Musical Theater

Musical Theater

Author: Alyson McLamore

Publisher: Routledge

Published: 2016-09-16

Total Pages: 787

ISBN-13: 1317346335

DOWNLOAD EBOOK

For Surveys of Musical Theater, Music Appreciation courses and Popular Culture Surveys. This unique historical survey illustrates the interaction of multiple artistic and dramatic considerations with an overview of the development of numerous popular musical theater genres. This introduction provides more than a history of musical theater, it studies the music within the shows to provide an understanding of the contributions of musical theater composers as clearly as the artistry of musical theater lyricists and librettists. The familiarity of the musical helps students understand how music functions in a song and a show, while giving them the vocabulary to discuss their perceptions.


Aristophanes in Performance, 421 BC-AD 2007

Aristophanes in Performance, 421 BC-AD 2007

Author: Edith Hall

Publisher: MHRA

Published: 2007

Total Pages: 411

ISBN-13: 1904350615

DOWNLOAD EBOOK

Flying to Heaven to demand an end to war, building Cloudcuckooland in the sky, descending to Hades to retrieve a dead tragedian - such were the cosmic missions on which Aristophanes, the father of comedy, sent his heroes of the classical Athenian stage. The wit, intellectual bravura, political clout and sheer imaginative power of Aristophanes' quest dramas have profoundly influenced humorous literature and satire, but this volume, which originated at an international conference held at the Archive of Performances of Greek and Roman Drama at Oxford University in 2004, is the first interdisciplinary study of their seminal contribution to the evolution of comic performance. Interdisciplinary essays by specialists in Classics, Theatre, and Modern Literatures trace the international performance history of Aristophanic comedy, and its implication in aesthetic and political controversies, from antiquity to the twenty-first century. The story encompasses Jonson's satire, Cromwell's Ireland, German classicism, British Imperial India, censorship scandals in France, Greece and South Africa, Brechtian experiments in East Berlin, and musical theatre from Gilbert and Sullivan to Stephen Sondheim.


Outstanding Broadway Dramas and Comedies

Outstanding Broadway Dramas and Comedies

Author: Heinz-Dietrich Fischer

Publisher: LIT Verlag Münster

Published: 2013

Total Pages: 229

ISBN-13: 3643903413

DOWNLOAD EBOOK

Many Pulitzer Prize-winners in the theater award category started their international careers right from Broadway. Among the laureates were dramatists such as Eugene O'Neill who earned four awards. Double prize-winner Tennessee Williams was praised for A Streetcar Named Desire and Cat on a Hot Tin Roof. Thornton Wilder's plays Our Town and The Skin of Our Teeth were successful, as well as Arthur Miller's Death of a Salesman. Edward Albee's Three Tall Women or Alfred Uhry's Driving Miss Daisy represent the younger generation of Pulitzer Prize-winning playwrights. This book takes a look at many of the Pulitzer Prize-winning productions that have been presented over the years on Broadway. (Series: Pulitzer Prize Panorama - Vol. 6)


The Oxford Handbook of Sondheim Studies

The Oxford Handbook of Sondheim Studies

Author: Robert Gordon

Publisher: Oxford University Press

Published: 2014-05-01

Total Pages: 517

ISBN-13: 019990927X

DOWNLOAD EBOOK

The Oxford Handbook of Sondheim Studies offers a series of cutting-edge essays on the most important and compelling topics in the growing field of Sondheim Studies. Focusing on broad groups of issues relating to the music and the production of Sondheim works, rather than on biographical questions about the composer himself, the handbook represents a cross-disciplinary introduction to comprehending Sondheim in musicological, theatrical, and socio-cultural terms. This collection of never-before published essays addresses issues of artistic method and musico-dramaturgical form, while at the same time offering close readings of individual shows from a variety of analytical perspectives. The handbook is arranged into six broad sections: issues of intertextuality and authorship; Sondheim's pioneering work in developing the non-linear form of the concept musical; the production history of Sondheim's work; his writing for film and television; his exploitation and deployment of a wide range of musical genres; and how interpretation through key critical lenses (including sociology, history, and feminist and queer theory) establishes his position in a broader cultural context.


