Kerouac

Kerouac

Author: Gerald Nicosia

Publisher:

Published: 2019-05

Total Pages: 192

ISBN-13: 9780578401409

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A history of Jack Kerouac's growing recognition and literary appreciation, as well as a narrative of the writer's stormy legacy, over the past 25 years (1993-2018). It contains detailed descriptions of the Kerouac Estate lawsuit, the death of Kerouac's daughter Jan, and the massive sell-off of material from Kerouac's archive.


The Oxford Guide to Literature in English Translation

The Oxford Guide to Literature in English Translation

Author: Peter France

Publisher: Oxford University Press, USA

Published: 2000

Total Pages: 692

ISBN-13: 9780199247844

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This book, written by a team of experts from many countries, provides a comprehensive account of the ways in which translation has brought the major literature of the world into English-speaking culture. Part I discusses theoretical issues and gives an overview of the history of translation into English. Part II, the bulk of the work, arranged by language of origin, offers critical discussions, with bibliographies, of the translation history of specific texts (e.g. the Koran, the Kalevala), authors (e.g. Lucretius, Dostoevsky), genres (e.g. Chinese poetry, twentieth-century Italian prose) and national literatures (e.g. Hungarian, Afrikaans).


Complete Organ Works, Volume III

Complete Organ Works, Volume III

Author: Johann Sebastian Bach

Publisher: Alfred Music

Published: 1999-12-21

Total Pages: 112

ISBN-13: 9781457471827

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Six Preludes and Fugues (Incl. St. Ann's Fugue), Three Toccatas and Fugues, Fantasy and Fugue


Text and Act

Text and Act

Author: Richard Taruskin

Publisher: Oxford University Press

Published: 1995-09-07

Total Pages: 391

ISBN-13: 0195357434

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Over the last dozen years, the writings of Richard Taruskin have transformed the debate about "early music" and "authenticity." Text and Act collects for the first time the most important of Taruskin's essays and reviews from this period, many of which now classics in the field. Taking a wide-ranging cultural view of the phenomenon, he shows that the movement, far from reviving ancient traditions, in fact represents the only truly modern style of performance being offered today. He goes on to contend that the movement is therefore far more valuable and even authentic than the historical verisimilitude for which it ostensibly strives could ever be. These essays cast fresh light on many aspects of contemporary music-making and music-thinking, mixing lighthearted debunking with impassioned argumentation. Taruskin ranges from theoretical speculation to practical criticism, and covers a repertory spanning from Bach to Stravinsky. Including a newly written introduction, Text and Act collects the very best of one of our most incisive musical thinkers.