Provides a listing available of books, articles, and book reviews concerned with French literature since 1885. This work is a reference source in the study of modern French literature and culture. The bibliography is divided into three major divisions: general studies, author subjects (arranged alphabetically), and cinema.
Deux questions se trouvent croisées : baliser la circulation spatio-temporelle d'une pluralité de langues, qui se réfléchit aujourd'hui dans le multilinguisme de nombreux écrivains de la modernité et engager simultanément une critique de la notion de métissage, en substituant au rêve d'hybridation culturelle l'expérience singulière d'une rencontre des langues.
The fourth volume of the collected papers of the ICLA congress “The Many Languages of Comparative Literature” includes articles that study thematic and formal elements of literary texts. Although the question of prioritizing either the level of content or that of form has often provoked controversies, most contributions here treat them as internally connected. While theoretical considerations inform many of the readings, the main interest of most articles can be described as rhetorical (in the widest sense) – given that the ancient discipline of rhetoric did not only include the study of rhetorical figures and tropes such as metaphor, irony, or satire, but also that of topoi, which were originally viewed as the ‘places’ where certain arguments could be found, but later came to represent the arguments or intellectual themes themselves. Another feature shared by most of the articles is the tendency of ‘undeclared thematology’, which not only reflects the persistence of the charge of positivism, but also shows that most scholars prefer to locate themselves within more specific, often interdisciplinary fields of literary study. In this sense, this volume does not only prove the ongoing relevance of traditional fields such as rhetoric and thematology, but provides contributions to currently flourishing research areas, among them literary multilingualism, literature and emotions, and ecocriticism.
This volume, written in honor of Lucienne Frappier-Mazur, Professor Emerita of French at the University of Pennsylvania, reflects her wide-ranging contributions to the study of French literature, especially the writings of Balzac, Sade and Sand. Organized into five sections, it brings together 23 original essays in English and French by noted scholars of history and literature, the majority of which explore various inscriptions of the body, especially the female body, in political and literary discourse. Many of the issues engaged in these essays - the body as a cultural product insofar as it forms the basis for constructions of the modern nation-state as well as the exclusion of women from that social body; the baroque setting of orgy and the performance of the erotic/eroticized body on that scene; the representation of poor and working-class bodies; women's autobiographical praxis; parody - testify to the influential scholarship of Frappier-Mazur. The broad spectrum of authors in this volume is noteworthy. In addition to essays on Shakespeare, Rousseau, Sade, Balzac, Nerval, Flaubert, Lautréamont, Mallarmé, Zola, there are also studies devoted to Restif de la Bretonne, Olympe de Gouges, Louise Michel, Poictevin, Rachilde, Jean Lorrain, Marthe Bibesco, Nathalie Sarraute, Michel Leiris, Daniel Pennac, and Ken Bugul.
Une perspective interculturelle et interdisciplinaire, présentant les formes et les modalités de la représentation de la mémoire de différents conflits et violences historiques dans la littérature, le cinéma, les arts plastiques, les médias et des lieux tels que musées ou mémoriaux. Il ressort de ces études des similitudes dans l'interrogation du passé, dans les approches et les formes utilisées.