The days and nights are filled with possibilities of endless proportions. And as you ponder these pages that are meant for all walks of the human experience, take time to savor the true passions of the heart as well as the mind. Boundaries have no place here, and only the believers of romance and optimism can breathe life into what I feel is the strongest force known to us all, love. The blossoms that bloom when two people share a mutual attraction are undeniable, and belief in one's self to succeed is a matter of will when there only seems to be no hope.
Cronin, born without legs, describes her life growing up as one of eleven children in a large Catholic family, wearing prosthetics, going to school, facing bullies, and searching for love and happiness. She felt most comfortable and happiest relaxing and skinny dipping with her girlfriends, imagining herself "an elusive mermaid." As her mother battled mental illness, Cronin tried to get her to say whether she took thalidomide during her 1960 pregnancy. Eventually she found the strength to set out on her own, volunteering at hospitals, earning a PhD in clinical psychology, and developing her capacity to forgive and accept life as a journey of self-discovery and transformation.
The publication of this book is a literary event. It is Miss Bishop's first volume of verse since Poems, which was awarded the Pulitzer Prize for Poetry in 1955. This new collection consists of two parts. Under the general heading "Brazil" are grouped eleven poems including "Manuelzinho," "The Armadillo," "Twelfth Morning, or What You Will," "The Riverman," "Brazil, January 1, 1502" and the title poem. The second section, entitled "Elsewhere," includes others "First Death in Nova Scotia," "Manners," "Sandpiper," "From Trollope's Journal," and "Visits to St. Elizabeths." In addition to the poems there is an extraordinary story of a Nova Scotia childhood, "In the Village." Robert Lowell has recently written, "I am sure no living poet is as curious and observant as Miss Bishop. What cuts so deep is that each poem is inspired by her own tone, a tone of large, grave tenderness and sorrowing amusement. She is too sure of herself for empty mastery and breezy plagiarism, too interested for confession and musical monotony, too powerful for mismanaged fire, and too civilized for idiosyncratic incoherence. She has a humorous, commanding genius for picking up the unnoticed, now making something sprightly and right, and now a great monument. Once her poems, each shining, were too few. Now they are many. When we read her, we enter the classical serenity of a new country."
Hang on tight for a raucous bounce through the solar system and back — propelled by funny, fanciful, factually sound poems and exuberant illustrations. The universe poured into me. My brain was overloaded. It smoked and glowed red-hot. And then it actually exploded. Ever wonder what the sun has to say about being the closest star to Earth? Or what Pluto has gotten up to since being demoted to a dwarf planet? Or where rocket ships go when they retire? Listen closely, because maybe, just maybe, your head will explode, too. With poetry that is equal parts accurate and entertaining — and illustrations that are positively out of this world — this book will enthrall amateur stargazers and budding astrophysicists as it reveals many of the wonders our universe holds. Space travelers in search of more information will find notes about the poems, a glossary, and a list of resources at the end.
Poet's Tree is a compilation of poems which capture the myriad facets of our daily corporate life, the nature in and around us, and its immense impact on us. Nature fascinates us and the poems render vivid pictures about how it encompasses us. The author vehemently criticizes social malice and how adversely it affects the social fabric that ties us, and urges readers ardently about the necessity of eradicating such vices which may hinder mankind from thriving with vigour. The style of the presentation of poems is delectable and unique. It reveals the inward eye of the poet, as well as his deep concern for the ambiance he is dwelling in.
A Poetry Pedagogy for Teachers generates imaginative encounters with poetry and invites educators to practice a range of poetry exercises in order to inform instructional approaches to reading and writing. Guided by pedagogical principles prompted by their readings of Wallace Stevens' “Thirteen Ways of Looking at a Blackbird,” Maya Pindyck and Ruth Vinz provide critical discussion of prominent literacy practices in secondary classrooms and offer alternative approaches to encountering a text. They do this by way of experimental readings of Wallace Stevens' poem toward a set of thirteen pedagogical principles that anchor a pedagogy of poetic practices. The book also offers invitational exercises, the authors' own engagements with poetry practices, as well as student examples, visual modes of theorizing, and a gathering of relevant resources compiled by two classroom teachers. This is a book for secondary English teachers, teaching artists, English educators, college writing professors, readers and writers of poetry – both existing and aspirational – and any educator interested in poetry's capacities to pedagogically inform their subject matter and/or literacy practices.
With playful prose and vivid art, Things to Do brings to life the small moments and secret joys of a child's day. There are wonders everywhere. In the sky and on the ground—blooming in a flower bed, dangling from a silken thread, buzzing through the summer air—waiting ...waiting to be found. In this thoughtful and ingenious collection of poems, Elaine Magliaro, an elementary school teacher for more than three decades and a school librarian for three years, and illustrator Catia Chien provide a luminous glimpse of the ordinary wonders all around us. Plus, this is the fixed format version, which looks almost identical to the print edition.
If you stop and look around you, you'll start to see. Tall marigolds darkening. A spring wind blowing. The woods awake with sound. On the wooden porch, your love smiling. Dew-wet red berries in a cup. On the hills, the beginnings of green, clover and grass to be pasture. The fowls singing and then settling for the night. Bright, silent, thousands of stars. You come into the peace of simple things. From the author of the 'compelling' and 'luminous' essays of The World-Ending Fire comes a slim volume of poems. Tender and intimate, these are consoling songs of hope and of healing; short, simple meditations on love, death, friendship, memory and belonging. They celebrate and elevate what is sensuous about life, and invite us to pause and appreciate what is good in life, to stop and savour our fleeting moments of earthly enjoyment. And, when fear for the future keeps us awake at night, to come into the peace of wild things.
