Cultural Readings of Restoration and Eighteenth-Century English Theater

Cultural Readings of Restoration and Eighteenth-Century English Theater

Author: Deborah Payne Fisk

Publisher: University of Georgia Press

Published: 2010-12-01

Total Pages: 332

ISBN-13: 0820337897

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Ranging in approach from feminist to historicist, the eleven essays in this collection share the culturalist premise that the drama of late Stuart and early Georgian England helped to constitute the dominant ideology of the period. The contributors' varied approaches allow for the reconsideration of libertinism, the politics of sexual desire, and other classic issues, as well as such newer concerns as the social construction of the first English actresses, empiricism as an emergent epistemological discourse, cultural anxiety about novelty and repetition, and shifting tropes of inherent worth. By reading well-known works in unexpected ways and focusing on less frequently studied dramatists, from Sedley, Motteux, Pix, and Behn to Manley, Trotter, and Shadwell, the contributors also test the limits of the canon. In addition, they suggest that earlier critical perceptions, perhaps even more than the “innate worth” of the plays, determined the shape of the canon. These essays present a different image of Restoration and eighteenth-century theater, one that reveals how the drama was a site as important for the negotiation of cultural meaning as were novels and verse satires.


The Routledge Anthology of Restoration and Eighteenth-Century Drama

The Routledge Anthology of Restoration and Eighteenth-Century Drama

Author: Kristina Straub

Publisher: Routledge

Published: 2017-04-07

Total Pages: 1547

ISBN-13: 1317426525

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The Routledge Anthology of Restoration and Eighteenth-Century Drama brings together the work of key playwrights from 1660 to 1800, divided into three main sections: Restoring the Theatre: 1660–1700 Managing Entertainment: 1700–1760 Entertainment in an Age of Revolutions: 1760–1800 Each of the 20 plays featured is accompanied by an extraordinary wealth of print and online supplementary materials, including primary critical sources, commentaries, illustrations, and reviews of productions. Taking in the spectrum of this period’s dramatic landscape—from Restoration tragedy and comedies of manners to ballad opera and gothic spectacle—The Routledge Anthology of Restoration and Eighteenth-Century Drama is an essential resource for students and teachers alike.


Restoration and Eighteenth Century Theatre Research

Restoration and Eighteenth Century Theatre Research

Author: Carl Joseph Stratman

Publisher: Carbondale : Southern Illinois University Press

Published: 1971

Total Pages: 840

ISBN-13:

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This first comprehensive compilation of twentieth-century scholar­ship in Restoration and Eighteenth-Century drama provides a basis for future research and is an invaluable reference work. Items are arranged alphabetically under general headings--e.g., acting, criticism, periodicals, music, theology--as well as alphabetically by surname of actor, actress, dramatist, musician, etc. Copiously indexed.


Restoration and Eighteenth-century Comedy

Restoration and Eighteenth-century Comedy

Author: Scott McMillin

Publisher: W. W. Norton

Published: 1973

Total Pages: 580

ISBN-13:

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The five plays included in this volume William Wycherley's "The Country Wife," Sir George Etherege's "The Man of Mode," William Congreve's "The Way of the World," Sir Richard Steele's "The Conscious Lovers" and Richard B. Sheridan's "The School for Scandal" are the most distinguished comedies written during an especially exciting and innovative period in the London theater and English society. This Norton critical edition offers an authoritative text for each play and a unique collection of documents and critical essays (ranging from Charles Lamb to the present) for a deeper understanding of them.


Popular Plays by Women in the Restoration and Eighteenth Century

Popular Plays by Women in the Restoration and Eighteenth Century

Author: Tanya M. Caldwell

Publisher: Broadview Press

Published: 2011-06-30

Total Pages: 300

ISBN-13: 1770482830

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This anthology offers a selection of popular dramatic works by female playwrights from Aphra Behn in the 1670s through Hannah Cowley in the later eighteenth century. These plays were successful as plays of their time, not just as plays by women, together providing evidence that women dramatists often managed better than their male counterparts to please diverse audiences, who were notoriously fickle as well as predisposed to oppose them. Accessible to both graduates and undergraduates, Popular Plays by Women shows how these playwrights captured audiences through wit, social awareness, and dramatic dexterity. As well as including the prologues and epilogues of the four plays presented, this anthology provides additional materials in which female playwrights discuss the prejudices and special difficulties they face.


