Poetic Rhythm

Poetic Rhythm

Author: Derek Attridge

Publisher: Cambridge University Press

Published: 1995-09-28

Total Pages: 300

ISBN-13: 9780521413022

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A straightforward and practical introduction to rhythm and meter in poetry in English.


Poetic Rhythm

Poetic Rhythm

Author: Reuven Tsur

Publisher: Apollo Books

Published: 2012

Total Pages: 492

ISBN-13: 9781845195243

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Offers an instrumental investigation of a theory of rhythmical performance of poetry, originally propounded speculatively in the author's "Perception-Oriented Theory of Metre" (1977). This title assumes that when the versification patterns and linguistic patterns conflict, they can be accommodated in a pattern of Rhythmical Performance.


The Rhythms of English Poetry

The Rhythms of English Poetry

Author: Derek Attridge

Publisher: Routledge

Published: 2014-07-10

Total Pages: 410

ISBN-13: 1317869516

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Examines the way in which poetry in English makes use of rhythm. The author argues that there are three major influences which determine the verse-forms used in any language: the natural rhythm of the spoken language itself; the properties of rhythmic form; and the metrical conventions which have grown up within the literary tradition. He investigates these in order to explain the forms of English verse, and to show how rhythm and metre work as an essential part of the reader's experience of poetry.


A Poet's Craft

A Poet's Craft

Author: Annie Finch

Publisher:

Published: 2012

Total Pages: 0

ISBN-13: 9780472116935

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A major new guide to writing and understanding poetry


Telling Rhythm

Telling Rhythm

Author: Amittai F. Aviram

Publisher: University of Michigan Press

Published: 1994

Total Pages: 322

ISBN-13: 9780472105137

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Provides a postmodern theory of poetry that sees rhythm as its essential quality


Unparalleled Poetry

Unparalleled Poetry

Author: Emmylou J. Grosser

Publisher: Oxford University Press

Published: 2023

Total Pages: 361

ISBN-13: 0190902361

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"Chapter 1 begins with a well-known biblical poem, Psalm 23, in order to illustrate two problems facing biblical poetry readers: what are "lines" in (traditionally unlineated) biblical poetry, and why does it even matter? The chapter sets these overarching problems in the context of modern biblical poetry scholarship: the frameworks of parallelism and meter, and the confusion over whether "biblical poetry" is best defined by style or structure. While parallelism and meter are rejected, Robert Lowth's early observation of "conformation" is affirmed: biblical poetry does relate to structure, and it is built from lines that fit to each other, not lines that fit to a meter. This raises the question of how the free-rhythm (unlineated) lines of biblical poetry can be perceived or mentally organized as structural-rhythmic units by the listener or reader. A cognitive approach informed by the theory and method of Reuven Tsur is introduced as the solution"--


Sound–Emotion Interaction in Poetry

Sound–Emotion Interaction in Poetry

Author: Reuven Tsur

Publisher: John Benjamins Publishing Company

Published: 2022-06-03

Total Pages: 466

ISBN-13: 9027257833

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This book is a collection of studies providing a unique view on two central aspects of poetry: sounds and emotive qualities, with emphasis on their interactions. The book addresses various theoretical and methodological issues related to topics like sound symbolism, poetic prosody, and voice quality in recited poetry. The authors examine how these sound-related phenomena contribute to the generation of emotive qualities and how these qualities are perceived by readers and listeners. The book builds upon Reuven Tsur’s theoretical research and supplements it from an experimental angle. It also engages in methodological debates with prevalent scientific approaches. In particular, it emphasises the importance of proper theory in empirical literary studies and the role of the personal traits of the reader in literary analysis. The intended readership of this book consists mainly of literary scholars, but it might also appeal to researchers from disciplines such as linguistics, psychology, and brain science.


Poetry For Dummies

Poetry For Dummies

Author: The Poetry Center

Publisher: John Wiley & Sons

Published: 2011-03-16

Total Pages: 338

ISBN-13: 1118053648

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Demystify and appreciate the pleasures of poetry Sometimes it seems like there are as many definitions of poetry as there are poems. Coleridge defined poetry as “the best words in the best order.” St. Augustine called it “the Devil’s wine.” For Shelley, poetry was “the record of the best and happiest moments of the happiest and best minds.” But no matter how you define it, poetry has exercised a hold upon the hearts and minds of people for more than five millennia. That’s because for the attentive reader, poetry has the power to send chills shooting down the spine and lightning bolts flashing in the brain — to throw open the doors of perception and hone our sensibilities to a scalpel’s edge. Poetry For Dummies is a great guide to reading and writing poems, not only for beginners, but for anyone interested in verse. From Homer to Basho, Chaucer to Rumi, Shelley to Ginsberg, it introduces you to poetry’s greatest practitioners. It arms you with the tools you need to understand and appreciate poetry in all its forms, and to explore your own talent as a poet. Discover how to: Understand poetic language and forms Interpret poems Get a handle on poetry through the ages Find poetry readings near you Write your own poems Shop your work around to publishers Don’t know the difference between an iamb and a trochee? Worry not, this friendly guide demystifies the jargon, and it covers a lot more ground besides, including: Understanding subject, tone, narrative; and poetic language Mastering the three steps to interpretation Facing the challenges of older poetry Exploring 5,000 years of verse, from Mesopotamia to the global village Writing open-form poetry Working with traditional forms of verse Writing exercises for aspiring poets Getting published From Sappho to Clark Coolidge, and just about everyone in between, Poetry For Dummies puts you in touch with the greats of modern and ancient poetry. Need guidance on composing a ghazal, a tanka, a sestina, or a psalm? This is the book for you.


Critical Rhythm

Critical Rhythm

Author: Ben Glaser

Publisher: Fordham Univ Press

Published: 2019-01-08

Total Pages: 422

ISBN-13: 0823282058

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This book shows how rhythm constitutes an untapped resource for understanding poetry. Intervening in recent debates over formalism, historicism, and poetics, the authors show how rhythm is at once a defamiliarizing aesthetic force and an unstable concept. Distinct from the related terms to which it’s often assimilated—scansion, prosody, meter—rhythm makes legible a range of ways poetry affects us that cannot be parsed through the traditional resources of poetic theory. Rhythm has rich but also problematic roots in still-lingering nineteenth-century notions of primitive, oral, communal, and sometimes racialized poetics. But there are reasons to understand and even embrace its seductions, including its resistance to lyrical voice and even identity. Through exploration of rhythm’s genealogies and present critical debates, the essays consistently warn against taking rhythm to be a given form offering ready-made resources for interpretation. Pressing beyond poetry handbooks’ isolated descriptions of technique or inductive declarations of what rhythm “is,” the essays ask what it means to think rhythm. Rhythm, the contributors show, happens relative to the body, on the one hand, and to language, on the other—two categories that are distinct from the literary, the mode through which poetics has tended to be analyzed. Beyond articulating what rhythm does to poetry, the contributors undertake a genealogical and theoretical analysis of how rhythm as a human experience has come to be articulated through poetry and poetics. The resulting work helps us better understand poetry both on its own terms and in its continuities with other experiences and other arts. Contributors: Derek Attridge, Tom Cable, Jonathan Culler, Natalie Gerber, Ben Glaser, Virginia Jackson, Simon Jarvis, Ewan Jones, Erin Kappeler, Meredith Martin, David Nowell Smith, Yopie Prins, Haun Saussy