Complete Poems

Complete Poems

Author: Edgar Allan Poe

Publisher: University of Illinois Press

Published: 2000

Total Pages: 678

ISBN-13: 9780252069215

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Containing more than three hundred poems, including nearly a hundred previously unpublished works, this unique collection showcases the intellectual range of Claude McKay (1889-1948), the Jamaican-born poet and novelist whose life and work were marked by restless travel and steadfast social protest. McKay's first poems were composed in rural Jamaican creole and launched his lifelong commitment to representing everyday black culture from the bottom up. Migrating to New York, he reinvigorated the English sonnet and helped spark the Harlem Renaissance with poems such as "If We Must Die." After coming under scrutiny for his communism, he traveled throughout Europe and North Africa for twelve years and returned to Harlem in 1934, having denounced Stalin's Soviet Union. By then, McKay's pristine "violent sonnets" were giving way to confessional lyrics informed by his newfound Catholicism. McKay's verse eludes easy definition, yet this complete anthology, vividly introduced and carefully annotated by William J. Maxwell, acquaints readers with the full transnational evolution of a major voice in twentieth-century poetry.


An Creideamh

An Creideamh

Author: Brian Nugent

Publisher: Brian Nugent

Published: 2009-10-13

Total Pages: 701

ISBN-13: 0955681235

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This book seeks to illustrate the type of literature that shaped and influenced the Irish people's faith over the centuries. It is intended as a cornucopia of Catholic writing, a skirl around the kind of books and journals that graced Irish priest's libraries over the years. Outlined in chronological order it gives the full text of the Confession of St. Patrick, the Life of St. Columbanus, an ancient Irish tract on the mass; extracts from the Confessions of St. Augustine, the Irish Annals, and the fiction of Canon Sheehan; some theology from St. Thomas Aquinas, from 'A Handbook of Moral Theology', and the doctrine of Purgatory from an old Maynooth theologian; historical or contemporary accounts from all centuries, all the way from Tertullian, through Lough Derg in the 15th century, the Cromwellian Wars of the 17th century, to the social and economic teachings of the Church in the 19th and early 20th centuries.


The Most Dangerous Thing

The Most Dangerous Thing

Author: Laura Lippman

Publisher: Harper Collins

Published: 2011-08-23

Total Pages: 259

ISBN-13: 0062092588

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“One of the best novelists around, period.” —Washington Post “Lippman has enriched literature as a whole. —Chicago Sun-Times One of the most acclaimed novelists in America today, Laura Lippman has greatly expanded the boundaries of mystery fiction and psychological suspense with her Tess Monaghan p.i. series and her New York Times bestselling standalone novels (What the Dead Know, Life Sentences, I’d Know You Anywhere, etc.). With The Most Dangerous Thing, the multiple award winning author—recipient of the Anthony, Edgar®, Shamus, and Agatha Awards, to name but a few—once again demonstrates how storytelling is done to perfection. Set once again in the well-wrought environs of Lippman’s beloved Baltimore, it is the shadowy tale of a group of onetime friends forced to confront a dark past they’ve each tried to bury following the death of one of their number. Rich in the compassion and insight into flawed human nature that has become a Lippman trademark while telling an absolutely gripping story, The Most Dangerous Thing will not be confined by genre restrictions, reaching out instead to captive a wide, diverse audience, from Harlan Coben and Kate Atkinson fans to readers of Jodi Picoult and Kathryn Stockett.


Poets in the Public Sphere

Poets in the Public Sphere

Author: Paula Bennett

Publisher: Princeton University Press

Published: 2003-04-06

Total Pages: 286

ISBN-13: 9780691026442

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Based entirely on archival research, Poets in the Public Sphere traces the emergence of the "New Woman" by examining poetry published by American women in newspapers and magazines between 1800 and 1900. Using sources like the Kentucky Reporter, the Cherokee Phoenix, the Cincinnati Israelite, and the Atlantic Monthly, Bennett is able to track how U.S. women from every race, class, caste, region, and religion exploited the freedom offered by the nation's periodical press, especially the poetry columns, to engage in heated debate with each other and with men over matters of mutual concern. Far from restricting their poems to the domestic and personal, these women addressed a significant array of political issues--abolition, Indian removals, economic and racial injustice, the Civil War, and, not least, their own changing status as civil subjects. Overflowing with a wealth of heretofore untapped information, their poems demonstrate conclusively that "ordinary" nineteenth-century women were far more influenced by the women's rights movement than historians have allowed. In showing how these women turned the sentimental and ideologically saturated conventions of the period's verse to their own ends, Bennett argues passionately and persuasively for poetry's power as cultural and political discourse. As much women's history as literary history, this book invites readers to rethink not only the role that nineteenth-century women played in their own emancipation but the role that poetry plays in cultural life.