Tricksters & Estates

Tricksters & Estates

Author: J. Douglas Canfield

Publisher: University Press of Kentucky

Published: 1997-01-01

Total Pages: 340

ISBN-13: 9780813170039

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These comedies are full of tricksters attempting to gain estates, the emblem and the reality of power in late feudal England. The tricksters appear in a number of guises, such as heroines landing their men, younger brothers seeking estates, or Cavaliers threatened with dispossession.


The Broadview Anthology of Restoration and Eighteenth-Century Comedy

The Broadview Anthology of Restoration and Eighteenth-Century Comedy

Author: Brian Corman

Publisher: Broadview Press

Published: 2013-01-21

Total Pages: 615

ISBN-13: 1770482997

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The ten plays in this new collection show both the continuity and the changes in comedy over the course of the Restoration and eighteenth century. Each play includes its original prologue and epilogue, as well as an historical introduction and full annotation. The editor’s Introduction provides a rich historical and literary context for the plays’ composition and production. A glossary of frequently used words likely to be unfamiliar to general readers is also included.


Prologues and Epilogues of Restoration Theater

Prologues and Epilogues of Restoration Theater

Author: Diana Solomon

Publisher: University of Delaware

Published: 2013-04-11

Total Pages: 274

ISBN-13: 1611494230

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This book provides a taxonomy of prologues and epilogues with a corresponding appendix, and demonstrates through case studies of Anne Bracegirdle and Anne Oldfield how the study of prologues and epilogues enriches Restoration theater scholarship.


The Broadview Anthology of Restoration and Early Eighteenth Century Drama: Concise Edition

The Broadview Anthology of Restoration and Early Eighteenth Century Drama: Concise Edition

Author: J. Douglas Canfield

Publisher: Broadview Press

Published: 2003-04-17

Total Pages: 1055

ISBN-13: 1770483004

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The Broadview Anthology of Restoration and Early Eighteenth-Century Drama, Concise Edition, with twenty-one plays, is half the length of the full anthology without compromising its breadth. Concentrating on plays from the heyday of 1660-1737, it focuses on Restoration drama proper and Revolution drama, with a selection from the early Georgian period and the later Georgian period's "laughing comedy." Seven of the nine sub-genres (personal tragedy, tragicomic romance, social comedy, subversive comedy, corrective satire, menippean satire, and laughing comedy) of the full anthology are represented, with the preponderance of exposure given to the jewel of this theatre, its comedy. Each play is fully annotated and prefaced with an historical introduction. Also included are a general introduction, a statement of procedures, and a glossary.


The Routledge Anthology of Restoration and Eighteenth-Century Performance

The Routledge Anthology of Restoration and Eighteenth-Century Performance

Author: Daniel O'Quinn

Publisher: Routledge

Published: 2019-02-14

Total Pages: 1117

ISBN-13: 1351723065

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The Routledge Anthology of Restoration and Eighteenth-Century Performance brings together a selection of particularly memorable performances, beginning with Nell Gwyn in a 1668 staging of Secret Love, and moving chronologically towards the final performance of John Philip Kemble's controversial adaptation of Thomas Otway's Venice Presever'd in October 1795. This volume contains a wealth of contextual materials, including contemporary reviews, portraits, advertisements, and cast lists. By privileging event over publication, this collection aims to encourage an understanding of performance that emphasizes the immediacy - and changeability - of the theatrical repertoire during the long eighteenth century. Offering an invaluable insight into the performance culture of the time, The Routledge Anthology of Restoration and Eighteenth-Century Performance is a unique, much-needed resource for students of theatre.