The Oxford Handbook of the British Musical

The Oxford Handbook of the British Musical

Author: Robert Gordon

Publisher: Oxford University Press

Published: 2016-11-21

Total Pages: 777

ISBN-13: 0199988765

DOWNLOAD EBOOK

The Oxford Handbook of the British Musical provides a comprehensive academic survey of British musical theatre offering both a historical account of the musical's development from 1728 and a range of in-depth critical analyses of the unique forms and features of British musicals, which explore the aesthetic values and sociocultural meanings of a tradition that initially gave rise to the American musical and later challenged its modern pre-eminence. After a consideration of how John Gay's The Beggar's Opera (1728) created a prototype for eighteenth-century ballad opera, the book focuses on the use of song in early nineteenth century theatre, followed by a sociocultural analysis of the comic operas of Gilbert and Sullivan; it then examines Edwardian and interwar musical comedies and revues as well as the impact of Rodgers and Hammerstein on the West End, before analysing the new forms of the postwar British musical from The Boy Friend (1953) to Oliver! (1960). One section of the book examines the contributions of key twentieth century figures including Noel Coward, Ivor Novello, Tim Rice, Andrew Lloyd Webber, director Joan Littlewood and producer Cameron Macintosh, while a number of essays discuss both mainstream and alternative musicals of the 1960s and 1970s and the influence of the pop industry on the creation of concept recordings such as Jesus Christ Superstar (1970) and Les Misérables (1980). There is a consideration of "jukebox" musicals such as Mamma Mia! (1999), while essays on overtly political shows such as Billy Elliot (2005) are complemented by those on experimental musicals like Jerry Springer: the Opera (2003) and London Road (2011) and on the burgeoning of Black and Asian British musicals in both the West End and subsidized venues. The Oxford Handbook of the British Musical demonstrates not only the unique qualities of British musical theatre but also the vitality and variety of British musicals today.


The Oxford Handbook of the Global Stage Musical

The Oxford Handbook of the Global Stage Musical

Author: Robert Gordon

Publisher: Oxford University Press

Published: 2023-09-01

Total Pages: 1001

ISBN-13: 0190909749

DOWNLOAD EBOOK

The stage musical constitutes a major industry not only in the US and the UK, but in many regions of the world. Over the last four decades many countries have developed their own musical theatre industries, not only by importing hit shows from Broadway and London but also by establishing or reviving local traditions of musical theatre. In response to the rapid growth of musical theatre as a global phenomenon, The Oxford Handbook of the Global Stage Musical presents new scholarly approaches to issues arising from these new international markets. The volume examines the stage musical from theoretical and empirical perspectives including concepts of globalization and consumer culture, performance and musicological analysis, historical and cultural studies, media studies, notions of interculturalism and hybridity, gender studies, and international politics. The thirty-three essays investigate major aspects of the global musical, such as the dominance of Western colonialism in its early production and dissemination, racism and sexism--both in representation and in the industry itself--as well as current conflicts between global and local interests in postmodern cultures. Featuring contributors from seventeen countries, the essays offer informed insider perspectives that reflect the diversity of the subject and offer in-depth examinations of specific cultural and economic systems. Together, they conduct penetrating comparative analysis of musical theatre in different contexts as well as a survey of the transcultural spread of musicals.


The Broadway Musical

The Broadway Musical

Author: Bernard Rosenberg

Publisher: NYU Press

Published: 1993

Total Pages: 384

ISBN-13: 0814774334

DOWNLOAD EBOOK

Three out of four Broadway-bound musicals fail to get there, and many of those that do, ultimately fail. The Broadway Musical takes an engrossing look at the industry's successes and failures in an effort to understand the phenomenon of mass collaboration that is Broadway. The authors investigate the complicated machinery of show business from its birth around the turn of the century through its survival of the cost explosions of the 1980s. Through interviews with many of Broadway's top producers, directors, designers, actors, songwriters, lyricists, librettists, musicians, and other artists, they lead us on an intimate tour of the creative process. They also explore the roles of top executives and the reactions of critics and audiences. They conclude with a fascinating look at the inherent conflicts and tensions that have resulted in some of the most seamless and best-loved productions on Broadway. Fans of the genre as well as scholars and students of American culture will delight in this revealing insider's look at the scenes behind the scenes and the history of one of America's most popular forms of entertainment. The effort that goes into making a Broadway musical is enormous, first requiring the enthusiasm of a group of initial creative artists and then the cooperation of hundreds of talented individuals and the investment of millions of dollars before each show is ready to open. Each venture is marked perhaps more by conflict than collaboration, and the continuation of the industry seems more remarkable when it is revealed that three out of four Broadway musicals fail to break even on Broadway. What goes into the making of a successful musical? No venture can be a success without good collaboration, but whether it is good or bad in any specific case cannot be known beforehand. The Broadway Musical is an investigation into this phenomenon of collaboration and its seeming unpredictability. To gather information, Bernard Rosenberg and Ernest Harburg have interviewed many of the top producers, directors, designers, players, songwriters, lyricists, librettists, and other artists that are responsible for today's Broadway musicals. Starting with the development of the industry itself, the authors investigate the complicated machinery of show business and detail how it was able to survive the rapidly rising costs of productions in the 1980s. Proceeding to the creative aspects of the show, the authors provide an intimate look at the assembling of the musical at every level, detailing the workings of the top executives, musicians, songwriters, techne, the reaction of the critics and the audience. The book concludes with a lengthy look at the phenomenon of collaboration itself, describing the inherent conflict and tension that often adds to the production of a Broadway musical. The Broadway Musical is an engrossing look at the successes and failures of this most elaborate form of live entertainment.


Tennessee Williams

Tennessee Williams

Author: George W. Crandell

Publisher:

Published: 1995

Total Pages: 714

ISBN-13:

DOWNLOAD EBOOK

This comprehensive collection describes all the published works by one of America's most famous and prolific dramatists. Author of Glass Menagerie, A Streetcar Named Desire, Cat on a Hot Tin Roof and many other dramas presented on both stage and screen, Tennessee Williams was also the writer of short stories, poetry, novels, essays and autobiography.