Book of My Nights is the first poetry collection in ten years by one of the world's most acclaimed young poets. In Book of My Nights, Li-Young Lee once again gives us lyrical poetry that fuses memory, family, culture and history. In language as simple and powerful as the human muscle, these poems work individually and as a full-sequence meditation on the vulnerability of humanity. Marketing Plans: o National advertising o National media campaign o National and regional author appearances o Advance reader copies o Course adoption mailing Li-Young Lee burst onto the American literary scene with the publication of Rose, winner of the 1986 Delmore Schwartz Memorial Poetry Award from The Poetry Society of America. He followed that astonishing book with The City in Which I Love You, which was The Lamont Poetry Selection of The Academy of American Poets. Mr. Lee has appeared on National Public Radio a number of times and The Power of the Word, the PBS television series with Bill Moyers. Rose and The City in Which I Love You are in the 19th and 17th printings respectively, making them two of the highest-selling contemporary poetry books in the United States. Moreover, Mr. Lee's poems have been translated into more than a dozen languages. He currently lives in Chicago.
Finalist for the 1988 Pulitzer Prize for Poetry A landmark collection by National Book Award-winning poet Lucille Clifton, Good Woman: Poems and a Memoir 1969-1980 includes the four poetry collections that launched Clifton’s career—Good Times, Good News About the Earth, An Ordinary Woman, and Two-Headed Woman—as well as her haunting prose memoir, Generations. In honor of the 30th anniversary of Lucille Clifton's Pulitzer Prize-nominated poetry collection and memoir, Good Woman is now available for the first time as a deluxe eBook edition. Enhanced with previously unpublished photographs from the Lucille Clifton Estate and a special foreword by Aracelis Girmay, this eBook is a must-have for longtime Clifton fans and newcomers alike.
Former United States poet laureate Donald Hall reflects on his life, discussing his childhood in Connecticut, the works that influenced him, his education, his success and failures as a writer and father, his friendships, and other related topics.
The poetry and prose collected in Plainwater are a testament to the extraordinary imagination of Anne Carson, a writer described by Michael Ondaatje as "the most exciting poet writing in English today." Succinct and astonishingly beautiful, these pieces stretch the boundaries of language and literary form, while juxtaposing classical and modern traditions. Carson envisions a present-day interview with a seventh-century BC poet, and offers miniature lectures on topics as varied as orchids and Ovid. She imagines the muse of a fifteenth-century painter attending a phenomenology conference in Italy. She constructs verbal photographs of a series of mysterious towns, and takes us on a pilgrimage in pursuit of the elusive and intimate anthropology of water. Blending the rhythm and vivid metaphor of poetry with the discursive nature of the essay, the writings in Plainwater dazzle us with their invention and enlighten us with their erudition.
First published in 2005. The present work contains the text of the great Syriac "Book of Medicines", edited from a manuscript in my possession, in an English translation of the same, with Introduction, Index. The first section of the Book of Medicines consists of Lectures upon Human Anatomy, Pathology, and Therapeutics, to each of which is added a series of prescriptions of the most detailed character, which the author recommends to be administered in the treatment of the various diseases described in the Lecture preceding. this is here published for the first time.
Speakers in James Tate's poems are and are not like those we know: a man's meditation on gardening renders him witless; another man traps theories and then lets them loose in a city park; a nun confides that "it was her / cowboy pride that got her through"; a gnome's friend inhabits a world where "a great eschatological ferment is at work. "Shroud of the Gnome" is a bravura performance in Tate's signature style: playful, wicked, deliriously sober, charming, and dazzling. Here, once again, one of America's most masterful poets celebrates the inexplicable in his own strange tongue.
Poetry. Fiction. In days before selfies and social media, postcards were a ubiquitous feature of travel, providing both means of communication with friends and family while away, and souvenirs of journeys once back home. Even if not quite gone, they seem more than a little nostalgic now, as do many of the poems in Jeanne Griggs' new collection, POSTCARD POEMS. By choosing to present her poems as short notes that could fit on a postcard, she has opted for a formal brevity; and the conceit of holiday communication allows her to write both about place (so that her poems are often both ekphrastic and epistolary--a neat trick) and about the people in her life. Travel, of course, is always a journey through both exterior and interior spaces, physical and mental, and we witness both in these often wistful poems. A visit on Cape Cod with friends, women of a certain age, affords an opportunity to live like in the books, / without any of the fuss / of having to sustain anything / except ourselves. Children grow up over the span of these travels, despite her wishing she had caged them, holding onto the past. A third visit to Niagara Falls is the first without her son--the first time / you were too young to remember / and the second too old to want / to come along--who is now far off in Siberia on travels of his own. Iowa is a place equally exotic, known only from watching a baseball movie / ...until we left our daughter / there, and they drive long out of the way to visit the Field of Dreams site, And it was there, / just like we'd seen it, / in real life. Stopping South of the Border she buys picture postcards of this place on the way / to where we're actually going. That's a good description of the mosaic of life that is constructed out of these brief notes, a chronicle of stops along the way until, in the final poem, all future plans suspended... / we are / still saving up from our last trip.
