With Playing God, Andy Crouch opens the subject of power, elucidating its subtle activity in our relationships and institutions. He gives us much more than a warning against abuse, though. Turning the notion of "playing God" on its head, Crouch celebrates power as the gift by which we join in God's creative, redeeming work in the world.
“I am a doctor.” Every year, thousands of medical school graduates utter these four simple words. But as you will see in Playing God, earning an M.D. is just the first step to becoming a real physician. In this page-turning, thrilling, and moving memoir, Dr. Anthony Youn reveals that the true metamorphosis from student to doctor occurs not in medical school but in the formative years of residency training and early practice. It is only through actually saving and losing patients, taking on the medical establishment, wrestling with financial and emotional survival, and fighting for patients’ lives that a young doctor becomes a mature and competent physician. Dr. Youn takes you from the operating rooms of a university surgery residency program to the gleaming offices of top Beverly Hills plastic surgeons to opening the doors of his empty clinic as a new doctor with no money, no patients, and mountains of debt. Playing God leaves you with an unexpected answer to that profound question: “What does it mean to be a doctor?” In Playing God, you will take a journey through the world of surgery, hospitals, and the practice of medicine unlike any that you have traveled before.
Chase asserts that Yellowstone is being destroyed by the very people assigned to protect it: the National Park Service. Named as one of "ten books that mattered" in the 1980s by Outside magazine and a book of continuing crucial relevance. Index; map.
Since the original publication of Playing God? in 1996, three developments in genetic technology have moved to the center of the public conversation about the ethics of human bioengineering. Cloning, the completion of the human genome project, and, most recently, the controversy over stem cell research have all sparked lively debates among religious thinkers and the makers of public policy. In this updated edition, Ted Peters illuminates the key issues in these debates and continues to make deft connections between our questions about God and our efforts to manage technological innovations with wisdom.
Religious drama was one of the most vital art forms of the medieval era. In medieval mystery plays, God appeared as one of the characters, along with angels, saints, the devil, and others. Until very recently however, the revival of interest in medieval culture has not included drama, beacuse of a lingering fear of blasphemy associated with the representation of God on the stage. In Britain this fear was the legacy of a theatrical censorship which has been exercised by the Lord Chamberlain's office for hundreds of years. Since that power was abolished in 1968, medieval religious, or mystery, plays are once again appearing on the stages of many countries. John R. Elliott Jr. studies the modern context of this important medieval genre. He begins by describing general attitudes towards religious drama from the time of the reformation, the popularity of the Oberammergaru Passion Play in Victorian times, and specific attempts by producers to overcome official hostility to religious plays. He traces the history of the major modern productions of the mystery cycles, such as the York Festival and the Bristol University performance of the Cornish Ordinalia, and provides information about the careers of the two leading pioneers of modern mystery-play production. The concluding chapter discusses the chief practical and aethetic problems involved in staging mystery plays for modern audiences, and assesses the overall importance of their revival in the larger context of British there today.
Imagine a child beginning to play her instrument of choice. At first, the sounds seem more discordant than melodic. Then, imagine her several months later, at her first recital. How proud she is! Imagine a young woman sitting with her instrument, waiting to begin. This is her tenth recital, and she knows she is one of the master's top students. How proud she feels! Imagine a woman sitting onstage at the concert hall with the orchestra surrounding her. After many years, she is finally aEURoeready.aEUR She is poised to begin the first of her solo selections. She is proud to be a part of this particular orchestra. Where are you in this picture? Are you the young beginner, the top student, the pro? How do you play God's music?
In The Consequences of Playing God: Tales from Lingor High, Robert Joseph Foley takes the reader on a wicked journey through four decades of school life in the fictional town of Van der Donck, NY. Here is a mordant satire exploring a world filled with impossible to forget characters and incidents: a dark vision of American education that needs to be read and reread by anyone with an investment in our children and the school systems to which they are exposed. Parents,teachers, students, administratorsthis book leaves no one unscathed. Frightening! Compelling! At times harrowing and diabolical, at times both moving and hilarious, these Tales from Lingor High tread the thin line hovering between tragedy and farce. When all is said and done, it is the children who will be remembered. Try to wipe them from your mind. They will haunt you forever. By the same Author of: These Little Poems of Death and after Life