Greatness is in the eye of the beholder and any measure of that greatness stirs debate, outrage and a passion that burns deep in the soul of any professional football fan. The beholder in this volume is a team of editors from THE SPORTING NEWS, the publication that has chronicled the rise of the professional game from its club-sport infancy to the multimillion dollar National Football League that exists today. Not only have the top 100 professional football players of the century been selected, but they have been recording to the talent, passion, and excitement they brought to the field and the emotion they stirred among generations of fans.
This two-volume English translation of part of a longer narrative by the Ottoman aristocrat Evliya Çelebi (1611-c.1680) was published in 1834. It offers a fascinating assemblage of topics varying from the fountains of Istanbul to a journey to Georgia. Volume 1 includes a short biography of Çelebi.
This book deals with the 19th century Anglo-Russian Great Game played out on the territorial chessboard of eastern and north-eastern parts of the waning Persian empire. The Great Game itself has been written about extensively, but never from a Persian angle and from the point of view of the local players in that game. Looking at the territorial consequences of the Great Game for the local players is a unique approach, which deserves a special place in the studies of history, geography, politics and geopolitics of the age of modernity.
The Records of Early English Drama (REED) series aims to establish the context for the great drama of Shakespeare and his contemporaries by examining the historical manuscripts that provide external evidence of drama, secular music, and other communal entertainment and ceremony from the Middle Ages until Puritan legislation closed the London theatres in 1642. REED's sixteenth collection, Kent: Diocese of Canterbury contains the evidence of dramatic, musical, and ceremonial activity in the city of Canterbury and in the towns and parishes of the diocese of Canterbury, taken from the borough records, parish records, civil and ecclesiastical court records, and from personal papers such as wills, diaries, and letters. This collection includes over 4,000 payments to travelling players from the earliest recorded payment in 1272, when the monks of Christ Church, Canterbury, paid for entertainment on the feast day of St Thomas Becket, to the last recorded payment in 1641 in Puritan Canterbury for players not to play. It also features the Canterbury marching watch with pageants, including the pageant of St Thomas Becket; the New Romney passion play; numerous visits of nobility and royalty to Faversham, Canterbury, and Dover, being the main stops along Watling Street between London and the Continent; the activities of waits, drummers, and other civic musicians in the ancient towns and cities of Kent; and extensive evidence from court cases, borough ordinances, and chamberlains' payments of the suppression of dramatic activity during the Puritan years of the late sixteenth and seventeenth centuries. As with all the REED volumes, Kent Diocese of Canterbury is transcribed from the original sources, edited, and presented with explanatory notes, translations, and a general introduction. The resulting volume forms the largest collections thus far in the REED series.