"[A] thoughtful and lucid tale of love, companionship, and heartbreaking illness." —Lydia Davis In 2004 Rachel Hadas's husband, George Edwards, a composer and professor of music at Columbia University, was diagnosed with early-onset dementia at the age of sixty-one. Strange Relation is her account of "losing" George. Her narrative begins when George's illness can no longer be ignored, and ends in 2008 soon after his move to a dementia facility (when, after thirty years of marriage, she finds herself no longer living with her husband). Within the cloudy confines of those difficult years, years when reading and writing were an essential part of what kept her going, she "tried to keep track…tried to tell the truth." "If only all doctors and nurses and social workers who care for the chronically ill could read this book. If only patients and family members stricken with such losses could receive what this book can give them. While Strange Relation relates one illness and the life of one family, it is also, poetically, about all illnesses, all families, all struggles, all living. The art achieves the dual life of the universal and the particular, marking it as timeless, making it for us all necessary."—Rita Charon, MD, PhD, Program in Narrative Medicine, Columbia University "Rachel Hadas's own wonderfully resonant poems, along with the rich collection of verse and prose by other writers that she weaves into her story, clarify and illuminate over and over again this thoughtful and lucid tale of love, companionship, and heartbreaking illness—illness that, as she shows us so well, is at once frighteningly alien and also deeply a part of our unavoidable vulnerability as mortal beings. Beautifully written, totally engrossing, and very sad."—Lydia Davis "Strange Relation is a deeply moving, deeply personal, beautifully written exploration of how the power of grief can be met with the power of literature, and how solace can be found in the space between them."—Frank Huyler "A poignant memoir of love, creativity and human vulnerability. Rachel Hadas brings a poet's incisive eye to the labyrinth of dementia."—Danielle Ofri, MD, PhD, author of Medicine in Translation and Singular Intimacies "Like an elegy, Strange Relation is about loss and grief. Like all elegies, it also memorializes and celebrates. Rachel Hadas, in the course of her personal narrative, cites accounts of dementia, in its social and personal meanings."—Robert Pinsky "Brilliant and tough-minded, poignant but clear-headed, Rachel Hadas shines a steady light on her experience as the wife of an accomplished composer who, at a comparatively early age, descended into dementia. Strange Relation never sacrifices truth for easy answers. Instead, Hadas uses literature to chart a course through wrenching complexities. This lauded and exceptional poet shows how language itself, the very thing her husband loses, became her shield as she crossed the ravaged lands of decision-making, making new discoveries, new friends, and new sense of the world. Strange Relation snaps with bravery, intelligence, and Hadas' tart, candid wisdom."—Molly Peacock "Strange Relation is a beautifully written and piercingly honest account of life with a brilliant man as he descends into dementia, in his sixties."—Reeve Lindbergh
From a critically acclaimed New York Times bestselling author and poet comes “a delightfully hybrid book: part anthology, part critical study, part autobiography” (Chicago Tribune) that is organized around fifty-one remarkable poems by poets such as Robert Frost, Emily Dickinson, Wallace Stevens, and Sylvia Plath. For Jill Bialosky, certain poems stand out like signposts at pivotal moments in a life: the death of a father, adolescence, first love, leaving home, the suicide of a sister, marriage, the birth of a child, the day in New York City the Twin Towers fell. As Bialosky narrates these moments, she illuminates the ways in which particular poems offered insight, compassion, and connection, and shows how poetry can be a blueprint for living. In Poetry Will Save Your Life, Bialosky recalls when she encountered each formative poem, and how its importance and meaning evolved over time, allowing new insights and perceptions to emerge. While Bialosky’s personal stories animate each poem, they touch on many universal experiences, from the awkwardness of girlhood, to crises of faith and identity, from braving a new life in a foreign city to enduring the loss of a loved one, from becoming a parent to growing creatively as a poet and artist. Each moment and poem illustrate “not only how to read poetry, but also how to love poetry” (Christian Science Monitor). “An emotional, sometimes-wrenching account of how lines of poetry can be lifelines” (Kirkus Reviews), Poetry Will Save Your Life is an engaging and entirely original examination of a life while celebrating the enduring value of poetry, not as a purely cerebral activity, but as a means of conveying personal experience and as a source of comfort and intimacy. In doing so the book brilliantly illustrates the ways in which poetry can be an integral part of life itself and can, in fact, save your life.
Beckett’s Late Stage reexamines the Nobel laureate’s post-war prose and drama in the light of contemporary trauma theory. Through a series of sustained close-readings, the study demonstrates how the comings and goings of Beckett’s prose unsettles the Western philosophical tradition; it reveals how Beckett’s live theatrical productions are haunted by the rehearsal of traumatic repetition, and asks what his ghostly radio recordings might signal for twentieth-century modernity. Drawing from psychoanalytic and poststructuralist traditions, Beckett’s Late Stage explores how the traumatic symptom allows us to rethink the relationship between language, meaning, and identity after 1945.
