadis in English ranges from the sixteenth to the twentieth centuries, demonstrating through this 'biography' of a book the deep cultural, intellectual, and political connections of English, French, and Spanish literature across five centuries. Simultaneously an ambitious work of transnational literary history and a new intervention in the history of reading, this study argues that romance is historically located, culturally responsive, and uniquely flexible in the re-creative possibilities it offers readers. By revealing this hitherto unexamined reading experience connecting readers of all backgrounds, Amadis in English also offers many new insights into the politicisation of literary history; the construction and misconstruction of literary relations between England, France, and Spain; the practice and pleasures of reading fiction; and the enduring power of imagination.
While postcolonial studies of Romantic-period literature have flourished in recent years, scholars have long neglected the extent of Samuel Taylor Coleridge's engagement with the Orient in both his literary and philsophical writings. Bringing together leading international writers, Coleridge, Romanticism and the Orient is the first substantial exploration of Coleridge's literary and scholarly representations of the east and the ways in which these were influenced by and went on to influence his own work and the orientalism of the Romanticists more broadly. Bringing together postcolonial, philsophical, historicist and literary-critical perspectives, this groundbreaking book develops a new understanding of 'Orientalism' that recognises the importance of colonial ideologies in Romantic representations of the East as well as appreciating the unique forms of meaning and value which authors such as Coleridge asscoiated with the Orient.
Wordsworth's Vagrants explores the poet's treatment of the 'idle and disorderly' in the context of the penal laws of the 1790s, when the terror of the French Revolution caused a crackdown on the beggars and vagrants who roamed the English countryside. From his work on the Salisbury Plain poems through to the poetry about vagrants, beggars, and lunatics in Lyrical Ballads, Quentin Bailey argues, Wordsworth attempted to imagine a way of relating to the vagrant and criminal poor that could challenge the systematizing impulses of William Pitt and Jeremy Bentham. Whereas writers had previously relied on sensibility and fellow-feeling to reveal the correct ordering of society, Wordsworth was writing in a period in which legislators, magistrates, and commentators agreed that a more aggressively interventionist approach and new institutional solutions were needed to tackle criminality and establish a disciplined and obedient workforce. Wordsworth's interest in individual psychology and solitude, Bailey suggests, grew out of his specific awareness of the Bloody Code and the discussions surrounding it. His study offers a way of reading Wordsworth's poetry that is sensitive to his early radicalism but which does not equate socio-political engagement solely with support for the French Revolution.
In 1807 Robert Southey published a pseudonymous account of a journey made through England by a fictitious Spanish tourist, ‘Don Manuel Alvarez Espriella’. Letters from England (1807) relates Espriella’s travels. On his journey Espriella comments on every aspect of British society, from fashions and manners, to political and religious beliefs.