Poetic Maneuvers

Poetic Maneuvers

Author: Charlotte Melin

Publisher: Northwestern University Press

Published: 2003

Total Pages: 290

ISBN-13: 0810119471

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The first English-language study of the German author and critic Hans Magnus Enzensberger.


Leopold's Maneuvers

Leopold's Maneuvers

Author: Cortney Davis

Publisher: U of Nebraska Press

Published: 2004-01-01

Total Pages: 100

ISBN-13: 9780803266438

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In the venerable tradition of caregivers writing about the healing arts?a tradition peopled by the likes of Anton Chekhov, Walt Whitman, William Carlos Williams, Walker Percy, and Denise Levertov?Cortney Davis brings to poetry the experience, insight, and compassion of a nurse practitioner who daily confronts the unexpected frailties, passions, and power of the flesh. Taking the body as her text, Davis crafts her poetry from the pains of labor and the joys of birth, the depredations of disease and the sustaining hope of recovery. She trains her clear, unflinching gaze on the unfolding scene?a woman shipwrecked with a stranger; an adult reinventing childhood; an ill woman rediscovering pleasure in her body; a nurse realizing, in one harrowing instant, that she is as vulnerable as her patients?unerringly finding the particular image, the human detail, that connects reader, writer, and subject with the world. Primal, compelling, intelligent, these poems show us how to see as clearly as the poet does, with empathy and grace.


Structure & Surprise

Structure & Surprise

Author: Michael Theune

Publisher: Teachers & Writers Collaborative

Published: 2007

Total Pages: 268

ISBN-13:

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Structure & Surprise: Engaging Poetic Turns offers a road map for analyzing poetry through examination of poems' structure, rather than their forms or genres. Michael Theune's breakthrough concept encourages students, teachers, and writers to use structure as a tool to see the fundamental affinities between strikingly different kinds of poetry and radically different literary eras. The book includes examination of the mid-course turn and the elegy, as well as the ironic, concessional, emblem, and retrospective-prospective structures, among others. In addition, 14 contemporary poets provide an example of and commentary on their own work.


The Open Mouth of the Vase

The Open Mouth of the Vase

Author: Amy Ash

Publisher:

Published: 2015

Total Pages: 0

ISBN-13: 9781930781184

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Poetry. Winner of the 2013 Cider Press Review Book Award, selected by Charles Harper Webb. "Pain, love, regret, joy, longing, loss, humor, and an earthy sexuality all find memorable expression in these poems. Ash has a gift for reversing reader expectations in illuminating ways, as well as for coining metaphors that startle with their aptness and their ability to refresh the world. I congratulate Amy Ash on having written this book, and you, reader, for the journey you are about to make." Charles Harper Webb"


Dromedary and Camelot

Dromedary and Camelot

Author: Ruby M. Harmon

Publisher:

Published: 2012-06-01

Total Pages: 32

ISBN-13: 9780982427729

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Dromedary is afraid of the dark. He is especially afraid of being alone at night, until a chance encounter with an owl teaches him about the beauty that is night. Dromedary is not the only one who learns a valuable lesson. The owl, too, is pleasantly surprised.


The Veronica Maneuver

The Veronica Maneuver

Author: Jennifer Moore

Publisher:

Published: 2015

Total Pages: 0

ISBN-13: 9781629220307

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Jennifer Moore's debut collection takes its title from a bullfighting technique in which the matador draws the bull with his cape; in these poems, however, traditional moves are reconfigured and roles are subverted. In a broader sense, the word "veronica" (from the Latin vera, or "true" and the Greek eikon, or "image") functions as a frame for exploring the nature of visual experience, and underscores a central question: how do we articulate events or emotions that evade clear understanding? In order to do so, the figures here perform all manner of transformations: from vaudeville star to cartoonist's daughter, from patron saint to "Blue-Eyed Torera; " they are soothsayers, apothecaries, curators, often conjuring selves out of thin air. This dilating and "shape-shifting" of perspective becomes a function of identity: "the absorber and the absorbed become one." Indeed, both speaker and listener must be crafted-willed into being-by each other ("Be your own maestro"), and are apparitions until then. Through a flick of the wrist or a trick of the eye, these speakers understand that construction of a self comes only through performance of that self--which performances are often punctuated with a wink, an unswerving gaze, or both at once.


Spatial Poetics

Spatial Poetics

Author: Yasmine Shamma

Publisher: Oxford University Press, USA

Published: 2018

Total Pages: 219

ISBN-13: 0198808720

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Focusing on Second Generation New York School poetry from 1960 to the present day, this volume explores the poets who lived and wrote from or about New York, the forms of their poems, and the a relationship between the structures they inhabited and the structures they created.


The Comedia in English

The Comedia in English

Author: Susan Paun De García

Publisher: Tamesis Books

Published: 2008

Total Pages: 328

ISBN-13: 9781855661691

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"The bringing of Spanish seventeenth-century verse plays to the contemporary English-speaking stage involves a number of fundamental questions. Are verse translations preferable to prose, and if so, what kind of verse? To what degree should translations aim to be 'faithful'? Which kinds of plays 'work', and which do not? Which values and customs of the past present no difficulties for contemporary audiences, and which need to be decoded in performance?Which kinds of staging are suitable, and which are not? To what degree, if any, should one aim for 'authenticity' in staging? In this volume, a group of translators, directors, and scholars explores these and related questions."--Jacket


The Cure of Poetry in an Age of Prose

The Cure of Poetry in an Age of Prose

Author: Mary Kinzie

Publisher: University of Chicago Press

Published: 1993-07-15

Total Pages: 376

ISBN-13: 9780226437354

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The role of the poet, Mary Kinzie writes, is to engage the most profound subjects with the utmost in expressive clarity. The role of the critic is to follow the poet, word for word, into the arena where the creative struggle occurs. How this mutual purpose is served, ideally and practically, is the subject of this bracingly polemical collection of essays. A distinguished poet and critic, Kinzie assesses poetry's situation during the past twenty-five years. Ours, she contends, is literally a prosaic age, not only in the popularity of prose genres but in the resultant compromises with truth and elegance in literature. In essays on "the rhapsodic fallacy," confessionalism, and the romance of perceptual response, Kinzie diagnoses some of the trends that diminish the poet's flexibility. Conversely, she also considers individual poets—Randall Jarrell, Elizabeth Bishop, Howard Nemerov, Seamus Heaney, and John Ashbery—who have found ingenious ways of averting the risks of prosaism and preserving the special character of poetry. Focusing on poet Louise Bogan and novelist J. M. Coetzee, Kinzie identifies a crucial and curative overlap between the practices of great prose-writing and great poetry. In conclusion, she suggests a new approach for teaching writers of poetry and fiction. Forcefully argued, these essays will be widely read and debated among critics and poets alike.


The After Party

The After Party

Author: Jana Prikryl

Publisher: National Geographic Books

Published: 2016-06-21

Total Pages: 0

ISBN-13: 1101906235

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"A truly moving book." —John Ashbery Jana Prikryl’s The After Party journeys across borders and eras, from cold war Central Europe to present-day New York City, from ancient Rome to New World suburbs, constantly testing the lingua francas we negotiate to know ourselves. These poems disclose the tensions in our inherited identities and showcase Prikryl’s ambitious experimentation with style. “Thirty Thousand Islands,” the second half of the collection, presents some forty linked poems that incorporate numerous voices. Rooted in one place that fragments into many places—the remote shores of Lake Huron in Canada, a region with no natural resources aside from its beauty—these poems are an elegy that speaks beyond grief. Penetrating, vital, and visionary, The After Party marks the arrival of an extraordinary new talent.