Poems and Ballads of Young Ireland

Poems and Ballads of Young Ireland

Author: John O'Leary

Publisher:

Published: 2000

Total Pages: 144

ISBN-13:

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This collaborative anthology was the work of a number of young writers who had gathered around John and Ellen O'Leary at the outset of the Irish Literary Revival, and who contributed to The Gael, of which O'Leary was the literary editor. Yeats described it as 'another link ... in the long chain of Irish song that united decade to decade', and it was a clear attempt by his generation to establish a national importance by assuming the prestigious mantle of the Young Irelanders of the 1840s. Of the poems in the anthology, five were by Douglas Hyde, later President of Ireland; four each by Yeats, John Todhunter and T.W.Rolleston; three each by Katharine Tynan, Rose Kavanagh, and Ellen O'Leary; two by F.J.Gregg; and one each by George Sigerson, Hester Sigerson, Charles Gregory Fagan, and George Noble Plunkett. The volume was widely reviewed and a later critic, M.J.Macmanus, claimed that its publication marked the beginning of the Irish Literary Revival.


Young Ireland and the Writing of Irish History

Young Ireland and the Writing of Irish History

Author: James Quinn

Publisher: University College Dublin Press

Published: 2015

Total Pages: 310

ISBN-13: 191082092X

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Examines why Young Ireland attached such importance to the writing of history, how it went about writing that history, and what impact their historical writings had.


Out of What Began

Out of What Began

Author: Gregory A. Schirmer

Publisher: Cornell University Press

Published: 2019-05-15

Total Pages: 445

ISBN-13: 150174481X

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The first book of its kind, Out of What Began traces the development of a distinctive tradition of Irish poetry over the course of three centuries. Beginning with Jonathan Swift in the early eighteenth century and concluding with such contemporary poets as Seamus Heaney and Eavan Boland, Gregory A. Schirmer looks at the work of nearly a hundred poets. Considering the evolving political and social environments in which they lived and wrote, Schirmer shows how Irish poetry and culture have come to be shaped by the struggle to define Irish identity. Schirmer includes a large number of accomplished poets who have been unjustly neglected in standard accounts of Irish literature; many of these writers are women, whose work has been kept in the shadows cast by that of well-known male poets. He also emphasizes the importance of political poetry in a country that continues to be torn by sectarian violence. With its rich selection of poetic voices, Out of What Began reveals the political, social, and religious diversity of Irish culture.


The Last Minstrels

The Last Minstrels

Author: Ronald Schuchard

Publisher: OUP Oxford

Published: 2008-02-28

Total Pages: 475

ISBN-13: 0191528064

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Recovering a lost literary movement that was the most consuming preoccupation of W. B. Yeats's literary life and the most integral to his poetry and drama, Ronald Schuchard's The Last Minstrels provides an historical, biographical, and critical reconstruction of the poet's lifelong attempt to restore an oral tradition by reviving the bardic arts of chanting and musical speech. From the beginning of his career Yeats was determined to return the 'living voice' of the poet from exile to the centre of culture - on its platforms, stages, and streets - thereby establishing a spiritual democracy in the arts for the non-reading as well as the reading public. Schuchard's study enhances our understanding of Yeats's cultural nationalism, his aims for the Abbey Theatre, and his dynamic place in a complex of interrelated arts in London and Dublin. With a wealth of new archival materials, the narrative intervenes in literary history to show the attempts of Yeats and Florence Farr to take the 'new art' of chanting to Great Britain, America, and Europe, and it reveals for the first time the influence of their auditory poetics on the visual paradigm of the Imagists. The penultimate chapter examines the adjustments Yeats made for his movement during the war, including chanting and other adaptations from Noh drama for his dance plays and choruses, until the practice of his 'unfashionable art' became dormant in the 1920s before the restless rise of realism. The final chapter resurrects his heroic effort in the 1930s to reunite poetry and music and reconstitute his dream of a spiritual democracy through the medium of public broadcasting.


A History of Modern Irish Women's Literature

A History of Modern Irish Women's Literature

Author: Heather Ingman

Publisher: Cambridge University Press

Published: 2018-07-26

Total Pages: 1010

ISBN-13: 1108654584

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This book offers the first comprehensive survey of writing by women in Ireland from the seventeenth century to the present day. It covers literature in all genres, including poetry, drama, and fiction, as well as life-writing and unpublished writing, and addresses work in both English and Irish. The chapters are authored by leading experts in their field, giving readers an introduction to cutting edge research on each period and topic. Survey chapters give an essential historical overview, and are complemented by a focus on selected topics such as the short story, and key figures whose relationship to the narrative of Irish literary history is analysed and reconsidered. Demonstrating the pioneering achievements of a huge number of many hitherto neglected writers, A History of Modern Irish Women's Literature makes a critical intervention in Irish literary history.


Irish women's writing, 1878–1922

Irish women's writing, 1878–1922

Author: Anna Pilz

Publisher: Manchester University Press

Published: 2016-07-01

Total Pages: 359

ISBN-13: 1526100754

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Irish women writers entered the British and international publishing scene in unprecedented numbers in the period between 1878 and 1922. Literary history is only now beginning to give them the attention they deserve for their contributions to the literary landscape of Ireland, which has included far more women writers, with far more diverse identities, than hitherto acknowledged. This collection of new essays by leading scholars explores how women writers including Emily Lawless, L. T. Meade, Katharine Tynan, Lady Gregory, Rosa Mulholland, Ella Young and Beatrice Grimshaw used their work to advance their own private and public political concerns through astute manoeuvrings both in the expanding publishing industry and against the partisan expectations of an ever-growing readership. The chapters investigate their dialogue with a contemporary politics that included the topics of education, cosmopolitanism, language, empire, economics, philanthropy, socialism, the marriage 'market', the publishing industry, readership(s), the commercial market and employment.