This is a very distinctive text that will stand out from the standard, more staid works in sport studies. This is a sophisticated text that will appeal to the maturing readership in the area looking for new perspectives on sport. Tara Brabazon is very well known in Australia, both in academia and as a journalist. Other texts in this area are all edited collections.
Daphne, Bertram, Zoe and Robert are gay kids. They may not know it quite yet, but the feelings are there. Before, during and after their third grade year, they navigate social and family pressures just to stay in each other's orbits. An anthology of four monologues and three short plays
A raga is a melodic composition in Indian classical music that imparts certain emotions. Ragas From the Periphery is a collection that uses language as its instrument. Phinder Dulai is first and foremost a South Asian writer, and while issues of identity and cultural immersion are central to his work, they are not all-encompassing. His poems are intimate landscapes in which themes of work, family, and community are always present. Crossing cultures linguistically and metaphorically, Ragas From the Periphery is an impressive debut collection.
Highlights the industries, markets, identities, and histories that distinguish cinema beyond the traditional hubs of mainstream Western cinema. From Iceland to Iran, from Singapore to Scotland, a growing intellectual and cultural wave of production is taking cinema beyond the borders of its place of origin--exploring faraway places, interacting with barely known peoples, and making new localities imaginable. In these films, previously entrenched spatial divisions no longer function as firmly fixed grid coordinates, the hierarchical position of place as "center" is subverted, and new forms of representation become possible. In Cinema at the Periphery, editors Dina Iordanova, David Martin-Jones, and Belén Vidal assemble criticism that explores issues of the periphery, including questions of transnationality, place, space, passage, and migration. Cinema at the Periphery examines the periphery in terms of locations, practices, methods, and themes. It includes geographic case studies of small national cinemas located at the global margins, like New Zealand and Scotland, but also of filmmaking that comes from peripheral cultures, like Palestinian "stateless" cinema, Australian Aboriginal films, and cinema from Quebec. Therefore, the volume is divided into two key areas: industries and markets on the one hand, and identities and histories on the other. Yet as a whole, the contributors illustrate that the concept of "periphery" is not fixed but is always changing according to patterns of industry, ideology, and taste. Cinema at the Periphery highlights the inextricable interrelationship that exists between production modes and circulation channels and the emerging narratives of histories and identities they enable. In the present era of globalization, this timely examination of the periphery will interest teachers and students of film and media studies.
In India as elsewhere, peripheries have frequently been viewed through the eyes of the centre. This book aims at reversing the gaze, presenting the perspectives of low castes, tribes, or other subalterns in a way that amplifies their ability to voice their own concerns. This volume takes a multidimensional perspective, citing political, economic and cultural factors as expressions of the autonomous assertions of these groups. Questioning the exclusive definitions of the Brahmanical, folk and tribal elements, the articles bring together the empowering possibilities enabled by three recent theoretical developments: of anthropologies questioning the fringes of mainstream society in India; critically engaged histories from below, which problematize subaltern identities; and a conceptual emphasis on everyday ethnography as an arena for negotiations and transactions which contest wider networks of power and hegemony. This book will be useful to those in sociology, anthropology, politics, history, study of religions, minority studies, cultural studies and those interested in social development, and issues of marginality, tribes and subaltern identity.
The New York Times bestselling author of Neuromancer and Agency presents a fast-paced sci-fi thriller that takes a terrifying look into the future. DON'T MISS THE SERIES—NOW STREAMING EXCLUSIVELY ON PRIME VIDEO! Flynne Fisher lives down a country road, in a rural America where jobs are scarce, unless you count illegal drug manufacture, which she’s trying to avoid. Her brother Burton lives on money from the Veterans Administration, for neurological damage suffered in the Marines’ elite Haptic Recon unit. Flynne earns what she can by assembling product at the local 3D printshop. She made more as a combat scout in an online game, playing for a rich man, but she’s had to let the shooter games go. Wilf Netherton lives in London, seventy-some years later, on the far side of decades of slow-motion apocalypse. Things are pretty good now, for the haves, and there aren’t many have-nots left. Wilf, a high-powered publicist and celebrity-minder, fancies himself a romantic misfit, in a society where reaching into the past is just another hobby. Burton’s been moonlighting online, secretly working security in some game prototype, a virtual world that looks vaguely like London, but a lot weirder. He’s got Flynne taking over shifts, promised her the game’s not a shooter. Still, the crime she witnesses there is plenty bad. Flynne and Wilf are about to meet one another. Her world will be altered utterly, irrevocably, and Wilf’s, for all its decadence and power, will learn that some of these third-world types from the past can be badass.
New urban forms characterizing contemporary metropolises reflect a certain continuity with the patterns of the past. They also include unexpected forms of settlement and design that have emerged in response to social and economic needs and as a way of leveraging new technologies. Politics of the Periphery sets out to explore sub/urban governance in diverse contexts in order to better understand how materiality and space are shaped by the possibilities and constraints of confronting actors. This collection, edited by Pierre Hamel, examines the empirical aspects of collective action and planning in eight urban regions around the world – across North America, Europe, Asia, and Africa – and reveals the impacts and consequences of various structures of suburban governance. The case studies feature a diverse range of local actors facing both the specificity of their respective milieus and the broader context of extended urbanization as metropolitan regions cope with new territorial challenges. The book focuses on suburbanization processes that characterize most of these post-metropolitan regions and questions whether it is possible to improve suburban governance in the face of growing uncertainties arising from structural and subjective transformations. Paying close attention to the relationship between the local and the global, Politics of the Periphery challenges the planning processes of evolving metropolitan regions.
The analysis of the relationship between center and periphery is one of many theoretical approaches found in all fields of the Humanities. Looking at this special relationship from several disciplinary perspectives is an effective methodology for establishing connections between various fields of study. Consequently, the issue contains articles dealing with, among others, the Russian enterprise in Alaska, German polar exploration, gender in Islamic contexts in Europe, labor relations, 'economic securitization', cultural nationalism in Ghana, and Robert Rodriguez's movie Machete. The historical perspective of cultural reception, the economic relationship between central and peripheral areas as well as the development of stereotypes as a consequence of the exchange between both areas are also part of the discussion. The first issue of Global Humanities therefore provides a broad outlook on the periphery-center relationship, giving the interested reader an insight into the different working fields of several disciplines within the Humanities. It furthermore can be considered an argument for strengthening interdisciplinary work in the future, highlighting the interconnectedness of history, literature, art, politics and many other disciplines.
